Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Band concert band - Grade 1.5 SKU: KJ.WB334F Composed by Nolan Schmit. Ed...(+)
Band concert band - Grade
1.5
SKU: KJ.WB334F
Composed by Nolan Schmit.
Edited by Bruce Pearson.
Standard of Excellence in
Concert. Score. Neil A.
Kjos Music Company
#WB334F. Published by
Neil A. Kjos Music
Company (KJ.WB334F).
The Voice on
the Mountain was written
for Mike Veak, a band
director who dedicated 30
years of his life to
teaching instrumental
music in Lincoln,
Nebraska. Nolan Schmit
begins the piece with a
flute solo representing a
solitary voice on a
mountain. The voice
begins to build in
strength and intensity as
it travels down the
mountain, is heard by
others and is
communicated to distant
lands. This is a musical
metaphor for a teacher -
a solitary voice - who
impacts generations of
students. This is really
a tribute to all band
directors. A dramatic
setting with an explosive
ending.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Band concert band - Grade 1.5 SKU: KJ.WB334 Composed by Nolan Schmit. Edi...(+)
Band concert band - Grade
1.5
SKU: KJ.WB334
Composed by Nolan Schmit.
Edited by Bruce Pearson.
Standard of Excellence in
Concert. Score and set of
parts. Neil A. Kjos Music
Company #WB334. Published
by Neil A. Kjos Music
Company (KJ.WB334).
UPC:
8402701478.
The
Voice on the Mountain was
written for Mike Veak, a
band director who
dedicated 30 years of his
life to teaching
instrumental music in
Lincoln, Nebraska. Nolan
Schmit begins the piece
with a flute solo
representing a solitary
voice on a mountain. The
voice begins to build in
strength and intensity as
it travels down the
mountain, is heard by
others and is
communicated to distant
lands. This is a musical
metaphor for a teacher -
a solitary voice - who
impacts generations of
students. This is really
a tribute to all band
directors. A dramatic
setting with an explosive
ending.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
With Voice of Triumph Raised Orchestre d'harmonie [Conducteur et Parties séparées] Opus III Wind Orchestra Publications
Composed by Seth Custer. Closer. Opus III Wind Orchestra series. Audio record...(+)
Composed by Seth Custer.
Closer. Opus III Wind
Orchestra series. Audio
recording available
separately (item
CL.WFR375).
Score and set of parts.
Composed 2012. Duration 8
minutes, 12 seconds.
Published by Opus III
Wind
Orchestra Publications
Freedom's Voice Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4549-01 Composed by Shaffer. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4549-01
Composed by Shaffer.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR392). Extra full
score. Composed 2017.
Duration 5 minutes, 14
seconds. Opus III Wind
Orchestra Publications
#012-4549-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4549-01).
Freedom’
s Voice was commissioned
to commemorate The Voice
of America, which began
broadcasting in 1942 to
combat Nazi propaganda
with truthful news and
information. VOA has
served the world with a
consistent message of
truth, hope and
inspiration. Opening with
a mysterious and haunting
melody representing the
axis powers during the
2nd World War, the piece
quietly builds into a
voice of hope with the
introduction of fanfare
figures woven into a
stoic rhythmic melody.
The piece builds
forcefully utilizing just
these 2 simple musical
elements into a broad
finale representing the
glory of freedom and free
speech. Inspiring for
both performers and
audiences.
Exceptional!
Freedom's Voice Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4549-75 Composed by Shaffer. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4549-75
Composed by Shaffer.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR392). Oversized,
spiral-bound score.
Composed 2017. Duration 5
minutes, 14 seconds. Opus
III Wind Orchestra
Publications
#012-4549-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4549-75).
Freedom's Voice
was commissioned to
commemorate The Voice of
America, which began
broadcasting in 1942 to
combat Nazi propaganda
with truthful news and
information. VOA has
served the world with a
consistent message of
truth, hope and
inspiration. Opening with
a mysterious and haunting
melody representing the
axis powers during the
2nd world war, the piece
quietly builds into a
voice of hope with the
introduction of fanfare
figures woven into a
stoic rhythmic melody.
The piece builds
forcefully utilizing just
these 2 simple musical
elements into a broad
finale representing the
glory of freedom and free
speech. Inspiring for
both performers and
audiences.
Exceptional!
Composed by David Shaffer. Patriotic, Concert Festival. Concert Band Series. Sco...(+)
Composed by David
Shaffer. Patriotic,
Concert Festival. Concert
Band Series. Score and
parts. Duration 0:05:14.
Published by C.L.
Barnhouse
(CL.012-4549-00).
By Ted Parson. Concert Band. For Solo Voice and Concert Band. Swiss import. Jazz...(+)
By Ted Parson. Concert
Band. For Solo Voice and
Concert Band. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
4. Score and parts.
Published by Editions
Marc Reift. (EMR 10837)
Voice Of America Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-4694-01 March. Composed by King. Arranged by J...(+)
Grade 2
SKU:
CL.012-4694-01
March. Composed by
King. Arranged by James
Swearingen. Concert Band.
Extra full score.
Composed 2019. Opus III
Wind Orchestra
Publications
#012-4694-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4694-01).
Time and time
again, audiences around
the world have expressed
the desire to hear a
great march. Karl King is
the master when it comes
to providing a rousing
rendition of an exciting
march associated with the
circus. Great themes,
singable
counter-melodies, and
well written percussion
parts make Voice Of
America the perfect
choice for providing a
musical experience that
is guaranteed to be
totally entertaining. A
sure winner!
Freedom (Solo Voice) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Editions Marc Reift (Swiss import)
By Ted Parson. Concert Band. For Solo Voice and Concert Band. Swiss import. Jazz...(+)
By Ted Parson. Concert
Band. For Solo Voice and
Concert Band. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
4. Score and parts.
Published by Editions
Marc Reift. (EMR 10833)
By Ted Parson. Concert Band. For Solo Voice and Concert Band. Swiss import. Jazz...(+)
By Ted Parson. Concert
Band. For Solo Voice and
Concert Band. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
4. Score and parts.
Published by Editions
Marc Reift. (EMR 10837)
(from Turandot). By Giacomo Puccini (1858-1924). Arranged by Antonio Rossi. Conc...(+)
(from Turandot). By
Giacomo Puccini
(1858-1924). Arranged by
Antonio Rossi. Concert
band. For solo feature
for tenor voice, card
size printed. As sung by
Luciano Pavarotti.
Classical, Transcription,
Vocal. Grade 2. Score and
set of parts. Duration
2:20
Grade 2 SKU: CL.011-4738-00 Composed by Eastmond. Young Concert Band. Sco...(+)
Grade 2
SKU:
CL.011-4738-00
Composed by Eastmond.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4738-00.
Published by C.L.
Barnhouse
(CL.011-4738-00).
With One
Courageous Voice is an
expressive and uplifting
selection that honors the
democratic process, and
those who participate in
it – both past and
present – whether
through voting, serving,
or even drafting the
founding documents which
make our democracies what
they are today. The music
invokes ideas of
compromise,
self-reflection, history
and duty. An
introspective and
uplifting work for the
developing band!
Lift Ev'ry Voice and Sing Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Composed by James Weldon Johnson and J. Rosamond Johnson. Arranged by Paul Mu...(+)
Composed by James Weldon
Johnson and J. Rosamond
Johnson. Arranged by Paul
Murtha. Flex-Band Grade
2.
African-American, Easy
Listening, Spiritual.
Softcover. Duration 235
seconds. Published by Hal
Leonard
Freedom (Solo Voice) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Editions Marc Reift (Swiss import)
By Ted Parson. Concert Band. For Solo Voice and Concert Band. Swiss import. Jazz...(+)
By Ted Parson. Concert
Band. For Solo Voice and
Concert Band. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
4. Score and parts.
Published by Editions
Marc Reift. (EMR 10833)
Grade 2 SKU: CL.011-4738-01 Composed by Eastmond. Young Concert Band. Ext...(+)
Grade 2
SKU:
CL.011-4738-01
Composed by Eastmond.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4738-01.
Published by C.L.
Barnhouse
(CL.011-4738-01).
With One
Courageous Voice is an
expressive and uplifting
selection that honors the
democratic process, and
those who participate in
it – both past and
present – whether
through voting, serving,
or even drafting the
founding documents which
make our democracies what
they are today. The music
invokes ideas of
compromise,
self-reflection, history
and duty. An
introspective and
uplifting work for the
developing band!
Voice Of America Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-4694-00 March. Composed by King. Arranged by J...(+)
Grade 2
SKU:
CL.012-4694-00
March. Composed by
King. Arranged by James
Swearingen. Concert Band.
Score and set of parts.
Composed 2019. Opus III
Wind Orchestra
Publications
#012-4694-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4694-00).
Time and time
again, audiences around
the world have expressed
the desire to hear a
great march. Karl King is
the master when it comes
to providing a rousing
rendition of an exciting
march associated with the
circus. Great themes,
singable
counter-melodies, and
well written percussion
parts make Voice Of
America the perfect
choice for providing a
musical experience that
is guaranteed to be
totally entertaining. A
sure winner!
O Happy Day (Solo Voice) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Ted Parson. Concert Band. For Solo Voice and Concert Band. Swiss import. Jazz...(+)
By Ted Parson. Concert
Band. For Solo Voice and
Concert Band. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
3+. Score and parts.
Published by Editions
Marc Reift. (EMR 10831)
Contents: Finale from Symphony No. 5 (Beethoven) · Be Thou My Vision · And...(+)
Contents: Finale from
Symphony No. 5
(Beethoven) · Be Thou
My Vision · And the
Multitude with One Voice
Spoke · The Highlander
· Shalom Chaverim ·
Full Spectrum · The
Magical Mozart (from
Magic Flute) · The
Morning Trumpet
·Prelude, Hymn and
Fugue · Acclamation
· Trumpet Voluntary
· Fantasy on a
Canadian Folk Song ·
Rats, Bats and Spiders
· Bay Town Festival
· Allegria! Allegria!
· Go Ring Them Bells
Riverside (Solo Voice) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Editions Marc Reift (Swiss import)
By Ted Parson. Concert Band. For Solo Voice and Concert Band. Swiss import. Jazz...(+)
By Ted Parson. Concert
Band. For Solo Voice and
Concert Band. Swiss
import. Jazz; Ragtime;
Dixieland. Level: Grade
4. Score and parts.
Published by Editions
Marc Reift. (EMR 10829)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A742502
Arranged by Johann
Strauss Jr. and ed./arr.
by Adolphe Dumont. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A742502.
Published by
LudwigMasters
Publications
(AP.36-A742502).
UPC:
659359906169.
English.
JOHANN
STRAUSS II (1825-1899)
initially wrote
FRÜHLINGSSTIMMEN, Op.
410 (VOICES OF SPRING) as
a concert aria. He
dedicated the piece, with
a libretto by Richard
Genée, to
pianist-composer Alfred
Grünfeld. When Bertha
Schwarz (stage name,
Bianca Bianchi) sang the
first performance at the
Theater an der Wien on
March 1, 1883, the
audience loved it so much
that they demanded an
encore. The composer
wasted no time in
arranging a purely
orchestral version, which
the Strauss Orchestra
premiered only seventeen
days later. The waltz
achieved great success
during his Russian tour
in 1886. This edition for
reduced orchestra was
arranged by Adolphe
Dumont. Instrumentation:
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A742599
Arranged by Johann
Strauss Jr. and ed./arr.
by Adolphe Dumont. Full
Orchestra, CS. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A742599.
Published by
LudwigMasters
Publications
(AP.36-A742599).
ISBN
9798892703260. UPC:
659359897863.
English.
JOHANN
STRAUSS II (1825-1899)
initially wrote
FRÜHLINGSSTIMMEN, Op.
410 (VOICES OF SPRING) as
a concert aria. He
dedicated the piece, with
a libretto by Richard
Genée, to
pianist-composer Alfred
Grünfeld. When Bertha
Schwarz (stage name,
Bianca Bianchi) sang the
first performance at the
Theater an der Wien on
March 1, 1883, the
audience loved it so much
that they demanded an
encore. The composer
wasted no time in
arranging a purely
orchestral version, which
the Strauss Orchestra
premiered only seventeen
days later. The waltz
achieved great success
during his Russian tour
in 1886. This edition for
reduced orchestra was
arranged by Adolphe
Dumont. Instrumentation:
1.1.2.1: 2.2.1.0:
Perc(2): Pno Cond Sc in
set: Str (9-8-7-6-5 in
set). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1371S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1371S
Score
Only. Composed by
Roland Barrett. Concert
Band. FJH Young Band.
Score. Duration 3:15. The
FJH Music Company Inc
#98-B1371S. Published by
The FJH Music Company Inc
(FJ.B1371S).
English.
Depicti
ng life in the desert,
this captivating work
begins with the haunting
sounds of a baron desert
as relentless heat hits
it by day. At night,
exotic plants and animals
spring to life, portrayed
with rhythmic vitality
and bold musical
statements. The work ends
as softly as it began,
with the relentless sun
once again beating down
on the parched desert.
Intense and
captivating!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Voices of the World Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
By Bill Calhoun. Concert Band. For Concert Band. Carl Fischer Concert Performanc...(+)
By Bill Calhoun. Concert
Band. For Concert Band.
Carl Fischer Concert
Performance Series.
Level: Grade 3. Score and
Set of Parts. Duration
4:02. Published by Carl
Fischer.
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1371 Composed by Roland Ba...(+)
Concert Band Concert Band
- Grade 2.5
SKU:
FJ.B1371
Composed by
Roland Barrett. Concert
Band. FJH Young Band.
Score and Part(s).
Duration 3:15. The FJH
Music Company Inc
#98-B1371. Published by
The FJH Music Company Inc
(FJ.B1371).
UPC:
674398223558.
English.
Depicting
life in the desert, this
captivating work begins
with the haunting sounds
of a baron desert as
relentless heat hits it
by day. At night, exotic
plants and animals spring
to life, portrayed with
rhythmic vitality and
bold musical statements.
The work ends as softly
as it began, with the
relentless sun once again
beating down on the
parched desert. Intense
and captivating!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Charles
Aznavour, the son of
Armenian immigrants, was
born in 1924, in Paris.
He finally launched his
singing career in France
with great effort;
despite his lack of star
looks and less than
remarkable voice.
However, he had two
things going for
him:powerful on-stage
charisma and great
willpower. It took him
about twenty years to
reach the top but when he
did, his determination
certainly paid off. He
became a star
singer/songwriter in
France and his chansons
were embraced throughout
the rest ofthe world as
well. The typical French
atmosphere that pervades
his music can be clearly
experienced in this
medley for concert band.
Charles Aznavour,
1924 in Paris als Sohn
armenischer Einwanderer
geboren, brachte es zu
einem der größten
Chansonniers Frankreichs
im 20. Jahrhundert. Er
feierte sowohl als
Liedautor, Interpret als
auch als Filmschauspieler
große Erfolge. Die
typischfranzösische
Atmosphäre, die
Charles Aznavour in seine
Musik packte, ist auch in
dieser Bearbeitung für
Blasorchester deutlich
spürbar. Das Medley
von Roland Kernen
lässt vier
unvergessene Chansons von
Aznavour Revue passieren.
Concert Band/Harmonie and Saxophone Solo - Grade 3 SKU: BT.DHP-1115180-140(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 3
SKU:
BT.DHP-1115180-140
Solo for Alto and
Soprano Saxophone.
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2011. 44
pages. De Haske
Publications #DHP
1115180-140. Published by
De Haske Publications
(BT.DHP-1115180-140).
9x12 inches.
English-German-French-Dut
ch.
Saxophone
Concertino is one of
a series of solo concerti
by Japanese composer,
Satoshi Yagisawa. In this
piece, the solo
saxophonist's voice does
not separate from the
concert band, but rather
develops musically and
gently in combination
with it. This work
enables the soloist to
showcase his ability with
variety and grace.
Met Saxophone
Concertino voegt
Yagisawa weer een
compositie toe aan zijn
reeks van concerti
waartoe ook Trumpet
Concerto, Trombone
Concerto, Marimba
Concerto, Concertino for
Solo Percussion and Wind
Orchestra als
ookClarinet
Concerto behoren. In
dit werk staat het
soloinstrument niet los
van het blaasorkest,
gezamenlijk met de rest
van de muziek komt de
solopartij heel
geleidelijk tot
ontwikkeling. Maar wel op
een manier dat het
talentvan de solist goed
tot zijn recht
komt
Das
Saxophone Concertino
fügt sich in eine
Reihe von Concerti von
Satoshi Yagisawa ein, zu
der auch sein Trumpet
Concerto, das
Trombone Concerto,
Marimba Concerto,
Concertino for Solo
Percussion and Wind
Orchestra sowie das
Clarinet Concerto
zählen. In diesem
Stück ist die
Solostimme nicht vom
Blasorchester separiert,
sondern entwickelt die
Musik behutsam gemeinsam
mit diesem. Der Solist
kann in diesem Werk sein
Können in
vielfältiger Weise
präsentieren.
Sax
ophone Concertino si
aggiunge alla serie di
brani per strumento solo
e banda firmati del
compositore giapponese,
quali Trumpet
Concerto, Trombone
Concerto, Marimba
Concerto, Concertino for
Solo Percussion and Wind
Orchestra come anche
Clarinet Concerto.
In Saxophone
Concertino lo
strumento solista e la
banda sviluppano la
musica insieme, in
perfetta sintonia. Il
solista pu' mettersi in
luce e mostrare le
innumerevoli
sfaccettature dello
strumento con un
romantico corale, un
allegro e una
cadenza.
Bryan Adams Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1221-05-140-MS The Best of Me<...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1221-05-140-MS
The Best of Me.
Arranged by Wolfgang
Wössner. Ovation
Series. Pop & Rock. Score
Only. Composed 2005. 40
pages. Music Sales
#1221-05-140 MS.
Published by Music Sales
(BT.1221-05-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Bryan Adams is
one of the most
successful rock singers
of modern times with his
raspy voice and his
ability to sing rock
songs as skilfully as
expressive ballads
contributed to his fame.
Wolfgang Wössner, a
great fan of Bryan Adams,
has made a selection of
the most appealing and
successful songs by the
Canadian singer and
arranged them to form a
medley for concert band.
The medley includes the
following titles:
Everything I Do, I Do it
for You from the movie
Robin Hood, The Best of
Me, Please Forgive Me and
Summer of ’69.
This mixture of ballads
and rock songs will
ensure everyone will
leave your concert
humming one of their
favourite Bryan Adams
hits.
De Canadese
rockzanger Bryan Adams is
vooral bekend om zijn
rauwe stemgeluid en zijn
talent om zowel stevige
rock als gevoelige
ballads te brengen.
Wolfgang Wössner, een
grote fan van Bryan
Adams, maakte een keuze
uit de beste songsen
verwerkte ze in een
grootse medley voor
harmonieorkest, met de
nadruk op de mix van
ballads en rocksongs. Met
Everything I Do, I Do
it for You, The Best of
Me, Please Forgive Me
en Summer of
’69.
Br
yan Adams zählt zu den
erfolgreichsten
Rocksängern unserer
Zeit. Vor allem seine
raue Stimme und sein
Talent sowohl harte
Rocksongs als auch
gefühlvolle Balladen
gleichermaßen gekonnt
zu interpretieren,
machten ihn so berühmt
und beliebt. Wolfgang
Wössner, ein großer
Fan von Bryan Adams, hat
die schönsten und
erfolgreichsten Songs des
Kanadiers ausgesucht und
in einem großen Medley
für Blasorchester
arrangiert. Eine
gelungene Mischung aus
Balladen und
Rocksongs!
Nato
nel 1959 in Canada, Bryan
Adams è uno dei
cantanti rock più
famosi dei nostri tempi.
La sua voce rauca,
accompagnata al talento
di interpretare heavy
rock accanto ad
espressive ballate, ha
contribuito alla sua
fama. Wolfgang
Wössner, grande fan di
Bryan Adams, ha
selezionato alcune delle
più belle canzoni
dell’artista
canadese arrangiandole
per banda. Questo medley
include i titoli
seguenti: Everything I
do, I Do it for You dal
film Robin Hood, The Best
of Me, Please Forgive Me
e Summer of
’69.
Bryan Adams Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1221-05-010-MS The Best of Me<...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1221-05-010-MS
The Best of Me.
Arranged by Wolfgang
Wössner. Ovation
Series. Pop & Rock. Set
(Score & Parts). Composed
2005. Music Sales
#1221-05-010 MS.
Published by Music Sales
(BT.1221-05-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Bryan Adams is
one of the most
successful rock singers
of modern times with his
raspy voice and his
ability to sing rock
songs as skilfully as
expressive ballads
contributed to his fame.
Wolfgang Wössner, a
great fan of Bryan Adams,
has made a selection of
the most appealing and
successful songs by the
Canadian singer and
arranged them to form a
medley for concert band.
The medley includes the
following titles:
Everything I Do, I Do it
for You from the movie
Robin Hood, The Best of
Me, Please Forgive Me and
Summer of ’69.
This mixture of ballads
and rock songs will
ensure everyone will
leave your concert
humming one of their
favourite Bryan Adams
hits.
De Canadese
rockzanger Bryan Adams is
vooral bekend om zijn
rauwe stemgeluid en zijn
talent om zowel stevige
rock als gevoelige
ballads te brengen.
Wolfgang Wössner, een
grote fan van Bryan
Adams, maakte een keuze
uit de beste songsen
verwerkte ze in een
grootse medley voor
harmonieorkest, met de
nadruk op de mix van
ballads en rocksongs. Met
Everything I Do, I Do
it for You, The Best of
Me, Please Forgive Me
en Summer of
’69.
Br
yan Adams zählt zu den
erfolgreichsten
Rocksängern unserer
Zeit. Vor allem seine
raue Stimme und sein
Talent sowohl harte
Rocksongs als auch
gefühlvolle Balladen
gleichermaßen gekonnt
zu interpretieren,
machten ihn so berühmt
und beliebt. Wolfgang
Wössner, ein großer
Fan von Bryan Adams, hat
die schönsten und
erfolgreichsten Songs des
Kanadiers ausgesucht und
in einem großen Medley
für Blasorchester
arrangiert. Eine
gelungene Mischung aus
Balladen und
Rocksongs!
Nato
nel 1959 in Canada, Bryan
Adams è uno dei
cantanti rock più
famosi dei nostri tempi.
La sua voce rauca,
accompagnata al talento
di interpretare heavy
rock accanto ad
espressive ballate, ha
contribuito alla sua
fama. Wolfgang
Wössner, grande fan di
Bryan Adams, ha
selezionato alcune delle
più belle canzoni
dell’artista
canadese arrangiandole
per banda. Questo medley
include i titoli
seguenti: Everything I
do, I Do it for You dal
film Robin Hood, The Best
of Me, Please Forgive Me
e Summer of
’69.