Three Pieces Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba De Haske Publications
Brass Quintet - advanced SKU: BT.DHP-1043522-070 Composed by Modest Petro...(+)
Brass Quintet - advanced
SKU:
BT.DHP-1043522-070
Composed by Modest
Petrovich Mussorgsky.
Arranged by Peter
Knudsvig. Symphonic Brass
Ensemble Series (Rekkenze
Brass). Educational Tool.
Set (Score & Parts) with
CD. Composed 2004. 28
pages. De Haske
Publications #DHP
1043522-070. Published by
De Haske Publications
(BT.DHP-1043522-070).
International.
T
hese three pieces were
originally written for
piano but have echoes of
Mussorgsky?s most famous
work ? Pictures at an
Exhibition. The intention
is to use each instrument
in a virtuosic and
solo-like manner. One can
hear moments of Pictures
in the pieces; The Hut of
Babba Yaga comes to mind
during In the Crimea and
The Village contains a
Promenade section not
unlike that of Pictures.
Still later, the muted
horn and trumpet
?clucking? remind the
listener of the Ballet of
the Chickens.
Eine
gelungene Bearbeitung der
drei Klavierstücke des
russischen Komponisten
Mussorgsky. Peter
Knudsvig lässt in
seinem Arrangement für
Blechbläserquintett
jedes Instrument virtuos
und solistisch
herausragen. Die erste
Stimme kann auch von
Trompete in Es oder
Pikkolotrompete in B
gespielt werden.
Wiegenlied Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Facile De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1043523-070 Composed by Jo...(+)
Brass Quintet - early
intermediate
SKU:
BT.DHP-1043523-070
Composed by Johannes
Brahms. Arranged by Peter
Knudsvig. Symphonic Brass
Ensemble Series (Rekkenze
Brass). Educational Tool.
Set (Score & Parts) with
CD. Composed 2004. 12
pages. De Haske
Publications #DHP
1043523-070. Published by
De Haske Publications
(BT.DHP-1043523-070).
International.
F
or this arrangement of
Wiegenlied, Johan Brahms?
famous melody was used as
the starting point and
combined with an alpine
horn call. The intention
here is not to undermine
the original but to pay
homage to Brahms? ability
to write a ?hit? melody.
Für diese
Bearbeitung des
Wiegenliedes wurde
die berühmte Melodie
von Johannes Brahms als
Ausgangspunkt verwendet
und mit dem Ruf eines
Alphorns vor einem eher
unüblichen Hintergrund
kombiniert. Damit soll
nicht das Originalwerk
untergraben, sondern
vielmehr Brahms’
Fähigkeit, eine
‘Hitmelodie’
zu schreiben, gehuldigt
werden.
By Tomaso Giovanni Albinoni (1671-1751). Arranged by Bill Bjornes, Jr.. For Bras...(+)
By Tomaso Giovanni
Albinoni (1671-1751).
Arranged by Bill Bjornes,
Jr.. For Brass Quintet.
Brass Ensemble - Quintet;
Masterworks. Baroque.
Duration 00:03:30
Brass Quintet SKU: HL.14014459 Composed by Michael Hurd. Music Sales Amer...(+)
Brass Quintet
SKU:
HL.14014459
Composed
by Michael Hurd. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV12057501.
Published by Music Sales
(HL.14014459).
In its original
form the Suite was
written in answer to a
commission from the
Farnham Festival and was
first performed on 11 May
1971. I was, however, not
entirely satisfied with
it and did not pass it
for publication until
1982, when I revised it
in considerable detail.
In its revised form it
was first performed on 18
June, 1983, at Monash
University, Melbourne.
The music requires little
explanation. The titles
of each of the five
movements indicate their
character: 'Fanfare';
'Dance', which has
Elizabethan overtones;
'Popular Song', which
explores jazz rhythms and
harmonies; 'Ceremony' - a
solemn chorale; and
'Finale', a light-hearted
Rondo with fugal touches.
The overall intention is
simply to entertain both
the players and their
audiences.
Brass Quintet SKU: HL.14014460 Composed by Michael Hurd. Music Sales Amer...(+)
Brass Quintet
SKU:
HL.14014460
Composed
by Michael Hurd. Music
Sales America. Classical.
Score. Music Sales
#NOV120575. Published by
Music Sales
(HL.14014460).
In its original
form the Suite was
written in answer to a
commission from the
Farnham Festival and was
first performed on 11 May
1971. I was, however, not
entirely satisfied with
it and did not pass it
for publication until
1982, when I revised it
in considerable detail.
In its revised form it
was first performed on 18
June, 1983, at Monash
University, Melbourne.
The music requires little
explanation. The titles
of each of the five
movements indicate their
character: 'Fanfare';
'Dance', which has
Elizabethan overtones;
'Popular Song', which
explores jazz rhythms and
harmonies; 'Ceremony' - a
solemn chorale; and
'Finale', a light-hearted
Rondo with fugal touches.
The overall intention is
simply to entertain both
the players and their
audiences.