Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin...(+)
Composed by Johannes
Brahms (1833-1897),
edited by Brown Clive.
Score for violin solo and
orchestra. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006526093.
Violin and Orchestra SKU: BT.EMBZ40073 By Gabor Darvas. By Johannes Brahm...(+)
Violin and Orchestra
SKU: BT.EMBZ40073
By Gabor Darvas. By
Johannes Brahms. EMB
Study Scores. Solo &
Concerto. Book Only. 116
pages. Editio Musica
Budapest #EMBZ40073.
Published by Editio
Musica Budapest
(BT.EMBZ40073).
Vittorio Monti : Czardas Orchestre, Violon [Conducteur et Parties séparées] - Intermédiaire Baton Music
By Vittorio Monti (1868-1922). Arranged by Marco Tamanini. For violin and concer...(+)
By Vittorio Monti
(1868-1922). Arranged by
Marco Tamanini. For
violin and concert band.
Baton Music Instrumental
Series. For Violin and
Orchestra. Grade 3. Full
score and parts. Duration
5:00. Published by Baton
Music
By Johannes Brahms (1833-1897). Edited by Clive Brown. For violin and orchestra ...(+)
By Johannes Brahms
(1833-1897). Edited by
Clive Brown. For violin
and orchestra (solo
violin/2 flutes/2 oboes/2
clarinets/2 bassoons/4
horns/2
trumpets/timpani/2
violins/viola/cello/doubl
e bass). This edition:
Paperback, Urtext
edition. Study score.
Text Language:
English/German. Opus 77.
101 pages. Duration 38'.
Published by Baerenreiter
Verlag
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
