Concert band with choir/voice - Grade 2

SKU: RM.STRA00659-BA

Composed by Johann Strauss Jr. Arranged by Boquet. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #STRA00659-BA. Published by Editions Robert Martin (RM.STRA00659-BA).

ISBN 9790231006599.

Concert band with choir/voice - Grade 1

SKU: RM.MARL00163-BA

Composed by Anna Marly. Arranged by Monniotte. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #MARL00163-BA. Published by Editions Robert Martin (RM.MARL00163-BA).

ISBN 9790231001631.

Concert band with choir/voice - Grade 1

SKU: RM.MARL00163-CH

Composed by Anna Marly. Arranged by Monniotte. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #MARL00163-CH. Published by Editions Robert Martin (RM.MARL00163-CH).

Orchestra - Grade 4

SKU: AP.41225S

Movement 1. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Score. 48 pages. Belwin Music #00-41225S. Published by Belwin Music (AP.41225S).

UPC: 038081478876. English.

A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in MakeMusic Cloud.

Concert band with choir/voice - Grade 2

SKU: RM.HAEN00655-BA

Composed by Haensler. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #HAEN00655-BA. Published by Editions Robert Martin (RM.HAEN00655-BA).

ISBN 9790231006551.

Concert band with choir/voice - Grade 1

SKU: RM.MARL00163-CO

Composed by Anna Marly. Arranged by Monniotte. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #MARL00163-CO. Published by Editions Robert Martin (RM.MARL00163-CO).

Orchestra (Fl-Picc, Fl, Trp, V, Va, timpani, bassoon, Vc, double bass, Continuo)

SKU: BA.BA07569

Ballet héroïque in one prologue and three entrées. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. Baerenreiter Verlag #BA07569_00. Published by Baerenreiter Verlag (BA.BA07569).

ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac.

Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Concert band with choir/voice - Grade 4

SKU: RM.ROSS02383-CO

Composed by Gioachino Rossini. Arranged by Beauregard. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #ROSS02383-CO. Published by Editions Robert Martin (RM.ROSS02383-CO).

Concert band with choir/voice - Grade 2

SKU: RM.GOSS08123-CH

Composed by Francois-Joseph Gossec. Arranged by Desire Dondeyne. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #GOSS08123-CH. Published by Editions Robert Martin (RM.GOSS08123-CH).

Concert band with choir/voice - Grade 2

SKU: RM.STRA00659-CO

Composed by Johann Strauss Jr. Arranged by Boquet. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #STRA00659-CO. Published by Editions Robert Martin (RM.STRA00659-CO).

Concert band with choir/voice - Grade 4

SKU: RM.GOUN02773-BA

Composed by Charles Francois Gounod. Arranged by Jean Charles Biondi. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #GOUN02773-BA. Published by Editions Robert Martin (RM.GOUN02773-BA).

ISBN 9790231027730.

Concert band with choir/voice - Grade 2

SKU: RM.BERL02311-BA

Composed by Hector Berlioz. Arranged by Claude Pichaureau. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #BERL02311-BA. Published by Editions Robert Martin (RM.BERL02311-BA).

ISBN 9790231023114.

Concert band with choir/voice - Grade 3

SKU: RM.MOZA02728-BA

Composed by Wolfgang Amadeus Mozart. Arranged by Guilbert. Music with chorus, voices. Orchestra. Full set. Duration 3 minutes, 10 seconds. Editions Robert Martin #MOZA02728-BA. Published by Editions Robert Martin (RM.MOZA02728-BA).

ISBN 9790231027280.

CD Mosaique - choeurs d'hommes.

Concert band with choir/voice - Grade 4

SKU: RM.AMIO03451-BA

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #AMIO03451-BA. Published by Editions Robert Martin (RM.AMIO03451-BA).

ISBN 9790231034516.

Concert band with choir/voice - Grade 3

SKU: RM.AMAD02193-BA

Composed by Amade. Arranged by Claude Pichaureau. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #AMAD02193-BA. Published by Editions Robert Martin (RM.AMAD02193-BA).

ISBN 9790231021936.

Concert band with choir/voice - Grade 4

SKU: RM.MOZA02731-CO

Composed by Wolfgang Amadeus Mozart. Arranged by Desire Dondeyne. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #MOZA02731-CO. Published by Editions Robert Martin (RM.MOZA02731-CO).

Concert band with choir/voice - Grade 4

SKU: RM.HAEN02754-CH

Composed by Georg Frederich Haendel. Arranged by Michel Moisseron. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #HAEN02754-CH. Published by Editions Robert Martin (RM.HAEN02754-CH).

Concert band with choir/voice - Grade 4

SKU: RM.AMIO03445-CH

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #AMIO03445-CH. Published by Editions Robert Martin (RM.AMIO03445-CH).

Concert band with choir/voice - Grade 2

SKU: RM.NOUG02534-CH

Composed by Claude Nougaro. Arranged by Patillot. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #NOUG02534-CH. Published by Editions Robert Martin (RM.NOUG02534-CH).

Concert band with choir/voice - Grade 2

SKU: RM.PERR04283-BA

Composed by Etienne Perruchon. Music with chorus, voices. Orchestra. Full set. Duration 2 minutes, 56 seconds. Editions Robert Martin #PERR04283-BA. Published by Editions Robert Martin (RM.PERR04283-BA).

ISBN 9790231042832.

Concert band with choir/voice - Grade 3

SKU: RM.BACH02302-BA

Composed by Johann Sebastien Bach. Arranged by Michel Del Giudice. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #BACH02302-BA. Published by Editions Robert Martin (RM.BACH02302-BA).

ISBN 9790231023022.

Concert band with choir/voice - Grade 3

SKU: RM.BACH00041-BA

Composed by Johann Sebastien Bach. Arranged by Foret. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #BACH00041-BA. Published by Editions Robert Martin (RM.BACH00041-BA).

ISBN 9790231000412.

Concert band with choir/voice - Grade 4

SKU: RM.SOEN02784-BA

Composed by Soenen/Prevert. Music with chorus, voices. Orchestra. Full set. Duration 8 minutes, 30 seconds. Editions Robert Martin #SOEN02784-BA. Published by Editions Robert Martin (RM.SOEN02784-BA).

ISBN 9790231027846.

Pour choeurs mixtes sur poemes de Prevert - 1/ Prelude melancolique - 2/ Le controleur - 3/ L'ecole des Beaux-Arts - 4/ Composition Francaise - 5/ Interlude joyeux - 6/ Le temps perdu - 7/ L'amiral.

Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Score) - difficult

SKU: HL.49006187

(The Raft of the Medusa). Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1968/1990. 168 pages. Duration 70'. Schott Music #ED6326. Published by Schott Music (HL.49006187).

ISBN 9790001067270. UPC: 884088099282. 8.25x11.75x0.41 inches. German - English.

4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (12 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4).

Concert band with choir/voice - Grade 4

SKU: RM.AMIO03448-CO

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #AMIO03448-CO. Published by Editions Robert Martin (RM.AMIO03448-CO).

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Concert band with choir/voice - Grade 5

SKU: RM.CAST02783-BA

Composed by Rene Castelain. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #CAST02783-BA. Published by Editions Robert Martin (RM.CAST02783-BA).

ISBN 9790231027839.

Concert band with choir/voice - Grade 3

SKU: RM.VERD00020-PK

Composed by Giuseppe Verdi. Arranged by Jean Brouquieres. Music with chorus, voices. Orchestra. Editions Robert Martin #VERD00020-PK. Published by Editions Robert Martin (RM.VERD00020-PK).

Concert band with choir/voice - Grade 4

SKU: RM.AMIO03451-CO

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #AMIO03451-CO. Published by Editions Robert Martin (RM.AMIO03451-CO).

Concert band with choir/voice - Grade 2

SKU: RM.BERL02311-CO

Composed by Hector Berlioz. Arranged by Claude Pichaureau. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #BERL02311-CO. Published by Editions Robert Martin (RM.BERL02311-CO).