By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 pages

Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.

Composed by Ralph Vaughan Williams (1872-1958). 20th Century and British. Vocal score. 40 pages. Galaxy Music Corporation #1.5038. Published by Galaxy Music Corporation

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

By George Frideric Handel. For Soprano, 2 Alto, Tenor, 2 Bass, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 52 pages. Published by Novello and Co Ltd.

Psalmfest by John Rutter (1945-). For Mixed Choir (Orchestra: [2, 2, 2, 2-4, 3, 3, 1], timpani, percussion, harp, strings / Chamber ensemble: flute, oboe, clarinet, organ, optional timpani and percussion, and harp (or synthesizer)). Choral. Longer Choral Work. Contemporary, Choral Works. Vocal Score. 96 pages. Duration 45'. Published by Oxford University Press

Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University Press #9780193519763. Published by Oxford University Press (OU.9780193519763).

By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Choral score. Duration 35 minutes. Published by Beckenhorst Press

By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bass Soli, SSATB Chorus, Piano. Baroque, Sacred, Choral. Sheet Music. 204 pages. Published by Novello and Co Ltd.

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

Opera in tre atti. By Georg Friedrich Handel. Edited by Terence Best. Arranged by Pacholke, Michael. For Soprano solo (3), Mezzo-soprano solo, Bass solo (2), Mixed Choir-SATB, Piano. Piano Reduction/Vocal Score; Urtext Edition; Complete Edition (paperbound). HWV 42. Published by Baerenreiter-Ausgaben (German import). ISBN M006507436.

Cantata for the First Sunday of Advent. By Georg Philipp Telemann. Edited by Poetzsch, Ute. Arranged by Kohs, Andreas. For Soprano solo, Alto solo, Bass solo, Mixed Choir-SATB, Piano. Piano Reduction/Vocal Score; Urtext Edition. TWV 1:1174. Published by Baerenreiter-Ausgaben (German import). (BA7677 90)

Arranged by Stephen Chatman. Text: Jesse Edgar Middleton. For SB soli, SATB Choir, optional keyboard. (Mixed Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

Geistliche Kantate - Sacred Cantata. By Georg Philipp Telemann. Edited by Hobohm, Wolfgang. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo (2), Mixed Choir-SATB, Piano. Piano Reduction/Vocal Score; Urtext Edition. TWV 1:797. Published by Baerenreiter-Ausgaben (German import). (BA5852 90)

By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music. 120 pages. Published by Novello and Co Ltd.

By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Sopranos, Alto soli, SATB Choir, Piano Accompaniment. Baroque, Sacred. Sheet Music. 144 pages. Published by Novello and Co Ltd.

Cantata for Soli, Mixed Choir and Orchestra. By Leos Janacek. Edited by Faltus, Leos; Stedron, Milos. Arranged by Faltus, Leos. For Soli, Mixed Choir, Piano. Piano Reduction/Vocal Score; Urtext Edition. Published by Baerenreiter-Ausgaben (German import). (BA6860 90)

Soprano and baritone soli, SATB choir, flute, violin, drum, and piano - Intermediate

SKU: MN.70-500

Composed by Karen Marrolli. Advent, Christmas, Christmas-Sacred, Lessons and Carols. MorningStar Music Publishers #70-500. Published by MorningStar Music Publishers (MN.70-500).

UPC: 688670705007. English.

Contents:

Soli, chorus and piano

SKU: LM.JJ66460

Composed by Paul Paray. Classical. Score. Editions Jobert #JJ66460. Published by Editions Jobert (LM.JJ66460).

ISBN 9790230866460.

Soli, chorus and piano

SKU: LM.JJ67672

Composed by Shuya Xu. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ67672. Published by Editions Jobert (LM.JJ67672).

ISBN 9790230867672.

Soli, chorus and piano

SKU: LM.29344

Composed by Michael Jarrell. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29344. Published by Editions Henry Lemoine (LM.29344).

ISBN 9790230993449.

Soli, chorus and piano

SKU: LM.29321

Composed by Bruno Mantovani. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29321. Published by Editions Henry Lemoine (LM.29321).

ISBN 9790230993210.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.