Orchestra (Study Score) SKU: HL.51489064 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489064
Study Score.
Composed by Franz Joseph
Haydn. Edited by Gernot
Gruber. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9064. Published by G.
Henle (HL.51489064).
UPC: 840126937640.
6.75x9.5x0.214
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Hailing from 1791, the
Symphony in D major no.
96 numbers among the
first symphonies written
in and for London. The
epithet given to it by
posterity, “The
Miracleâ€, was
bestowed erroneously, for
the miracle - that no one
was injured when a
chandelier fell during a
concert - took place
during a performance of a
different Haydn symphony.
And yet it is a miracle
of musical esprit
nonetheless; from the
subtle relations between
the motives consisting of
broken triads that open
all four movements, to
the virtuosic shifts in
mood owing to surprising
harmonies, Haydn here
submits a prime example
of how he develops
musical ideas. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: HL.14021025 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14021025
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 48 pages. Chester
Music #CH61838. Published
by Chester Music
(HL.14021025).
ISBN
9780711986138.
5.5x7.5x0.164
inches.
Miniature
Score. This work was
commissioned by the Royal
Philharmonic Orchestra.
It was first performed on
13th May 1998 London.
This piece is based on a
genuine old tune
'Maxwell's Strathspey'
which the composer found
in an 1824 collection of
Scottish melodies, and
which unfolds at the
start of the piece on
solo cello. Variations
and a bold up-tempo to
the quick dance we know
as a reel ultimately
yield to the magic that
has been promised right
at the start: the
northern lights take over
at the end of the piece.
Its inspiration comes
from a walk to a
community event in Hoy
Hall, during which Davies
saw the lights in the sky
pulsing in and out of
time with the sounds
coming from the hall.
Duration 12 minutes.
Conductor's score and
orchestral parts are
available on hire.
Intermezzo & Serenade
(Intermezzo No. 2).
Composed by Ermanno
Wolf-Ferrari. This
edition: M570050659.
Boosey & Hawkes
Scores/Books. Classical,
Contemporary. 36 pages.
Josef Weinberger
#M570050659. Published by
Josef Weinberger
(HL.48016646).
From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged by Robert Longf...(+)
From Encanto. Composed by
Lin-
Manuel Miranda (1980-).
Arranged by Robert
Longfield.
Easy Pop Specials For
Strings.
Disney, Movies.
Softcover.
Duration 180 seconds.
Published by Hal Leonard
New York, New York Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dy...(+)
Recorded by Frank
Sinatra. Edited by
Rob DuBoff, Jeffrey
Sultanof, and Dylan
Canterbury. Arranged by
Don Costa. Jazz, Swing.
Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-9510).
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
Study score.
Composed by Manuel
Hidalgo. Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 16,
1983
Music post-1945;
New music (post-2000).
Study Score. Composed
1982. 64 pages. Duration
22'. Breitkopf and
Haertel #PB 5119-07.
Published by Breitkopf
and Haertel
(BR.PB-5119-07).
ISBN
9790004208670. 9 x 12
inches.
Jeder
Kultur wohnt eine Moral
inne, welche die
menschlichen Handlungen
bewertet und in zwei
Kategorien einteilt:
gut/schlecht,
positiv/negativ usw. Der
Titel HARTO - zu deutsch:
satt, uberdrussig -
bezieht sich auf das
Unbehagen, das diese
dichotomische Auffassung
hervorruft: eine
Auffassung, die
gleichwohl in uns
verwurzelt ist und gerade
darum den Prozess
Wahrnehmung Ausserung
Kenntnis beeinflusst, ihm
zugehort. Tatsachlich
wird das musikalische
Phanomen dualistisch
konzipiert: Klang =
Ton/Gerausch;
Tonhohenanordnung =
Konsonanz/Dissonanz,
tonal/atonal; Struktur =
symmetrischer Bau
(Vordersatz/Nachsatz),
das scholastische Ideal
des Gleichgewichts, das
seinerseits eine
Symmetrieachse zur
Voraussetzung hat. Diese
Strukturierung des
Materials ergibt sich aus
dem fast
ausschliesslichen
Interesse des Komponisten
an den expressiven
Moglichkeiten des
musikalischen Apparats.
Die Motivation des
Komponierens aus dem
Drang, etwas Inneres
ausdrucken zu mussen,
erscheint mir jedoch
heute der Grundlage zu
entbehren und folglich
auch unnotig. Die
letztliche
Daseinsberechtigung
dieser Motivation liegt
in der dualistischen
Vorstellung, die beim
Menschen zwischen Leib
und Seele unterscheidet.
Ein Bluff, Produkt
kleinlicher
Disputiersucht. Eine
Analyse auf der Basis
empirischer Logik stellt
fest, dass es keine Seele
gibt, sondern ein
Nervensystem mit
bestimmten Fahigkeiten,
und dass nichts
auszudrucken ist, weil
Musik die Empfindungen
des Komponisten nicht
wiedergeben kann. sondern
lediglich unbestimmte
Eindrucke im Horer
erzeugt. Da aber jede
bewusste Wahrnehmung
Erkenntnis ist, ware es
nun die Aufgabe des
Komponisten, Musik mit
diesem Ziel, das heisst:
Musik als
Erkenntnismittel zu
schaffen. Dies alles ist
der Versuch, die
Erkenntnistheorie von
David Hume und anderen,
spateren Epistemologen
auf Musik anzuwenden. Der
Beitrag des Empirismus
zur Erkenntnistheorie
wurde zwar in der
wissenschaftlichen
Forschung genutzt, fand
jedoch in der Kunst kaum,
in der Musik keinerlei
Beachtung. Warum?
Vielleicht, weil in der
Musik noch immer der
naive, >>expressive<<
Komponist vorherrscht,
den das elitar-bourgeoise
Publikum verlangt und dem
es applaudiert. Der
Einwand, dass Kunst immer
bourgeois war und es
weiterhin ist, gibt zwar
keine Losung, sollte aber
auch nicht unterschatzt
werden. Ich habe HARTO in
zwei Teilen konzipiert,
wobei jeder Teil im
Verhaltnis zum anderen
sowohl irgendwie das
gleiche als auch das
Gegenteil darstellt. Der
Grund fur diese
Zweiteilung des Werkes
ist leicht aus dem vorhin
Gesagten abzuleiten. Als
Vorarbeit zur Komposition
habe ich versucht, die
historische dichotomische
Gestaltung des Materials
besonders hervorzuheben,
und zwar durch eine
Potenzierung jener
Aspekte, die diesen
-zweigeteilten<<
Charakter in sich tragen.
Ich habe also den
Zeitverlauf lediglich als
eine Folge von Spannungs-
und
Entspannungs-Einheiten
betrachtet; ich habe
Tonhohen-Anordnungen
verwendet, die
ausschliesslich auf
Symmetrie beruhen; ich
habe zweiteilige
Strukturen aufgebaut,
deren Halften durch eine
Pause mit konstantem Wert
geteilt sind; ich habe -
je nach den Moglichkeiten
des Orchesters - den
Gerausch- oder Tonanteil
des Klanges ubertrieben.
Dieser Gedankengang wurde
im Hinblick darauf
realisiert, neue
Anwendungsmoglichkeiten
zu finden, die fur das
Ziel einer Musik als
Erkenntnismittel von
Nutzen sein
konnen.(Manuel
Hidalgo).
(Violoncello/Double Bass Part Edited By Donald Burrows). By George Frideric Hand...(+)
(Violoncello/Double Bass
Part Edited By Donald
Burrows). By George
Frideric Handel
(1685-1759). Edited by
Donald Burrows. For
Orchestra. Music Sales
America. Softcover. 148
pages. Novello and Co
Ltd. #NOV09092605.
Published by Novello and
Co Ltd. (HL.14041819
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 3 SKU: AP.42079 Featuring: What Is Hip? / You're Sti...(+)
Orchestra - Grade 3
SKU: AP.42079
Featuring: What Is
Hip? / You're Still a
Young Man / Down to the
Nightclub. Composed
by David Garibaldi,
Emilio Castillo, and
Stephen Kupka. Arranged
by Victor Lopez. Full
Orchestra; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Form: Medley.
Blues; Funk; Jazz; Light
Concert. Score and
Part(s). 248 pages.
Duration 5:30. Alfred
Music #00-42079.
Published by Alfred Music
(AP.42079).
UPC:
038081480930.
English.
Want to
know what's hip? Well,
this is it! Give your
students and audiences a
taste of some real funky
music and don't be
surprised if you see
grandma getting down
during the performance.
Includes What Is Hip?,
You're Still a Young Man,
and Down to the
Nightclub. (5:30) This
title is available in
MakeMusic Cloud.
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: HL.14015535 Composed by Herbert Howells. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14015535
Composed
by Herbert Howells. Music
Sales America. 20th
Century. Score. 36 pages.
Music Sales #NOV890201.
Published by Music Sales
(HL.14015535).
ISBN
9780711986220.
8.25x11.75x0.135
inches.
Howells
wrote Penguinski for a
visit made to the Royal
College of Music in
London on 10 May 1933.
This score pays light and
affectionate tribute to
the considerable
popularity of Stravinksy
in London from the teens
of the twentieth century.
In Penguinski Howells
creates a knockabout
piece which shadowboxes
Petrushka. Whilst
underlining Howells's
versatility, the score
gives a colourful insight
into the prevailing
influences of the time,
and is an intriguing
example of how Stravinsky
must have sounded to his
English
contemporaries.
Orchestra (Study Score) SKU: HL.51489071 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489071
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9071. Published by G.
Henle (HL.51489071).
UPC: 840126989397.
6.75x9.5x0.268
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
E-flat-major Symphony no.
103 was composed in 1795
as the penultimate of the
London Symphonies. It
owes its epithet to its
unique beginning; a solo
drumroll in the timpani
ushers in the slow
introduction. This
opening bar, marked with
Haydn's heading
“Intrada†and
a pause, even inspires
many a performer to
venture a short timpani
improvisation. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: HL.51489062 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489062
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Music Folios.
Classical. Softcover. 66
pages. G. Henle #HN9062.
Published by G. Henle
(HL.51489062).
UPC:
840126951950.
6.75x9.5x0.263
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. To
this day, the G-major
symphony, first performed
in March 1792, numbers
among Haydn's most
popular works. It owes
its English nickname
“Surprise†to
the striking tutti chords
in the Andante, which
apparently caught the
audience off guard. Haydn
had consciously
incorporated this effect
at a later stage - and
was thus subsequently
also perfectly willing to
authorize this nickname
that had been dreamt up
by a London musician.
This popular work also
spread rapidly through
German-speaking
countries, where it is
still firmly established
in the repertoire as the
“symphony with the
drumbeat.†This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (3(3.picc).2.cor ang.2.2.dble bsn - 4.3.3.1 - timp - perc - hp - str) ...(+)
Orchestra
(3(3.picc).2.cor
ang.2.2.dble bsn -
4.3.3.1 - timp - perc -
hp - str)
SKU:
BR.PB-5709
Tone
Poem for Large Orchestra
after N. Lenau -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Early
modern. Full score. 120
pages. Duration 19'.
Breitkopf and Haertel #PB
5709. Published by
Breitkopf and Haertel
(BR.PB-5709).
ISBN
9790004216460. 10 x 12.5
inches.
Strauss
third tone poem Don Juan
was composed in spring
1888. This work is
already an impressive
demonstration of the
composer's newly acquired
confidence in mastering
the orchestral apparatus.
Already completed in the
fall, it took over a year
until its premiere in
Weimar on November 11,
1889. Breitkopf &
Hartel's new Urtext
edition assesses not only
the autograph and the
first edition, but also
for the first time the
parts used under the
composer's direction,
resulting in some
surprisingly new
readings. An extensive
preface, facsimile pages,
and a detailed critical
report round off this
authoritative Urtext
edition.
First
Urtext edition since the
first edition. Evaluation
of all available sources,
including some orchestral
parts used by Strauss. A
detailed critical report.
Complete orchestral
material available for
purchase.
Orchestra (picc.2.2.cor
ang.2.B-clar.2.dble bsn -
4.3.3.1. - timp.perc(3) -
hp - cel - str)
SKU:
BR.PB-5105-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Bremen,
February 1, 1982
Symphony; Music
post-1945. Study Score.
Composed 1981. 68 pages.
Duration 17'. Breitkopf
and Haertel #PB 5105-07.
Published by Breitkopf
and Haertel
(BR.PB-5105-07).
ISBN
9790004208557. 9 x 12
inches.
Gesualdo,
Don Carlo, Furst von
Venosa (1560-1613) gehort
zu den eigenwilligsten
italienischen
Madrigal-Komponisten der
Spatrenaissance. Seine
ungewohnlich kuhne,
selbst fur heutige Ohren
modern klingende
Harmonik, seine
chromatischen
Stimmfortschreitungen,
seine ubersteigerte
expressive Tonsprache
regten mich schon vor
Jahren zu einer grosseren
Orgelkomposition an und
inspirierten mich 1981 zu
den >>Sinfonischen
Metamorphosen<<. Dieses
Werk ist eine
vielgestaltige
weitausgesponnene
Fantasie. Sieben
choralartige typische
Klangbeispiele aus
Gesualdos spaten
funfstimmigen Madrigalen
(4., 5. u. 6. Band)
werden teils streng,
teils frei zitiert und
von Holz- oder
Blechblasern intoniert.
Diese Zitate gliedern,
als formale und
inhaltliche Schwer- und
Ruhepunkte, den Verlauf
des gesamten Werks. Jedes
Zitat steht zu Beginn
eines neuen
Satzabschnitts; die
darauffolgenden
>>Metamorphosen<<
entwickeln sich als
rhapsodische
kontrastreiche
Charakterstucke. Im
>>Preludio<< werden aus
den vertonbaren
Buchstaben vom Namen
>>Gesualdo<< (G - E - Es
- A - D) schwebende
Klangflachen,
rezitativische Gedanken
und ein pragnantes
rhythmisches Paukenthema
gebildet. Diese
,,Grundelemente
(Grundstrukturen) tauchen
im Verlauf des Stucks
immer wieder
leitmotivisch auf. Im
zweiten Abschnitt stehen
sich lineare
Streicher-Episoden und
dichte
Blaser-Klangballungen
kontrastierend gegenuber.
Der dritte Teil lauft als
Passacaglia (Thema ist
der Bass eines
Gesualdo-Zitats) in
mehreren Variationen ab.
Im vierten Abschnitt
dominiert lebhafte
Streicherbewegung,
kontrapunktiert von
tiefen Blaser-Signalen.
Der funfte Teil steigert
sich- nach kantablem
Beginn- zum ekstatischen
Trauermarsch. Abschnitt
sechs stellt sich als
>>Rondello<< dar, mit um
sich selbst kreisenden
Klangfiguren (in
verschiedenen Tongruppen
(zwei, drei, funf). Im
siebten und letzten Teil
wird die
verhalten-resignierende
Stimmung des Anfangs
beschworen, ehe eine
knappe Stretta in den
hymnischen Schluss
mundet. In den Textender
ausgewahlten Zitatstellen
geht es meist um
Todessehnsucht,
Liebesqual und
Verzweiflung. z. B. 1.
und 2. Zitat: Moro lasso,
al mio duolo (Ich sterbe,
matt, an meiner Qual) (6.
Buch) 3. Zitat: Gia
piansi nel dolore; o
dolorosa Sorte (Schon
weinte ich in Schmerzen,
oh schmerzliches
Geschick) (6. Buch) 4.
Zitat: Ahi gia mi
discolero (Ach schon
entfarbte ich mich)
(Wehe, der Tod kommt) (4.
Buch) 5. Zitat:
Dolcissima mia vita (Mein
allerliebstes Leben)
(Dich zu lieben oder zu
sterben) (5. Buch) 6.
Zitat: lo moro (Ich
sterbe) (5. Buch) Dem
Werk liegen zwar eine
Reihe von
dodekaphonischen
Strukturen zugrunde (die
teilweise von Gesualdos
Klangzitaten abgeleitet
wurden), doch sind die
einzelnen Abschnitte
auf,,tonale Pfeiler (G -
E - A - D) gegrundet; das
Stuck beginnt in G und
endet aufD, ist also
ubergeordnet tonal
konzipiert, - der Versuch
einer Synthese moderner
Ausdrucksmittel von
Vergangenheit und
Gegenwart. Die
>>Metamorphosen<< sind
ein Stuck Bekenntnismusik
- Bekenntnis zum Leben
und Schaffen Gesualdos,
eines Mannes, der vom
Schicksal gezeichnet war,
denn der Chronik Neapels
bekannt war durch die
Ermordung seiner ersten
Frau und ihres
Liebhabers. Dieser
eminente Musiker war
zugleich ein Mensch von
ubertriebener
Sensibilitat und wilder
ekstatischer Heftigkeit:
,,Er wurde von einer
Horde von Damonen
heimgesucht, die ihm
keine Ruhe gaben, heisst
es in einem
zeitgenossischen Bericht.
Seine Kunst und sein
Leben stand unter dem
Gesetz der inneren
Zerrissenheit, zwischen
Auflehnung und
Resignation (Verzweiflung
und Hoffnung), zwischen
Zartheit und
Leidenschaft. Davon will
meine Musik etwas
aussagen. (Jurg
Baur)CD:Sinfonieorchester
des Westdeutschen
Rundfunks, cond. Rudolf
BarschaiCD Thorofon CTH
2270Bibliography:Abels,
Robert: Studien zur
Gesualdo-Rezeption durch
Komponisten des 20.
Jahrhunderts (= Studien
zur Musik 20), Leiden u.
a.: Wilhelm Fink 2017,
pp. 277-345,
485-489.Wallerang, Lars:
Die Orchesterwerke Jurg
Baurs als Dialog zwischen
Tradition und Moderne,
Koln: Dohr 2003.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 32 pages. Duration
6'. Breitkopf and Haertel
#PB 5267. Published by
Breitkopf and Haertel
(BR.PB-5267).
ISBN
9790004209936. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Orchestra SKU: LO.30-2684L Composed by Don Hart. Choral. Sacred Anthem, A...(+)
Orchestra
SKU:
LO.30-2684L
Composed
by Don Hart. Choral.
Sacred Anthem, Advent,
Christmas. Orchestral
score and parts. Lorenz
Publishing Company
#30/2684L. Published by
Lorenz Publishing Company
(LO.30-2684L).
UPC:
000308128024.
Rever
ent and worshipful, this
beloved gospel Christmas
classic has been set in a
beautiful arrangement by
Don Hart. Lovely
harmonies are highlighted
in the accessible choral
parts, which float atop
an elegant accompaniment.
A gorgeous, optional
orchestration is also
available to complement
this touching Christmas
anthem. Instrumentation:
2 Fl, Ob, 2 Cl, Bsn, 3
Tpt, 2 Hn, 2 Tbn, Tba, 2
Perc, Timp, Harp, Pno, 2
Vln, Vla, Cello,
Bass.
Orchestra SKU: FG.042-08465-6 Composed by Erik Valdemar Bergman. Score. P...(+)
Orchestra
SKU:
FG.042-08465-6
Composed by Erik Valdemar
Bergman. Score. Published
by Fennica Gehrman
(FG.042-08465-6).
ISBN
979-0-042-08465-6.
In Poseidon, commissioned
by the National Symphony
Orchestra of Washington
and Mstislav
Rostropovich, Bergman
turns to the Greek god of
the sea and lord of the
earthquake as a symbol
for primaeval power and
the wellspring of
creativity. In the ocean
depths - the subconscious
- power stirs and rises
to the threshold of
consciousness. It
projects itself into the
second movement's
eruption of energy, after
which follows recovery
and calm. Composed in
1992.
Orchestra (Study Score) SKU: HL.51489070 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489070
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9070. Published by G.
Henle (HL.51489070).
UPC: 840126989410.
6.75x9.5x0.259
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
energetic, surging
B-flat-major Symphony no.
102 belongs to the group
of the last three
symphonies premiered in
early 1795.
Exceptionally, Haydn here
dispenses with the
clarinets that are
otherwise generally
featured in his late
symphonies. The
instrumentation of the
Adagio is also unusual,
in that Haydn includes
trumpets and timpani,
both muted. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by H. C. Robbins Landon....(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by H.
C. Robbins Landon. For
orchestra. This edition:
Complete edition, Urtext
edition. Linen. New
Mozart Edition. Series
IV, Volume 11/9.
Musikhandschriften,
Klassik (Manuscripts,
Classical). Score,
Anthology. 268 pages.
Published by Baerenreiter
Verlag
Orchestra SKU: HL.14021044 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14021044
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Studyscore. Composed
2002. 114 pages. Chester
Music #CH61797. Published
by Chester Music
(HL.14021044).
ISBN
9780711984813.
Roma
, Amor, Labyrinthos for
orchestra was
commissioned by the Royal
Philharmonic Orchestra
and first performed on
2nd May 2000 at the
Barbican Hall, London.
The Independent, May
2000: Roma, Amor,
Labyrinthus captures the
composers recollections
of Rome as a student in
the late '50s under
Goffredo Petrassi, to
whom the work is
dedicated... [this is]
one of Sir Peter's most
spectacular scores,
evoking the might of the
ancient city from a very
personal viewpoint.
Duration 43 minutes.
Conductor's score and
orchestral parts are
available on hire.