Par BACH JOHANN SEBASTIAN. Bach ’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach ’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition (score) of the d-minorconcerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions. / Müllemann, Norbert / Répertoire / Piano et Orchestre

Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ Répertoire / Piano et Orchestre

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Alto

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violon 1

[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partitions / Agrafé /

Les deux concertos pour piano de Glazounov appartiennent au genre du concerto symphonique, qui rend néanmoins très grandes exigences sur le soliste. Avec ses harmonies modernes intéressants, le Piano Concerto #2 opus 100 (1917) est sur le même niveau que le populaire Concerto pour violon opus 82. ' Dans ce concerto Glazounov a fourni un exemple brillant de sa compréhension de la variation thématique. Il nous dit qu'il se classe parmi les plus grands. ' (Alex van Amerongen) / Piano Et Orchestre

Piano de Mozart Concerto en la majeur est l'un des concertos de Mozart première fois que les pianistes apprennent à jouer. Cette édition vous permet de travailler à travers la pièce systématiquement à différents tempos avec un accompagnement professionnel. / Piano Et Orchestre / 72 pages / niveau : Elémentaire / Partition + Cd

Fryderyk Chopin Concerto in F minor Op. 21 for piano and orchestra, WN concert version, score Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time ' a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawe? Kami?ski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form. Editor: Jan Ekier, Pawe? Kami?ski Source commentary by: Jan Ekier, Pawe? Kami?ski Performance commentary by: Jan Ekier, Pawe? Kami?ski

Concertos pour Piano de Chopin ont souvent été critiquées pour leur orchestration. Dans le passé, cela a souvent conduit à changements ou complètes re-rouages de l'instrumentation. Mais en y regardant les versions de Chopin contiennent plusieurs sophistiqué et St / Piano Et Orchestre