String orchestra SKU: TL.TCL-018175 Strings. Book. Trinity College London...(+)
String orchestra
SKU:
TL.TCL-018175
Strings. Book. Trinity
College London #TCL
018175. Published by
Trinity College London
(TL.TCL-018175).
ISBN
978-0-85736-732-7.
Take Your Bow is a
collection of 20 concert
pieces for beginner
string players written by
Celia Cobb and Naomi
Yandell. Years of string
teaching have given them
the inspiration to
produce pieces which will
both delight and engage.
Their imaginative writing
strengthens rhythmic and
stylistic concepts,
whilst employing a
variety of adventurous
playing techniques that
students will find to be
a fun and achievable
challenge. Each piece is
compatible with any of
the other instruments in
the series, in any
combination, making it an
excellent resource for
individual or group
teaching. Take Your Bow
is available in 4
individual editions --
for violin, viola, cello
and double bass, each
with piano accompaniment
-- and as a separate full
score.
Take Five Orchestre à Cordes [Conducteur] Alfred Publishing
As Performed by Dave Brubeck. Composed by Paul Desmond [Dave Brubeck]. Ar...(+)
As Performed by Dave
Brubeck. Composed by
Paul Desmond [Dave
Brubeck]. Arranged by Bob
Cerulli. Score; String
Orchestra. Pop Concert
String Orchestra. Jazz. 8
pages. Published by
Alfred Music (AP.45852S).
Composed by Patrick Roszell. Performance Music Ensemble; Single Titles; String O...(+)
Composed by Patrick
Roszell. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Part(s);
Score. 112 pages.
Duration 1:50. Belwin
Music #00-45824.
Published by Belwin Music
(AP.45824).
Take Five Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
As Performed by Dave Brubeck. Composed by Paul Desmond [Dave Brubeck]. Arrang...(+)
As Performed by Dave
Brubeck. Composed by Paul
Desmond [Dave Brubeck].
Arranged by Bob Cerulli.
Part(s); Score; String
Orchestra. Pop Concert
String Orchestra. Jazz.
68
pages. Published by
Alfred
Music
Summer Dance Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS19.
Published by Carl Fischer
Music (CF.YAS19).
ISBN
9780825854859. UPC:
798408054854. 8.5 X 11
inches. Key: D
major.
Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yet
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yetA
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerfulA
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel. A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a
powerful divisi
voicing on beat 3 of m.
63, right before the
final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Tabula Rasa (1977) Orchestre à Cordes [Conducteur d'étude / Miniature] Universal Edition
Doppelkonzert. Composed by Arvo Part (1935-). World Premiere: in Tallinn / Eston...(+)
Doppelkonzert. Composed
by Arvo Part (1935-).
World Premiere: in
Tallinn / Estonia; by the
Estonian Chamber
Orchestra; conducted by
Eri Klas. Study score.
With Standard notation.
Composed 1977. Duration
27 minutes. Universal
Edition #UE31937.
Published by Universal
Edition
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6125 Composed by Larry Moo...(+)
Orchestra String
Orchestra - Grade 3
SKU: FJ.ST6125
Composed by Larry Moore.
Series; String Orchestra.
FJH String Orchestra.
Accents and dynamics help
make this piece exciting.
Emphasize the accents in
measures 4 and 5. The
contrast between the long
and short notes in the
accompaniment should be
pronounced throughout.
Viola and cello shine as
the melody is taken over
at the. Patriotic. Score
and Part(s). Duration
1:40. The FJH Music
Company Inc #98-ST6125.
Published by The FJH
Music Company Inc
(FJ.ST6125).
UPC:
674398222025.
English.
Take a
journey on the Oregon
Trail and experience the
sense of adventure the
pioneers felt in the
American West. Great for
any concert, this light
work is extremely well
scored and has a
wonderful melody and
harmonic language
reminiscent of film
scores. One listen and
you'll be hooked!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Larry Moore.
Series; String Orchestra.
FJH String Orchestra.
Accents and dynamics help
make this piece exciting.
Emphasize the accents in
measures 4 and 5. The
contrast between the long
and short notes in the
accompaniment should be
pronounced throughout.
Viola and cello shine as
the melody is taken over
at the. Patriotic. Score.
Duration 1:40. The FJH
Music Company Inc
#98-ST6125S. Published by
The FJH Music Company Inc
(FJ.ST6125S).
English.
Take a
journey on the Oregon
Trail and experience the
sense of adventure the
pioneers felt in the
American West. Great for
any concert, this light
work is extremely well
scored and has a
wonderful melody and
harmonic language
reminiscent of film
scores. One listen and
you'll be hooked!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score and Parts String Orchestra (Score and Parts) - Grade 1 SKU: HL.4493045<...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 1
SKU:
HL.4493045
Composed
by John Williams.
Arranged by Robert
Longfield. Easy Music For
Strings. Movies.
Softcover. Published by
Hal Leonard (HL.4493045).
UPC:
196288156482.
Eleva
te your orchestra's
performance to new
heights with the
â??Flying Theme from
E.T.â? by John
Williams, brilliantly
arranged for string
orchestra by Robert
Longfield. Let the
enchanting melody and
soaring strings take your
audience through the
skies, capturing the
magic and wonder of this
iconic Spielberg
masterpiece. Perfect for
young orchestras seeking
to create a memorable
musical experience. Bring
the magic of E.T. to your
stage with this exquisite
arrangement, where the
music truly takes
flight!
Score Only.
Composed by Lauren
Bernofsky. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Novelty. Score. Duration
1:30. The FJH Music
Company Inc #98-ST6351S.
Published by The FJH
Music Company Inc
(FJ.ST6351S).
English.
The
nonstop movement of a
millipede takes center
stage in this piece that
focuses on eighth notes
and bow arm technique.
Using simple finger
patterns, this piece
shares a humorous take on
the misunderstood
millipede and is sure to
be a favorite of your
beginners. Impressive,
fun, and very
millipede-istic!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Spring Song Orchestre à Cordes [Conducteur] Music Distribution Services
String orchestra SKU: M7.DOHR-88807 Composed by Adrian Connell. Sheet mus...(+)
String orchestra
SKU:
M7.DOHR-88807
Composed by Adrian
Connell. Sheet music.
Score. 20 pages. Duration
10'. MDS (Music
Distribution Services)
#DOHR 88807. Published by
MDS (Music Distribution
Services)
(M7.DOHR-88807).
ISBN
9790202098073.
Spri
ng Song is a celebration
of the arrival of spring,
a renewal of life from
the death of the old
year. The basic structure
of this piece is
classical Sonata form.
The opening represents
winter and this section
contains the motives that
are the seeds for spring.
The music does not really
take flight until the
development section where
march-like textures
punctuated by string
fanfares propel the music
forward. The
recapitulation is
transformed as the themes
reappear in a different
order and use the
march-like elements from
the development. The coda
acts as a tranquil recall
of the opening music as
four solo strings take on
the guise of birds
singing in contentment in
the summer sun.
String Orchestra SKU: HL.14042378 Composed by Sadie Harrison. Music Sales...(+)
String Orchestra
SKU:
HL.14042378
Composed
by Sadie Harrison. Music
Sales America. Softcover.
University of York Music
Press #M570362660.
Published by University
of York Music Press
(HL.14042378).
Via Della
Fortuna by Sadie
Harrison. Written in 2013
especially for the St.
Christopher Chamber
Orchestra and Donatus
Katkus. 6; for String
Orchestra World premiere:
25th April 2013, St.
Katharine's Church,
Vilnius, St. Christopher
Chamber Orchestra,
conducted by Donatus
Katkus. UK premiere: 10th
May 2013, Cardiff
Millennium Centre, Vale
of Glamorgan Festival. I
- Casa di Caccia Antica
(The House of the Ancient
Hunt) II - Casa degli
Amorini Dorati (The House
of the Golden Cupids) III
- Casa del poeta tragico
(The House of the tragic
poet) IV - Return to the
Casa di Caccia Antica and
northwards to Lithuania
and the Amber Road
(Gintaro Kelias) The
piece is in fourshort
movements, each taking
its title from one of the
houses that line the main
streets in Pompeii.
Borrowing Mussorgsky's
'Promenade' from Pictures
at an Exhibition, the
piece has two walkers
(violas) who take the
listener with them onto
the Via Della Fortuna ,
then lead them from house
to house. Several amber
objects were found within
the houses, linking
Pompeii with Lithuania.
The last movement returns
to the House of the
Ancient Hunt then heads
northwards along the
Gintaro Kelias. The
jubilant closing music
refers to an earlier work
(Geda's Weavings) based
on Lithuanian folksongs.
Via Della
Fortuna by Sadie
Harrison. Written in 2013
especially for the St.
Christopher Chamber
Orchestra and Donatus
Katkus.
6; for
String
Orchestra
World
premiere: 25th April
2013, St.
Katharine'sChurch,
Vilnius, St. Christopher
Chamber Orchestra,
conducted by Donatus
Katkus. UK premiere:
10th May 2013, Cardiff
Millennium Centre, Vale
of Glamorgan
Festival.
I - Casa
di Caccia Antica (The
House of the
AncientHunt) II - Casa
degli Amorini Dorati (The
House of the Golden
Cupids) III - Casa del
poeta tragico (The House
of the tragic poet) IV
- Return to the Casa di
Caccia Antica and
northwards to Lithuania
and the Amber
Road(Gintaro
Kelias)
The piece
is in four short
movements, each taking
its title from one of the
houses that line the main
streets in Pompeii.
Borrowing Mussorgsky's
'Promenade' from Pictures
at an Exhibition, the
piece has twowalkers
(violas) who take the
listener with them onto
the Via Della
Fortuna, then
lead them from house to
house. Several amber
objects were found within
the houses, linking
Pompeii with Lithuania.
The lastmovement returns
to the House of the
Ancient Hunt then heads
northwards along the
Gintaro Kelias. The
jubilant closing music
refers to an earlier work
(Geda's Weavings) based
on Lithuanian
folksongs.
Shadows of Venice Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Doug Spata. Orchestra. For string w/ vln3 and cello2. Part(s); Score; String ...(+)
By Doug Spata. Orchestra.
For string w/ vln3 and
cello2. Part(s); Score;
String Orchestra.
Highland String
Orchestra. Grade 2. 148
pages. Published by
Alfred Music Publishing
Score Only.
Composed by Roger Zare.
Series; String Orchestra.
FJH String Orchestra.
Score. Duration 5:40. The
FJH Music Company Inc
#98-ST6334S. Published by
The FJH Music Company Inc
(FJ.ST6334S).
English.
Written
when the composer was a
mere 15 years old, this
jaunty scherzo will take
your ensemble on a
high-speed ride! Sections
take turns bouncing
around with the work's
catchy melodies before
moving into a slow detour
with lush and yearning
harmonies. The work
eventually returns to its
original tempo before
moving into a delightful
and unexpected ending.
Fabulous!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Summer Dance Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19F Composed by Alan ...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19F
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS19F. Published
by Carl Fischer Music
(CF.YAS19F).
ISBN
9780825854866. UPC:
798408054861. 8.5 X 11
inches. Key: D
major.
Summer Dance
is a melodic, up-tempo
piece with plenty of
musical and technical
challenges for every
player. Musicians should
strive to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patterns in the violas
and low strings. An AABA
form begins at m. 5 and
the orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the
13 section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Velvet Morning Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33
Composed by Sean
O'Loughlin. SWS - FS.
Carl Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
8+16+16+4+10+10+10+3
pages. Carl Fischer Music
#YAS33. Published by Carl
Fischer Music (CF.YAS33).
ISBN 9780825858468.
UPC: 798408058463. 8.5 X
11 inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Velvet Morning Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33F
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Full score. With
Standard notation. 8
pages. Carl Fischer Music
#YAS33F. Published by
Carl Fischer Music
(CF.YAS33F).
ISBN
9780825858475. UPC:
798408058470. 8.5 X 11
inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Jeffrey
Frizzi. Solo or Ensemble.
Accent String Orchestra.
Kendor Music Inc #35675S.
Published by Kendor Music
Inc (KN.35675S).
UPC:
822795356755.
Based
on the mythical Forest of
Mirkwood from the Lord Of
The Rings series. Gandolf
the wizard instructed the
elves to take the pathway
through Mirkwood Forest
for safe passage through
the forest. This piece
includes opportunities to
work on dynamic
contrasts, tremolos, and
C naturals. Duration
3:15.
Newbold : Viking Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
Composed by Soon Hee Newbold. For string orchestra. FJH Developing Strings. Grad...(+)
Composed by Soon Hee
Newbold. For string
orchestra. FJH Developing
Strings. Grade 2. Score
and parts. Duration 2
minutes, 30 seconds.
Published by The FJH
Music Company Inc
Originally Performed by Evanescence. Composed by Ben Moody, Amy Lee, and ...(+)
Originally Performed
by Evanescence.
Composed by Ben Moody,
Amy Lee, and David
Hodges. Arranged by for
Vitamin String Quartet by
Thomas Tally. Part(s);
Score; String Orchestra.
Pop Concert String
Orchestra. Pop/Rock. 124
pages. Published by
Alfred Music (AP.43780).