Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Single Part,
Cello/Double Bass. TVWV
7:30. 12 pages. Duration
20 minutes. Carus Verlag
#CV 39.124/14. Published
by Carus Verlag
(CA.3912414).
ISBN
9790007055813. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 1. Sacred vocal
music, Cantatas, Psalms,
German, Easter and
Eastertide, Psalms.
Single Part, Violin 1.
TVWV 7:30. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
39.124/11. Published by
Carus Verlag
(CA.3912411).
ISBN
9790007055783. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 2. Sacred vocal
music, Cantatas, Psalms,
German, Easter and
Eastertide, Psalms.
Single Part, Violin 2.
TVWV 7:30. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
39.124/12. Published by
Carus Verlag
(CA.3912412).
ISBN
9790007055790. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Opera in five acts. Composed by Charles Francois Gounod (1818-1893). Edited by...(+)
Opera in five acts.
Composed
by Charles Francois
Gounod
(1818-1893). Edited by
Paul
Prevost. Arranged by
Karl-
Heinz Muller. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Version
with recitatives. Vocal
Score. Baerenreiter
Verlag
#BA08713-90. Published by
Baerenreiter Verlag
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Singet dem Herrn
ein neues Lied. Sacred
vocal music, Cantatas,
Psalms, German, Easter
and Eastertide, Psalms.
Set of Orchestra Parts.
TVWV 7:30. Duration 20
minutes. Carus Verlag #CV
39.124/19. Published by
Carus Verlag
(CA.3912419).
ISBN
9790007139322. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and parts available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Choral Score.
TVWV 7:30. Duration 20
minutes. Carus Verlag #CV
39.124/05. Published by
Carus Verlag
(CA.3912405).
ISBN
9790007055776. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score available
separately - see item
CA.3912400.
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Psalm 98. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by Sven
Hiemke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Singet Dem Herrn Ein
Neues Lied.Ps 98. Sacred
vocal music, Psalms,
German, Praise and
thanks, Psalms. Full
score. TVWV 1:1345. 32
pages. Carus Verlag #CV
39.140/00. Published by
Carus Verlag
(CA.3914000).
ISBN
9790007171339. Text
language:
German.
Great
Baroque church music full
of color and powerful
imagery! Sing to the Lord
a new song! Sing, rejoice
and praise his holy name
with the trumpets and
cornetts! And nature
shall join in, the seas
shall rage, and the whole
world and the rushing
waters rejoice. This is
such an ideal text for
Telemann: The voices
rejoice and praise
together with the horns,
harp, and trombones; and
the choir and instruments
make the sea roar, the
earthquake tremble and
the rivers and mountains
exult.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, basso
continuo. BWV 149. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.149/14. Published by
Carus Verlag
(CA.3114914).
ISBN
9790007208592. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 2.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/12. Published by
Carus Verlag
(CA.3114912).
ISBN
9790007208578. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Organ. BWV
149. 16 pages. Duration
22 minutes. Carus Verlag
#CV 31.149/49. Published
by Carus Verlag
(CA.3114949).
ISBN
9790007208608. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/11. Published by
Carus Verlag
(CA.3114911).
ISBN
9790007208561. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Viola. BWV
149. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.149/13. Published by
Carus Verlag
(CA.3114913).
ISBN
9790007208585. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantatas BWV 19, 50
(fragment), 130 with
appendix, 149.
Composed by Johann
Sebastian Bach. Edited by
Marianne Helms. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/30. Complete
edition, Score,
anthology. BWV 19, 50,
130. Baerenreiter Verlag
#BA05036_01. Published by
Baerenreiter Verlag
(BA.BA05036-01).
ISBN
9790006462131. 33 x 26.5
cm inches. Language:
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantatas from the
first Advent to the
Sunday after
Christmas. Composed
by Georg Philipp
Telemann. Edited by Ute
Poetzsch. This edition:
Edition of selected
works, Urtext edition.
Linen. Telemann Musical
Works. Volume 39.
Continuo realization by
Andreas Kohs. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA05858_00.
Published by Baerenreiter
Verlag (BA.BA05858).
ISBN 9790006497973. 33
x 27 cm inches. Language:
German. Preface: Ute
Poetzsch.
Continuo-
Aussetzung von Andreas
Kohs.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
BWV 149. Duration 22
minutes. Carus Verlag #CV
31.149/19. Published by
Carus Verlag
(CA.3114919).
ISBN
9790007141233. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Choral Score. BWV 149. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.149/05. Published by
Carus Verlag
(CA.3114905).
ISBN
9790007161958. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score available
separately - see item
CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909).
ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Violin 2.
TVWV 1:1316. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
39.128/12. Published by
Carus Verlag
(CA.3912812).
ISBN
9790007055899. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Viola. TVWV
1:1316. 4 pages. Duration
15 minutes. Carus Verlag
#CV 39.128/13. Published
by Carus Verlag
(CA.3912813).
ISBN
9790007055905. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Cello/Double
Bass. TVWV 1:1316. 8
pages. Duration 15
minutes. Carus Verlag #CV
39.128/14. Published by
Carus Verlag
(CA.3912814).
ISBN
9790007055912. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Kantate
zum Sonntag Estomihi.
Composed by Georg Philipp
Telemann. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Siehe, Das Ist
Gottes Lamm Ii. Sacred
vocal music, Cantatas,
Holy Week, Whitsun.
Single Part, Violin 1.
TVWV 1:1316. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
39.128/11. Published by
Carus Verlag
(CA.3912811).
ISBN
9790007055882. Language:
German/English.
Thi
s cantata, too, has the
Passion as its theme.
While the choruses are of
only moderate difficulty,
the solo parts demand
singers with coloratura
ability. Score and part
available separately -
see item CA.3912800.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Cello/Double Bass.
Composed 1726. BWV 43. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.043/14. Published by
Carus Verlag
(CA.3104314).
ISBN
9790007205935. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Viola. Composed 1726. BWV
43. 4 pages. Duration 25
minutes. Carus Verlag #CV
31.043/13. Published by
Carus Verlag
(CA.3104313).
ISBN
9790007205928. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Violin 1. Composed 1726.
BWV 43. 8 pages. Duration
25 minutes. Carus Verlag
#CV 31.043/11. Published
by Carus Verlag
(CA.3104311).
ISBN
9790007205904. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Violin 2. Composed 1726.
BWV 43. 8 pages. Duration
25 minutes. Carus Verlag
#CV 31.043/12. Published
by Carus Verlag
(CA.3104312).
ISBN
9790007205911. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
(Kantate zum Neujahrstag). By Johann Sebastian Bach (1685-1750). For Soli ATB, S...(+)
(Kantate zum
Neujahrstag). By Johann
Sebastian Bach
(1685-1750). For Soli
ATB, SATB Choir, Horn da
caccia, 2 Oboes, Oboe da
caccia, 2 Violins, Viola,
Basso continuo. This
edition: paperbound. BWV
16. Full score available
separately - see item
CA.3101600. Cantatas;
Stuttgart Urtext
editions; Use during
church year: New Year.
Piano/Vocal score.
Language: German/English.
Composed 1725. 24 pages.
Duration 18 min