Serie IX (Schriften) Vol. 4.3: Briefe 1952-1956. Composed by Hanns Eisler ...(+)
Serie IX (Schriften) Vol.
4.3: Briefe 1952-1956.
Composed by Hanns Eisler
(1898-1962). Edited by
Maren
Koster. Restless Times.
Breitkopf and Haertel #BV
350. Published by
Breitkopf
and Haertel
La Mer Orchestre [Conducteur d'étude / Miniature] Barenreiter
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited b...(+)
(Trois esquisses
symphoniques). Composed
by Claude Debussy
(1862-1918). Edited by
Douglas Woodfull-Harris.
For orchestra (2
flutes/soprano flute/2
oboes/english
horn/clarinet/2
bassoons/5
contrabassoons/2
trumpets/horn/2
trombones/tuba/percussion
/celeste/2
harps/strings). This
edition: Urtext edition.
Paperback. Study score.
Text Language:
English/French/German.
Duration 10 minutes.
Published by Baerenreiter
Verlag
(En Sus Alas). By Michael Joncas. Arranged by Lloyd Larson. Orchestra. For 2 flu...(+)
(En Sus Alas). By Michael
Joncas. Arranged by Lloyd
Larson. Orchestra. For 2
flutes, oboe, 2
clarinets, 2 bassoons, 3
trumpets, 2 Horns, 2
trombones, tuba, 2
percussion, harp, violin
1 and 2, viola, cello,
bass. Sacred Anthem:
General, Lent, Memorial,
Wedding. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
(Orchestra) SKU: HP.8464 Arranged by Jack Schrader. Lent/Easter, Cantata....(+)
(Orchestra)
SKU:
HP.8464
Arranged by
Jack Schrader.
Lent/Easter, Cantata.
Lent & Easter Musicals.
Lent, Easter Sunday,
Sacred. Set of
Instrumental Parts. Hope
Publishing Company #8464.
Published by Hope
Publishing Company
(HP.8464).
UPC:
763628184643.
Lent
& Easter Musical This new
45-minute, Easter musical
from Jack Schrader
utilizes three powerful
devices to dramatically
portray Christ's passion
and glory: well-conceived
choral music,
scintillating orchestral
accompaniment, and
passionate narrations,
with much detail drawn
from the gospels. The
story begins before the
Triumphal Entry of
Christ, and ends, by
implication, beyond his
Ascension. Chorally you
will find many poignant
and powerful moments.
Talented orchestrator,
Mark Kellner, has
provided exquisite
instrumental mosaics to
underscore and support
both choir and narration.
Yet the simple use of
piano accompaniment would
also be very satisfying.
At the most high and holy
time of the Christian
year, this musical
presentation powerfully
proclaims the truth of
the Gospel, and confronts
listener and performer
alike with the claims of
Jesus Christ, the Son of
God.
The
Orchestration contains a
Conductor's Score and
parts for: Flute, Oboe,
Clarinet, 3 Trumpets, 2
Horns, 2 Trombones, Tuba,
Percussion, Timpani,
Harp, Violin 1 & 2,
Viola, Cello, Bass,
Piano, and Electric
Bass.
Full orchestra SKU: LO.30-3466L Composed by Mary McDonald. Choral. Sacred...(+)
Full orchestra
SKU:
LO.30-3466L
Composed
by Mary McDonald. Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts. Lorenz
Publishing Company
#30/3466L. Published by
Lorenz Publishing Company
(LO.30-3466L).
UPC:
000308147025.
Throu
gh dramatic and inspiring
music and lyrics, this
anthem calls the church
to be on a mission to
spread the good news of
Christ—news the
world needs to hear. We
are also reminded that as
we respond to the needs
around us, we cling to
the cross of Christ that
leads us on!
Full orchestra SKU: LO.30-3465L Composed by Mary McDonald. Choral. Sacred...(+)
Full orchestra
SKU:
LO.30-3465L
Composed
by Mary McDonald. Choral.
Sacred Anthem. Orchestral
score and parts. Lorenz
Publishing Company
#30/3465L. Published by
Lorenz Publishing Company
(LO.30-3465L).
UPC:
000308147018.
Throu
gh dramatic and inspiring
music and lyrics, this
anthem calls the church
to be on a mission to
spread the good news of
Christ—news the
world needs to hear. We
are also reminded that as
we respond to the needs
around us, we cling to
the cross of Christ that
leads us on!
New World Symphony Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
First Movement. By Antonin Dvorak. Arranged by Merle J. Isaac. By Antonin Dvorak...(+)
First Movement. By
Antonin Dvorak. Arranged
by Merle J. Isaac. By
Antonin Dvorak / arr.
Merle Isaac. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Conductor
Score and Parts. 240
pages. Duration 8:56.
Published by Alfred
Publishing. Level:
3.5 (grade 3.5).
By Antonin Dvorak. Arranged by Merle J. Isaac. By Antonin Dvorak / arr. Merle Is...(+)
By Antonin Dvorak.
Arranged by Merle J.
Isaac. By Antonin Dvorak
/ arr. Merle Isaac. For
Full Orchestra. Full
Orchestra. Concert Full
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score. 36 pages.
Published by Alfred
Publishing.
By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Co...(+)
By Gioachino Rossini.
Edited by Tommy J. Fry.
Arranged by Erik W. G.
Leidzen. Concert Band.
For Piccolo, Flute I,
Flute II, Oboe I, Oboe
II, English Horn,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV, Horn I, Horn
II, Horn III, Horn IV,
Tenor I, Tenor II, Tenor
III, Euphonium, Tuba,
Contrabass, Timpani,
Snare Drum, Xylophone,
Triangle, Suspended
Cymbal, Bass Drum. Carl
Fischer Classic Band
Editions. Level: Grade 6.
Score and Set of Parts.
79 pages. Duration 3:15.
Published by Carl
Fischer.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). C...(+)
Tone Poem - Urtext based
on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean Sibelius
(1865-1957). Edited by
Timo
Virtanen. Full score.
Breitkopf and Haertel
#PB-
5658. Published by
Breitkopf
and Haertel
New York, New York Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dy...(+)
Recorded by Frank
Sinatra. Edited by
Rob DuBoff, Jeffrey
Sultanof, and Dylan
Canterbury. Arranged by
Don Costa. Jazz, Swing.
Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-9510).
By Richard Meyer. Music by Richard Meyer. For Full Orchestra. Full Orchestra. Fu...(+)
By Richard Meyer. Music
by Richard Meyer. For
Full Orchestra. Full
Orchestra. Full
Orchestra. Level: 4
(grade 4). Conductor
Score. 32 pages.
Published by Alfred
Publishing.
Composed by Antonin
Dvorak. Arranged by
Harvey S. Whistler and
Herman Hummel. Easy Music
For Strings. Classical.
Published by Hal Leonard
(HL.4491051).
UPC:
884088551018.
9.0x12.0x0.009
inches.
Dvorák
was extremely interested
in Native American and
African American melody,
and his Symphony No. 9
(From the New World)
included influences of
both. This easy
arrangement wonderfully
includes the two
best-known melodies from
his famous symphony.
Carmen Suite Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Arranged by Jack Bullock. Orchestra. Full Orchestra. Belwin Concert Full Orchest...(+)
Arranged by Jack Bullock.
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Grade
3.5. Conductor Score and
Parts. 360 pages.
Published by Alfred Music
Publishing
Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Composed by Edward Elgar.
Edited by Barbara Mohn.
Vocal score. Composed
1900. Op. 38. Duration
100 minutes. Carus Verlag
#2300403. Published by
Carus Verlag
(CA.2300403).
ISBN
9790007240790.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
By Antonin Dvorak. Arranged by Jerry Brubaker. By Antonin Dvorak / arr. Jerry Br...(+)
By Antonin Dvorak.
Arranged by Jerry
Brubaker. By Antonin
Dvorak / arr. Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: 2.5
(grade 2.5). Conductor
Score and Parts. 116
pages. Duration 5:35.
Published by Alfred
Publishing.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
By Antonin Dvorak. Arranged by Richard Meyer. Music by Antonin Dvorak / arr. Ric...(+)
By Antonin Dvorak.
Arranged by Richard
Meyer. Music by Antonin
Dvorak / arr. Richard
Meyer. For Full
Orchestra. Full
Orchestra. First
Philharmonic. Level: 1
(grade 1). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
Orchestra SKU: PO.PEL23S Composed by Douglas Lilburn. Sws. Score. Prometh...(+)
Orchestra
SKU:
PO.PEL23S
Composed by
Douglas Lilburn. Sws.
Score. Promethean
Editions #PEL23S.
Published by Promethean
Editions (PO.PEL23S).
ISBN
9781877564468.
Lilb
urn's A Song of Islands
(1946) is an essential
work to study in the
history of New Zealand
orchestral music. This
early work is a fine
example of how Lilburn
directly intended to
capture the essence of
New Zealand as a whole.
Central to this work is a
chorale-like theme that
develops through an
arch-like form. This
critical edition is the
first computer-engraved
publication of the work,
and is the third of four
volumes published in
celebration of the
centenary of Lilburn's
birth in 1915.Douglas
Lilburn occupies a
pre-eminent position in
New Zealand music, with a
legacy extending well
beyond his compositional
output. As a composer,
teacher and mentor he
presided in innumerable
ways over the artistic
growth of New Zealand
from 1940 onwards. From
the early works redolent
of the influence of
Sibelius and Vaughan
Williams, to the
electro-acoustic pieces
of his later years, his
works have been
instrumental in
establishing a genuine
vernacular in New Zealand
classical music.
Aboriginal Rituals Orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Alfred Publishing
By Elliot A. Del Borgo. Edited by George Megaw. Arranged by Elliot A. Del Borgo....(+)
By Elliot A. Del Borgo.
Edited by George Megaw.
Arranged by Elliot A. Del
Borgo. Orchestra (Full
orchestra). 282 pages.
Published by Alfred
Publishing.