By Witold Lutoslawski. For Piano Solo, Orchestra. 20th Century. Sheet Music. 128 pages. Published by Chester Music.

By Sergei Rachmaninoff (1873-1943). For Piano, Orchestra - [2, 2, 2, 2 - 4, 2, 3, 1], timpani, percussion, strings. This edition: Paperback. Original Works, Concerto/Instrumental Solo. Romantic Period; Russian. Study Score. 146 pages. Published by Serenissima

Piano and Orchestra

SKU: HL.14021032

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Score Only. Composed 2003. 132 pages. Chester Music #CH61823. Published by Chester Music (HL.14021032).

ISBN 9780711985605. 5.5x7.5x0.432 inches.

This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 7th November 1997 at the Royal Conference Hall, Nottingham, by Kathryn Stott and the Royal Philharmonic Orchestra conducted by the composer.

2 solo pianos and full orchestra (3[1.2.pic] 2 2 2 -- 4 3 3 1 -- tmp 1 -- str -- 2 Solo Pianos)

SKU: EC.9072

Composed by Vittorio Rieti. Concerto/Feature. Secular, 20th Century. Full score. E.C. Schirmer Publishing #9072. Published by E.C. Schirmer Publishing (EC.9072).

UPC: 600313490729.

Durat ion: 20:00.

Chopin National Edition 18A, Vol. XVb. Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. PWM. Polskie Wydawnictwo Muzyczne #51600010. Published by Polskie Wydawnictwo Muzyczne (HL.132234).

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str)

SKU: BR.PB-4485

Composed by Frederic Chopin. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties.

EB 3942 is printed in score form; two copies are needed for performance.Have a look. Solo concerto; Romantic. Full score. 68 pages. Duration 30'. Breitkopf and Haertel #PB 4485. Published by Breitkopf and Haertel (BR.PB-4485).

ISBN 9790004203910. 9 x 12 inches.

Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. Since he needed effective, virtuoso works for his major concert appearances with orchestral accompaniment, he decided to simply write them himself. Although it is clear that the piano part always holds center stage in these pieces, Chopin never degrades the orchestra by turning it into a stereotypical cue-giver. This is confirmed by the imaginatively orchestrated tutti transition in the first movement, the lengthy string tremolo in the middle movement and the col legno passage in the finale.The first performance of the f-minor concerto took place in Warsaw on 17 March 1830. The first edition of the score was published in 1879 by Breitkopf & Hartel in Leipzig. The present edition for two pianos by Ignaz Friedmann was first issued in 1913 in the framework of the 12-volume Chopin edition for which the Polish pianist undertook a careful evaluation of the sources.

Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties.

Piano and orchestra

SKU: FG.55011-372-5

Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5).

ISBN 9790550113725.

Imag es of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss.
Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water.
The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound.
It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work.

for Piano and Orchestra Soloist in Concert Series. By Edvard Grieg. Piano Large Works (Arranged for piano). Size 9x12 inches. 56 pages. Published by Ricordi.

Piano & Orchestra

SKU: SU.28100050

For Piano & Orchestra. Composed by Alan Fletcher. Keyboard, Piano/Harpsichord. Accompanied by orchestra, Concerto. Study Score. Subito Music Corporation #28100050. Published by Subito Music Corporation (SU.28100050).

Commissioned by Inon Barnatan, Los Angeles Philharmonic, Atlanta SymphonyPiano & Orchestra [solo pno: 3,1 3 3,1 3; 4321; timp, 3perc, 2hp; stgs Duration: 25' Composed: 2017 Published by: Distributed Composer Also available: Solo piano with reduction (Cat. # 28100051) Performance materials available on rental only:.

Piano & Orchestra

SKU: SU.80604191

For Piano & Orchestra. Composed by Kenneth Fuchs. Keyboard, Piano/Harpsichord, Orchestra. Concerto. Part. Edward B. Marks Music #80604191. Published by Edward B. Marks Music (SU.80604191).

Solo piano partPiano & Orchestra Duration: 21' Composed: 2017 Published by: E.B. Marks.

Piano & Orchestra

SKU: SU.80604190

For Piano & Orchestra. Composed by Kenneth Fuchs. Keyboard, Piano/Harpsichord, Orchestra. Concerto. Study Score. Edward B. Marks Music #80604190. Published by Edward B. Marks Music (SU.80604190).

Study scorePiano & Orchestra Duration: 21' Composed: 2017 Published by: E.B. Marks.

(Kontsert : dlia fortepiano i orkestr). By Samuil Evgen'evich Feinberg. Edited by Samuil Evgen'evich Feinberg. For piano solo with piano reduction. Piano reduction. Published by Noten Roehr

Piano and Orchestra

SKU: BT.PWM8679010

Composed by Aleksander Lason. Classical. Score Only. Polskie Wydawnictwo Muzyczne #PWM8679010. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8679010).

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Arranged by Michael Topel. For Piano Solo (2), Oboe (2), Clarinet (b flat) (2) ad lib., Bassoon (2), Horn (2), Trumpet (2) ad lib., Kettledrum ad lib., Strings. Piano Reduction/Vocal Score; Urtext Edition. KV 365 (316a). Duration 23'. Published by Baerenreiter-Ausgaben (German import). (BA5390 90)

Concerto for two Pianos and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christoph Wolff. For Piano Solo (2), Oboe (2), Clarinet (b flat) (2) ad lib., Bassoon (2), Horn (2), Trumpet (2) ad lib., Kettledrum ad lib., Strings. Score; Urtext Edition (paperbound). KV 365 (316a). Duration 23'. Published by Baerenreiter-Ausgaben (German import).

(study score). By Ferruccio Busoni (1866-1924). Edited by Antony Beaumont. For Piano, Orchestra and Men's Choir. Breitkopf Full Scores. Study score. 336 pages

Piano and Orchestra

SKU: BT.ACF021456

Composed by Alain Roizenblat. Set (Score & Parts). Choudens #ACF021456. Published by Choudens (BT.ACF021456).

Piano and Orchestra

SKU: BT.SLB-00447200

Composed by Toru Takemitsu. Solo & Concerto. Score Only. Composed 2002. 20 pages. Editions Salabert #SLB 00447200. Published by Editions Salabert (BT.SLB-00447200).