String Quartet - Grade 3.5

SKU: AP.36-52703439

Composed by Tony Kime. Performance Music Ensemble; String Quartet. Latham Music. Score. LudwigMasters Publications #36-52703439. Published by LudwigMasters Publications (AP.36-52703439).

ISBN 9781628760170. UPC: 660355073267. English.

Here are some of the best Scottish fiddle tunes, along with a few original compositions, with contemporary harmonic twists and melodies for all. Traditional tunes are arranged in sets, including: Flowers of Edinburgh with Roxburgh Castle; Lady Madelina Palmer with Lassie Look Before You, Soldier's Joy, Miss Annie MacKinnon and Mrs. Linley); Mrs. Roy of Nenthorn's Favorite with Teviot Bridge and Lady Nelly Wemyes's Jig; Skye Boat Song; My Love Is Like a Red, Red Rose; Kate Dalrymple with The Old Grey Cat, Staten Island, Rachel Rae and De'il Among the Tailors.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.