Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra

SKU: CA.4045419

Composed by Christoph Graupner. Hymns by Martin Luther: Gelobet seist du, Jesu Christ. Complete orchestral parts. Sacred vocal music, Hymn settings, Advent, Christmas. Set of Orchestra Parts. Carus Verlag #CV 40.454/19. Published by Carus Verlag (CA.4045419).

ISBN 9790007137922.

Scor e and parts available separately - see item CA.4045400.

Orchestra

SKU: CA.4016607

Composed by Felix Bartholdy Mendelssohn. Edited by David Brodbeck. This edition: Paperbound. German title: Hymne/Drei Geistl. Lieder Und Fuge. Sacred vocal music, Hymns. Study score. 72 pages. Carus Verlag #CV 40.166/07. Published by Carus Verlag (CA.4016607).

ISBN 9790007092634.

Scor e available separately - see item CA.4016600.

Orchestra

SKU: CA.2035419

Composed by Heinrich Schutz. Edited by Konrad Kuster. This edition: urtext. Cycles: Schutz: Symphoniae sacrae II SWV 341-367. Stuttgart Urtext Edition: Schutz. Verleih Uns Frieden / Gib Unsern Fursten. Sacred concertos, Sacred vocal music, Peace and justice. Set of Orchestra Parts. Carus Verlag #CV 20.354/19. Published by Carus Verlag (CA.2035419).

ISBN 9790007142438.

Scor e and parts available separately - see item CA.2035400.

Featuring "The Syncopated Clock," "Sleigh Ride," "Blue Tango," "Plink, Plank, Plunk!," and "Serenata". By Leroy Anderson. Arranged by Jack Bullock. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score. 36 pages. Published by Alfred Publishing.

Featuring: The Syncopated Clock / Sleigh Ride / Blue Tango / Plink, Plank, Plunk! / Serenata. By Leroy Anderson. Arranged by Jack Bullock. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 234 pages. Published by Alfred Publishing.

Orchestra

SKU: CA.1221119

Composed by Eckehard Nickel and Lothar Gast. Children's music and musicals. Zwei Adventskantaten (2). Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Advent. Set of Orchestra Parts. Carus Verlag #CV 12.211/19. Published by Carus Verlag (CA.1221119).

ISBN 9790007141080.

Scor e and parts available separately - see item CA.1221100.

By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Claus Ogerman. For studio orchestra (English Vocal, Portuguese Vocal, Woodwind 1: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute, Woodwind 2: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute/Alto Flute, Woodwind 3: Bass Flute (Alto Flute Alt Part)/C Flute/Alto Flute, Woodwind 4: Bass Flute). Recorded by Antonio Carlos Jobim. Bossa Nova. Medium. Score and parts. Published by Jazz Lines Publications

Orchestra

SKU: CA.4016507

Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Hymne Hor Mein Bitten. Innovative practice aids, Sacred vocal music, Hymns, Whitsun. Study score. 48 pages. Carus Verlag #CV 40.165/07. Published by Carus Verlag (CA.4016507).

ISBN 9790007092641.

Scor e available separately - see item CA.4016500.

Orchestra

SKU: CA.2034619

Composed by Heinrich Schutz. Edited by Konrad Kuster. This edition: urtext. Cycles: Schutz: Symphoniae sacrae II SWV 341-367. Stuttgart Urtext Edition: Schutz. Ich Werde Nicht Sterben/Ich Danke Dir. Sacred concertos, Sacred vocal music, Psalms, German, Lent and Passiontide, Easter and Eastertide. Set of Orchestra Parts. Carus Verlag #CV 20.346/19. Published by Carus Verlag (CA.2034619).

ISBN 9790007140533.

Scor e and parts available separately - see item CA.2034600.

Vocal and Orchestra

SKU: BT.BH6400592

By Sir Thomas Beecham. By Frederick Delius. Arranged by Robert Threlfall. Score Only. 92 pages. Boosey & Hawkes #BH6400592. Published by Boosey & Hawkes (BT.BH6400592).

German-English.

Contents: Silken Shoes · Irmelin · The Seraglio Garden · The Violet · Cynara · A Late Lark · Sakuntala.

Orchestra

SKU: CA.1950219

Composed by Gunther Kretzschmar. Complete orchestral parts. Sacred vocal music, Songs for children, Advent, Christmas. Set of Orchestra Parts. Carus Verlag #CV 19.502/19. Published by Carus Verlag (CA.1950219).

ISBN 9790007192716.

Scor e and parts available separately - see item CA.1950200.

Orchestra (Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt])) - Level 4

SKU: CA.2801003

Composed by Wolfram Buchenberg. Vocal score. Duration 32 minutes. Carus Verlag #2801003. Published by Carus Verlag (CA.2801003).

ISBN 9790007296629. Latin.

An absolutely thrilling setting of the mass, influenced by Latin jazz, for large chorus, big band, and baritone. The composer takes as his theme people's deep-seated fear and its overcoming through faith. Suitable for concert or equally for liturgical performance

Soli, Speakers, Mixed Choir, Children's Choir and Orchestra

SKU: HL.49006396

A little Theatre of the World. Composed by Carl Orff. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1938. 176 pages. Duration 90'. Schott Music #ED6529. Published by Schott Music (HL.49006396).

ISBN 9790001069472. UPC: 884088464165. 9.0x12.0x0.417 inches. German - English.

Carl Orff's Der Mond (or The Moon) is an opera in one act, based on a fairy tale written by The Brothers Grimm.This Vocal score contains a Piano reduction of the original Orchestral accompaniment.

3 (auch 3 Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) *
2 (2. auch Kfg.) - 4 * 3 * 3 * 1 - P. S. (gr. Tr. * kl. Tr. * Ruhrtr. * Tamb. * Trgl. * Xyl. * Cymb. * versch. Beck. * gr. Tamt. * Ratsche * Rute * Schlittenschellen * Kast. * Uhrgl. * Rohrengl. * Glasersp. * Glsp. * Met.) (5 Spieler) - Hfe. * Cel. * Klav. * Harm. * Akk. *
Zither - Str.
Buhnenmusik: gem. Chor - Wachterhr. (Tuba) - Org. - S. (Glocke * 3 Ruhrtr. * gr. Tr. * Beck. * Tamt. * Donnermasch. * Windmasch. * Blitz, Einschlag).

Orchestra

SKU: CA.5463919

Composed by Michael Haydn. Edited by Armin Kircher. Weihnachtsresponsorien Mh 639. Sacred vocal music. Set of Orchestra Parts. Carus Verlag #CV 54.639/19. Published by Carus Verlag (CA.5463919).

ISBN 9790007138448.

Scor e and parts available separately - see item CA.5463900.

Soloists, mixed choir and small orchestra

SKU: HL.49015038

Composed by Knab. Sheet music. Edition Schott. Classical. Vocal/piano score. 40 pages. Schott Music #ED3278. Published by Schott Music (HL.49015038).

Violin and string orchestra

SKU: HL.49017774

Composed by Eugene Ysaye. This edition: Saddle stitching. Sheet music. String. Vocal/piano score. Op. 23. 18 pages. Schott Music #SF5597. Published by Schott Music (HL.49017774).

ISBN 9790543500167. 9.25x12.0x0.075 inches.

Orchestra

SKU: CA.1221319

Composed by Gunther Kretzschmar. Children's music and musicals. Complete orchestral parts. Sacred vocal music, Cantatas, Hymn settings, Cantatas and Singspiele for children, Advent, Christmas. Set of Orchestra Parts. Carus Verlag #CV 12.213/19. Published by Carus Verlag (CA.1221319).

ISBN 9790007141103.

Scor e and parts available separately - see item CA.1221300.

Choir Secular Narrator, Girl's chorus, Boy's chorus, Solo violin, and small orchestra

SKU: PE.EP68482

For Narrator, Girl's Chorus, Boy's Chorus, Solo Violin, and Small Orchestra (1972). Composed by William Goldstein. Choral Extended Work. Edition Peters. Christmas; Winter. Choral Octavo. 20 pages. Duration 00:06:00. Edition Peters #98-EP68482. Published by Edition Peters (PE.EP68482).

ISBN 9790300758770. English.

Poem by Clement Clarke Moore (A Visit From Saint Nicholas)

Orchestra

SKU: CA.200719

Composed by Various. Edited by Diethard Hellmann. Choral collections for women's choir. Gesange Zum Kirchenjahr Fur Frauenchor Sa. Sacred vocal music, Advent, Special days, End of the church year, Epiphany, Lent and Passiontide, New year, Holy Week, Easter and Eastertide, Whitsun, Trinity, Christmas, Daily hours. Set of Orchestra Parts. Carus Verlag #CV 02.007/19. Published by Carus Verlag (CA.200719).

ISBN 9790007193614.

Scor e and parts available separately - see item CA.200700.

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Orchestra (2.2.2.2/4.2.3.1,timp,str )

SKU: TM.06943SET

Composed by George Chadwick. Set Type: D. Set of parts. Lucks Music Library #A8037. Published by Lucks Music Library (TM.06943SET).

Chorus in English (no piano reduction); Vocal Score in French/English; Score in German/English. Narrator in score and vocal score only. Clothbound score. Overture, No. 1 Scherzo, No. 2 Melodram, Elfenmarsch (A March of Fairies), No. 3 Lied mit Chor (Song with Chorus), No. 4 Melodram, No. 5 Intermezzo, No. 6 Melodram, No. 7 Notturno, No. 8 Melodram, No. 9 Hochzeitmarsch (Wedding March), No. 10 Melodram, No. 11 Ein Tanz Von Ruplein (Dance of Clowns), No. 12 Melodram, No. 13 Finale.

Orchestra (2.2.2.2/4.2.3.1,timp,str )

SKU: TM.06943SC

Composed by George Chadwick. Score. Lucks Music Library #A8037. Published by Lucks Music Library (TM.06943SC).

Chorus in English (no piano reduction); Vocal Score in French/English; Score in German/English. Narrator in score and vocal score only. Clothbound score. Overture, No. 1 Scherzo, No. 2 Melodram, Elfenmarsch (A March of Fairies), No. 3 Lied mit Chor (Song with Chorus), No. 4 Melodram, No. 5 Intermezzo, No. 6 Melodram, No. 7 Notturno, No. 8 Melodram, No. 9 Hochzeitmarsch (Wedding March), No. 10 Melodram, No. 11 Ein Tanz Von Ruplein (Dance of Clowns), No. 12 Melodram, No. 13 Finale.