Secret Valley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 3 SKU: HL.4008613 Co...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 3
SKU:
HL.4008613
Composed
by Michael Sweeney.
MusicWorks Grade 3.
Concert. Softcover.
Duration 315 seconds.
Published by Hal Leonard
(HL.4008613).
UPC:
196288183655.
9.0x12.0x0.845
inches.
In the
Mississippi River valley,
portions of Minnesota,
Wisconsin, Iowa, and
Illinois lie in a
“driftless” region
bypassed by ancient
glaciers. The resulting
scenic beauty is
characterized by
magnificent rocky bluffs,
steep ravines, and
forested hills. Secret
Valley is a musical
journey exploring a
winding road through the
misty bluffs, or an
unexpected forested
valley, a grand view of
the mighty river, or a
surprising burst of
foliage on a crisp Autumn
day. The piece uses
imaginative textures and
striking effects to help
your imagination run
wild. Dur: ca. 5:15.
Concert Band (Score) - Grade 2 SKU: HL.4003190 Composed by Robert Longfie...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4003190
Composed
by Robert Longfield.
MusicWorks Grade 2. Folk.
Published by Hal Leonard
(HL.4003190).
UPC:
884088656447.
9.0x12.0x0.049
inches.
Inspired by
the mountains of West
Virginia, Valley Mist
portrays a beautiful
scene of cloud-like mist
as it flows gently around
the hills encompassing
the entire valley in an
atmosphere of peace and
tranquility. Quoting the
Appalachian folk song
“Down in the
Valleyâ€, this
sensitively scored work
includes an optional
gentle rain effect with
the use of finger snaps.
Sure to be an enjoyable
change of pace for any
program. Dur: 3:35.
Secret Valley Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4008614 Score. Composed by ...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4008614
Score. Composed by
Michael Sweeney.
MusicWorks Grade 3.
Concert. Softcover.
Duration 315 seconds.
Published by Hal Leonard
(HL.4008614).
UPC:
196288183662.
9.0x12.0x0.09
inches.
In the
Mississippi River valley,
portions of Minnesota,
Wisconsin, Iowa, and
Illinois lie in a
“driftless” region
bypassed by ancient
glaciers. The resulting
scenic beauty is
characterized by
magnificent rocky bluffs,
steep ravines, and
forested hills. Secret
Valley is a musical
journey exploring a
winding road through the
misty bluffs, or an
unexpected forested
valley, a grand view of
the mighty river, or a
surprising burst of
foliage on a crisp Autumn
day. The piece uses
imaginative textures and
striking effects to help
your imagination run
wild. Dur: ca. 5:15.
(Featuring: Give My Regards to Broadway / Ain't Misbehavinâ?? / My Funny Valent...(+)
(Featuring: Give My
Regards to Broadway /
Ain't Misbehavinâ?? / My
Funny Valentine / I've
Grown Accustomed to Her
Face / Thou Swell).
Arranged by Carl
Strommen. Concert Band.
For Concert Band. Concert
Band. Pop Concert Band.
Broadway. 3 (Medium Easy)
(grade 3). Score. 40
pages
Score Only Concert Band; Symphonic Band (Score) - Grade 3 SKU: HL.4005055 ...(+)
Score Only Concert Band;
Symphonic Band (Score) -
Grade 3
SKU:
HL.4005055
Composed
by Michael Sweeney.
MusicWorks Grade 3.
Fanfare. Softcover.
Published by Hal Leonard
(HL.4005055).
UPC:
888680675745.
9.0x12.0x0.085
inches.
The Wildcat
Creek in central Indiana
forms a valley connecting
all schools in the Howard
County area for whom this
piece was written.
Opening with the
percussion section in a
stately style, the main
theme is first heard in a
chorale-like setting.
Designed as an extended
fanfare, the piece
quickly builds in
intensity with each
subsequent phrase, and
culminates in a
fast-paced and brilliant
sounding ending flourish.
Effective as a concert
opener. Dur: 3:15.
Concert Band (Score & Parts) - Grade 5 SKU: HL.4004282 Composed by Richar...(+)
Concert Band (Score &
Parts) - Grade 5
SKU:
HL.4004282
Composed
by Richard L. Saucedo.
MusicWorks Grade 5.
Festival. Published by
Hal Leonard (HL.4004282).
UPC: 888680067922.
10.5x14
inches.
This work
for advanced band was
commissioned by the
Tennessee Valley Winds to
celebrate the group's
30th anniversary. The
piece begins quietly with
clarinet solo, then
quickly moves to a
celebratory section in
12/8 meter. The main
melody is stated in many
different voices as it
steadily builds to a
moment of controlled
frenzy. A brief lyrical
section features an
expressive style and also
a moment of glory for the
entire woodwind choir.
The work concludes with a
return to the vibrant and
enthusiastic flavor of
the opening. Powerful and
impressive writing for
mature groups! Duration:
5:10.
Score Only Concert Band (Score) - Grade 5 SKU: HL.4004283 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 5
SKU:
HL.4004283
Composed
by Richard L. Saucedo.
MusicWorks Grade 5.
Festival. 24 pages.
Duration 310 seconds.
Published by Hal Leonard
(HL.4004283).
UPC:
888680067939.
10.5x14.0x0.356
inches.
This work
for advanced band was
commissioned by the
Tennessee Valley Winds to
celebrate the group's
30th anniversary. The
piece begins calmly with
a clarinet solo but
quickly moves to a
celebratory section in
12/8 meter. The main
melody is stated in many
different voices as it
steadily builds to a
moment of controlled
frenzy. A brief lyrical
section features an
expressive style and also
a moment of glory for the
entire woodwind choir.
The work concludes with a
return to the vibrant and
enthusiastic flavor of
the opening. Powerful and
impressive writing for
mature groups! Dur:
5:10.
By Antonia Ridge, music by Frederick W. Moller. Arranged by Victor Lopez. Words ...(+)
By Antonia Ridge, music
by Frederick W. Moller.
Arranged by Victor Lopez.
Words by Antonia Ridge,
music by Frederick W.
Moller / arr. Victor
Lopez. For Concert Band.
Concert Band. Pop Young
Band. Level: grade II.
Conductor Score. 12
pages. Published by
Alfred Publishing.
By Antonia Ridge, Music By Frederick W. Moller. Arranged by Victor Lopez. Words ...(+)
By Antonia Ridge, Music
By Frederick W. Moller.
Arranged by Victor Lopez.
Words by Antonia Ridge,
music by Frederick W.
Moller / arr. Victor
Lopez. For Concert Band.
Concert Band. Pop Young
Band. Novelty. Conductor
Score & Parts. 272 pages.
Duration 1:54. Published
by Alfred Publishing.
Level: 2 (Easy)
(grade 2).
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-010 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-010
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135394-010. Published by
De Haske Publications
(BT.DHP-1135394-010).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-140 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-140
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2013. 24 pages. De Haske
Publications #DHP
1135394-140. Published by
De Haske Publications
(BT.DHP-1135394-140).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Concert Band - Grade 6 SKU: BT.DHP-1002127-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 6
SKU:
BT.DHP-1002127-040
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-040.
Published by De Haske
Publications
(BT.DHP-1002127-040).
Valon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Mountain Valley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Val d'Herens/Bergtal. By Martin Carron. Concert Band. Swiss import. March. Level...(+)
Val d'Herens/Bergtal. By
Martin Carron. Concert
Band. Swiss import.
March. Level: Grade 3+.
Score and parts.
Published by Editions
Marc Reift. (EMR 10613)
Danse Carnivale Orchestre d'harmonie - Facile Randall Standridge
Musical drama and humor are on full display here, as the composer pays homage to...(+)
Musical drama and humor
are on full display here,
as the composer pays
homage to the Romantic
orchestral repertoire,
specifically the Brahms
Hungarian Dances. A
blazing tempo,
interspersed with very
slow sections, sudden
dynamic shifts, and a
juxtaposition of d minor
and F major effectively
add contrast to this new
concert band work that
sounds as if it came
straight out of the
1800's. Consider Danse
Carnivale on your next
concert as an effective
opener, closer, or encore
tune
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002127-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002127-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-010.
Published by De Haske
Publications
(BT.DHP-1002127-010).
The magical
world of King Arthur,
Merlin and Mordred is the
setting for Avalon.
Unexpected opening
figures portray the
sudden entrance into
another world. A
choral-like melody
represents the procession
of ghosts headed by the
mighty magician Merlin.
Suddenly, ostinato
figures and bi-tonal
motifs indicate the
attempt of Mordred and
his horde to disturb the
peace and quiet in the
otherwise calm Avalon.
Following a powerful
statement of King Arthur,
we hear a glissando
referring back to the
opening bars, and…
we are back in the normal
world. The journey
through the underworld
has come to an end and
the dream is
over.
Die magische
Welt König Arturs,
Merlins und Mordreds ist
die Kulisse, in der
Avalon sich
abspielt. Befremdliche
Eröffnungstakte
geleiten plötzlich in
eine andere Welt. Eine
choralartige Melodie
symbolisiert die
Prozession der Gäste,
allen voran der
mächtige Magier
Merlin. Das sonst so
friedliche Avalon wird
schlagartig mit
Ostinato-Figuren und
bitonalen Motiven des
Mordred und seinem Haufen
in Aufruhr gebracht. Aber
nach einer energischen
Rede König Arturs
klingen erste Takte in
einem glissando an
— und wir sind
zurück in der realen
Welt. Hier ist die Reise
ins Totenreich zu Ende
und ein Traum
vorbei.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002127-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002127-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 60
pages. De Haske
Publications #DHP
1002127-140. Published by
De Haske Publications
(BT.DHP-1002127-140).
Die magische
Welt König Arturs,
Merlins und Mordreds ist
die Kulisse, in der
Avalon sich
abspielt. Befremdliche
Eröffnungstakte
geleiten plötzlich in
eine andere Welt. Eine
choralartige Melodie
symbolisiert die
Prozession der Gäste,
allen voran der
mächtige Magier
Merlin. Das sonst so
friedliche Avalon wird
schlagartig mit
Ostinato-Figuren und
bitonalen Motiven des
Mordred und seinem Haufen
in Aufruhr gebracht. Aber
nach einer energischen
Rede König Arturs
klingen erste Takte in
einem glissando an
— und wir sind
zurück in der realen
Welt. Hier ist die Reise
ins Totenreich zu Ende
und ein Traum
vorbei.
Valerie Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1135412-140 As performed...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1135412-140
As performed by Amy
Winehouse. Composed
by Abigail Harding, Boyan
Chowdhury, David McCabe,
Russell Pritchard, and
Sean Payne. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2012. 16 pages. De Haske
Publications #DHP
1135412-140. Published by
De Haske Publications
(BT.DHP-1135412-140).
9x12 inches.
English-German-French-Dut
ch.
Just a year
after the English rock
band The Zutons had
considerable success with
Valerie in Great
Britain, Mark Ronson and
Amy Winehouse released a
cover version - a version
that was funkier, more
upbeat and, in typical
Winehouse fashion, more
soulful, which shot up
the charts in many
countries. Valerie
is surely one of the hits
that immortalises the
singer who died in 2011
and will find a welcome
place in the repertoire
of every concert
band.
Een jaar na
het grote succes dat de
Engelse rockband The
Zutons in eigen land had
met Valerie,
verscheen de coverversie
van Mark Ronson en Amy
Winehouse. Deze vlotte,
funky versie in
soulstijl, zo typisch
voor Amy Winehouse,
veroverde in snel tempo
de hitlijsten van vele
landen. Het is een
blijvende herinnering aan
de veel te jong overleden
zangeres. Met dit
arrangement van
Valerie
presenteren wij een
onsterfelijke hit die
niet mag ontbreken aan uw
repertoire!
Bereit
s ein Jahr nachdem die
englische Rockband The
Zutons mit Valerie
einen beachtlichen Erfolg
in Großbritannien
hatten, kam die
Coverversion von Mark
Ronson und Amy Winehouse
heraus. Die funkigere,
flottere und - typisch
für Amy Winehouse -
souligere Version des
Songs eroberte rasch die
Charts in vielen
Ländern.
Valerie ist
sicherlich einer der
Hits, die das Andenken an
die 2011 verstorbene
Sängerin unsterblich
machten und gehört
damit in das
unterhaltsame Repertoire
jedes
Blasorchesters.
Appena un anno
dopo aver ottenuto un
buon successo con
Valerie,
nell’interpretazio
ne della rock band
britannica The Zutons,
Mark Ronson la
riadattò con suoni
jazz e con atmosfere
vintage pensando bene di
completare il tutto con
la bellissima voce di Amy
Winehouse. Questa
versione si catapultò
in vetta alle chart di
molti paesi e rimane a
oggi un ricordo
struggente della
straordinaria artista
scomparsa nel 2011.
Valerie Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1135412-010 As performed...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1135412-010
As performed by Amy
Winehouse. Composed
by Abigail Harding, Boyan
Chowdhury, David McCabe,
Russell Pritchard, and
Sean Payne. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2012. De Haske
Publications #DHP
1135412-010. Published by
De Haske Publications
(BT.DHP-1135412-010).
9x12 inches.
English-German-French-Dut
ch.
Just a year
after the English rock
band The Zutons had
considerable success with
Valerie in Great
Britain, Mark Ronson and
Amy Winehouse released a
cover version - a version
that was funkier, more
upbeat and, in typical
Winehouse fashion, more
soulful, which shot up
the charts in many
countries. Valerie
is surely one of the hits
that immortalises the
singer who died in 2011
and will find a welcome
place in the repertoire
of every concert
band.
Een jaar na
het grote succes dat de
Engelse rockband The
Zutons in eigen land had
met Valerie,
verscheen de coverversie
van Mark Ronson en Amy
Winehouse. Deze vlotte,
funky versie in
soulstijl, zo typisch
voor Amy Winehouse,
veroverde in snel tempo
de hitlijsten van vele
landen. Het is een
blijvende herinnering aan
de veel te jong overleden
zangeres. Met dit
arrangement van
Valerie
presenteren wij een
onsterfelijke hit die
niet mag ontbreken aan uw
repertoire!
Bereit
s ein Jahr nachdem die
englische Rockband The
Zutons mit Valerie
einen beachtlichen Erfolg
in Großbritannien
hatten, kam die
Coverversion von Mark
Ronson und Amy Winehouse
heraus. Die funkigere,
flottere und - typisch
für Amy Winehouse -
souligere Version des
Songs eroberte rasch die
Charts in vielen
Ländern.
Valerie ist
sicherlich einer der
Hits, die das Andenken an
die 2011 verstorbene
Sängerin unsterblich
machten und gehört
damit in das
unterhaltsame Repertoire
jedes
Blasorchesters.
Appena un anno
dopo aver ottenuto un
buon successo con
Valerie,
nell’interpretazio
ne della rock band
britannica The Zutons,
Mark Ronson la
riadattò con suoni
jazz e con atmosfere
vintage pensando bene di
completare il tutto con
la bellissima voce di Amy
Winehouse. Questa
versione si catapultò
in vetta alle chart di
molti paesi e rimane a
oggi un ricordo
struggente della
straordinaria artista
scomparsa nel 2011.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-010 You Know Iâ??...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-010
You Know Iâ??m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Concert
Piece. Set (Score and
Parts). Composed 2015. De
Haske Publications #DHP
1155660-010. Published by
De Haske Publications
(BT.DHP-1155660-010).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
Iâ??m No Good, Valerie,
Love Is a Losing Game,
Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black en
Rehab.
Die
Nachricht vom Tod Amy
Winehouses am 23. Juli
2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black und
Rehab.
Il
23 luglio 2011
lâ??improvvisa scomparsa
di Amy Winehouse
sconvolse il mondo
intero. La sua morte ha
stroncato una delle
più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know Iâ??m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
Paris-Valse Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Martin, Robert
By Strauss. Arranged by Desire Dondeyne. Orchestre d'harmonie (Valses). CD Chora...(+)
By Strauss. Arranged by
Desire Dondeyne.
Orchestre d'harmonie
(Valses). CD Chorals.
Level: intermediate
(grade 4). Includes
conductor's score and
parts. Duration 6'40.
Published by Editions
Robert Martin (French
import).
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204).
ISBN
9781491152249. UPC:
680160909742. Key: D
minor.
Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Brano
commissionato dalla
Federazione Musicale di
Faucigny (Alta
Savoia)Nel corso
delle lunghe serate
d’inverno, le
famiglie della Savoia
raccontano storie e
vicende dei tempi
passati. Maxime Aulio si
è ispirato al libro
eponimo di Monique de
Huertas che raccoglie fi
abe e leggende
provenienti da tutte le
regioni savoiarde. La
musica è un potente
vettore
d’immaginazione
dei testi scritti. Come
per incanto attraverso la
musica, ci appaiono
personaggi ed atmosfere
dei tempi passati. Il
tempo sembra essersi
fermato.
Brano
commissionato dalla
Federazione Musicale di
Faucigny (Alta
Savoia)Nel corso
delle lunghe serate
d’inverno, le
famiglie della Savoia
raccontano storie e
vicende dei tempi
passati. Maxime Aulio si
è ispirato al libro
eponimo di Monique de
Huertas che raccoglie fi
abe e leggende
provenienti da tutte le
regioni savoiarde. La
musica è un potente
vettore
d’immaginazione
dei testi scritti. Come
per incanto attraverso la
musica, ci appaiono
personaggi ed atmosfere
dei tempi passati. Il
tempo sembra essersi
fermato.
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F).
ISBN
9781491152928. UPC:
680160910427.
Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Grade 2 SKU: CL.011-4746-00 Composed by J. Bell. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-4746-00
Composed by J. Bell.
Young Concert Band.
Command Series. Score and
set of parts. Composed
2020. Duration 3 minutes,
35 seconds. C.L.
Barnhouse #011-4746-00.
Published by C.L.
Barnhouse
(CL.011-4746-00).
Beyond the
Shores of Avalon takes
the listener on a musical
journey to the island
sanctuary hidden in the
mist, said to be the
resting place of King
Arthur. According to
legend, Avalon was a
utopian paradise, home to
many powerful
enchantresses, including
Arthur's sister Morgan le
Fay. Beyond the Shores of
Avalon is a wonderful
work for teaching blend
and dynamic balance
within the ensemble,
while also giving the low
brass and woodwinds the
opportunity to stand out
with the melody.
Enchanting music!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 SKU: CL.011-4746-01 Composed by J. Bell. Young Concert Band. Extr...(+)
Grade 2
SKU:
CL.011-4746-01
Composed by J. Bell.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4746-01.
Published by C.L.
Barnhouse
(CL.011-4746-01).
Beyond the
Shores of Avalon takes
the listener on a musical
journey to the island
sanctuary hidden in the
mist, said to be the
resting place of King
Arthur. According to
legend, Avalon was a
utopian paradise, home to
many powerful
enchantresses, including
Arthur's sister Morgan le
Fay. Beyond the Shores of
Avalon is a wonderful
work for teaching blend
and dynamic balance
within the ensemble,
while also giving the low
brass and woodwinds the
opportunity to stand out
with the melody.
Enchanting music!
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-124-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-124-140
Composed by Philip
Sparke. Debut Series.
Folk Klezmer. Score Only.
Composed 2004. Anglo
Music Press #AMP 124-140.
Published by Anglo Music
Press (BT.AMP-124-140).
English-German-French-
Dutch.
Klezmer
music originated in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse
‘hazanut’
(cantorijmuziek) en de
‘nigunim’,
de melodieën die
worden gereciteerd door
de ‘hasidim’
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester
überzeugen wird!
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(“shtetlâ€) e
nei ghetti
dell’Europa
dell’est. A
Klezmer Karnival di
Philip Sparke raccoglie
tre arie tradizionali:
Choson Kale Mazel Tov,
una danza nuziale,
Freylekh, una tipica
danza ebraica in cerchio
e Sherele (letteralmente
piccole forbici), una
danza di pastori di
origine tedesca.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-124-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-124-010
Composed by Philip
Sparke. Debut Series.
Classical. Set (Score and
Parts). Composed 2004.
Anglo Music Press #AMP
124-010. Published by
Anglo Music Press
(BT.AMP-124-010).
English-German-French-
Dutch.
Klezmer
music originated in the
â??shtetlâ?? (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
â??klezmorimâ??, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. Since the 16th
century, lyrics had been
added to klezmer music,
due to the â??badkhnâ??
(the master of ceremony
at weddings), to the
â??Purimshpilâ?? (the
play of Esther at Purim)
and to traditions of the
Yiddish theatre, but the
term gradually became
synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
In recent years it has
again become very popular
and in A Klezmer Karnival
Philip Sparke has used
three contrasting
traditionaltunes to form
a suite that will bring a
true karnival atmosphere
to any concert.
De wortels van de
klezmerstijl liggen in
wereldlijke melodieën,
populaire dansen, het
joodse â??hazanutâ??
(cantorijmuziek) en de
â??nigunimâ??, de
melodieën die worden
gereciteerd door de
â??hasidimâ??
(orthodoxe joden). De
term werd in de loopder
tijden synoniem aan
instrumentale muziek,
waarin met name de viool
en klarinet de hoofdrol
spelen. Voor A Klezmer
Karnival zijn drie
traditionele melodieën
gebruikt: Choson kale
mazel tov, een
bruiloftsdans,Freylekh
, een joodse
kringdans, en
Sherele, een
Duitse
herdersdans.
Phili
p Sparke verarbeitete in
seinem Werk drei
unterschiedliche
traditionelle
Klezmermelodien: einen
Hochzeitstanz mit
Glückwünschen
für Braut und
Bräutigam, einen
Rundtanz und einen so
genannten Scherentanz.
Daraus entstand A
Klezmer Karnival, das
die dem Klezmer eigene
Mischung aus
Fröhlichkeit und
Melancholie ausgezeichnet
wiedergibt. Ein ebenso
abwechslungsreiches wie
stimmungsvolles
Konzertwerk, mit dem Ihr
Blasorchester
überzeugen wird!
Suonata
a partire dal Medioevo da
giovani musicisti ebrei
(klezmorim), la musica
klezmer è una musica
gioiosa che ha origine
nei villaggi
(â??shtetlâ?) e nei
ghetti dellâ??Europa
dellâ??est. A Klezmer
Karnival di Philip Sparke
raccoglie tre arie
tradizionali: Choson Kale
Mazel Tov, una danza
nuziale, Freylekh, una
tipica danza ebraica in
cerchio e Sherele
(letteralmente piccole
forbici), una danza di
pastori di origine
tedesca.