Missa - Lutheran Mass 4 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Emil Platen. ...(+)
Urtext der Neuen
Bach-Ausgabe. By Johann
Sebastian Bach. Edited by
Emil Platen. For Soprano
solo, Alto solo, Tenor
solo, Bass solo, Mixed
Choir-SATB, Oboe (2),
Strings, Basso continuo.
Score; Urtext Edition.
BWV 236. Duration 30'.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006466641.
Missa - Lutheran Mass 3 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Emil Platen. ...(+)
Urtext der Neuen
Bach-Ausgabe. By Johann
Sebastian Bach. Edited by
Emil Platen. For Alto
solo, Tenor solo, Bass
solo, Mixed Choir-SATB,
Oboe (2), Strings, Basso
continuo. Score; Urtext
Edition. BWV 235.
Duration 30'. Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006466542.
Mass in D major Soli, choeur mixte et accompagnement SATB, Orgue [Conducteur] Barenreiter
Mass fur Soloists, Choir and Organ D major op. 86 (for soloists, choir and organ...(+)
Mass fur Soloists, Choir
and Organ D major op. 86
(for soloists, choir and
organ). By Antonin Dvorak
(1841-1904). Edited by
Jarmil Burghauser;
Antonin Cubr. For voice
soli/SATB choir/organ.
This edition: Stapled,
Urtext edition. Choir and
Organ. Level 4. Score.
Language: Latin, Text
language: German/English.
Opus 86. 65 pages.
Duration 35'. Published
by Baerenreiter Verlag
Credo In D A8 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Hinshaw Music Inc.
By Giacomo Puccini, Sr. Edited by Martin Banner. Arranged by Giacomo Puccini, Sr...(+)
By Giacomo Puccini, Sr.
Edited by Martin Banner.
Arranged by Giacomo
Puccini, Sr. Text:
Ancient Liturgical Text.
For SATB/SATB double
choir. (Accompaniment:
Keyboard). Martin Banner
Series. Sacred, Concert.
Level: Medium Advanced
Jr. High/High School or
Medium Adult. 76 pages.
Duration 11 min.
Published by Hinshaw
Music Inc.
By Gounod C. Edited by Erben(Urtext). For STB soli, SATB, 3224 4430 timpani, per...(+)
By Gounod C. Edited by
Erben(Urtext). For STB
soli, SATB, 3224 4430
timpani, percussion, harp
(6), octobass, strings,
organ. (Lat). Sacred
Choral Works. Duration
ca.45'. Published by C.F.
Peters.
Der Tod Jesu (La mort de Jesus) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Karl Heinrich Graun (1704-1759). Edited by Herbert Lolkes. For Soli SSTB, SAT...(+)
By Karl Heinrich Graun
(1704-1759). Edited by
Herbert Lolkes. For Soli
SSTB, SATB Choir, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Violins,
Viola, Basso continuo.
This edition: paperbound.
Full score available
separately - see item
CA.1037900. Passions;
Occasions: Stations of
the Cross (7 words).
Piano/Vocal score.
Language: German.
Composed 1755. 96 pages.
Duration 85 min
Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Peters
By Gabriel Faure. Edited by Urtext. For soprano, baritone soli, SATB, 2022 4230 ...(+)
By Gabriel Faure. Edited
by Urtext. For soprano,
baritone soli, SATB, 2022
4230 timpani, 2 harp,
organ, strings.
Op.48(Lat). Sacred Choral
Works. Duration 45'.
Published by C.F. Peters.
By Felix Mendelssohn. For 2 Soprano and 1 Tenor Soli, SATB Choir, Piano. Romanti...(+)
By Felix Mendelssohn. For
2 Soprano and 1 Tenor
Soli, SATB Choir, Piano.
Romantic, Choral, Sacred.
Sheet Music. 84 pages.
Published by Novello and
Co Ltd.
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Sopranos, Alto soli, SATB...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Sopranos, Alto
soli, SATB Choir, Piano
Accompaniment. Baroque,
Sacred. Sheet Music. 144
pages. Published by
Novello and Co Ltd.
Soprano voice solo, tenor voice solo, SATB choir, and piano - Intermediate SK...(+)
Soprano voice solo, tenor
voice solo, SATB choir,
and piano - Intermediate
SKU: MN.56-0063
Composed by Howard
Goodall. 21st Century,
Trust/Guidance, Word of
God. MorningStar Music
Publishers #56-0063.
Published by MorningStar
Music Publishers
(MN.56-0063).
Soprano voice solo, SATB choir, and piano - Intermediate SKU: MN.56-0055 ...(+)
Soprano voice solo, SATB
choir, and piano -
Intermediate
SKU:
MN.56-0055
Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 4 minutes, 4
seconds. MorningStar
Music Publishers
#56-0055. Published by
MorningStar Music
Publishers (MN.56-0055).
UPC: 688670220586.
English.
Arranged
for SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
For soprano solo and SATB
choir, this movement
begins with the choir on
the English text by
Phineas Fletcher (1633).
A 32-measure soprano solo
follows, which covers the
majority of the English
text. The soloist then
begins the
ââ¬ÅRecordare,
¢â¬Â a calm,
descending melodic line
with the choir singing
the opening
ââ¬ÅDrop,
dropââ¬Â motif
as accompaniment. The
choir then concludes with
the slow, descending
lines ââ¬ÅJesu
pie, Jesu
pie.ââ¬Â
Duration 4:04.
Solo and SS choir divisi (a cappella) - Early Intermediate SKU: MN.56-0031(+)
Solo and SS choir divisi
(a cappella) - Early
Intermediate
SKU:
MN.56-0031
Composed
by Howard Goodall. 21st
Century. Instrument
parts. Duration 4
minutes, 39 seconds.
MorningStar Music
Publishers #56-0031.
Published by MorningStar
Music Publishers
(MN.56-0031).
Written for
the Enchanted Voices CD,
this is one of many
settings of texts either
from the Beatitudes (or
springing from them)
available from this
composer. For Solo and SS
divisi, a cappella, the
music has a light,
ethereal feeling.
ââ¬ÅBeatiââ
¬Â can be taken as
a sort of
ââ¬ÅBlessed are
theyââ¬Â prefix
for the movements which
are not direct quotes
from the Beatitudes. This
movement is a unison,
chant-like setting of the
Latin texts for Genesis
20:13 (ââ¬ÅThou
shalt do me this
kindnessââ¬Â¦Ã
â¬Â) and Numbers
11:17 (ââ¬ÅAnd
I will take of thy
spiritââ¬Â).
The soloist begins and
sometimes takes over from
the choral voices. Mostly
unison except for about
ten measures (out of the
69) in two-part texture
and four measures in
three parts. Duration
4:39
Steadfast Soli, choeur mixte et accompagnement - Facile MorningStar Music Publishers
Soprano voice or tenor voice solo, SATB choir, and piano/keyboard - Early Interm...(+)
Soprano voice or tenor
voice solo, SATB choir,
and piano/keyboard -
Early Intermediate
SKU: MN.56-0038
Composed by Howard
Goodall. Wedding,
Classical. Instrument
parts. MorningStar Music
Publishers #56-0038.
Published by MorningStar
Music Publishers
(MN.56-0038).
UPC:
688670220432.
English.
Set for
SATB voices, a soprano or
tenor soloist, and piano,
Goodallââ¬â¢s
original text is a
promise of constancy from
one person to another.
Through many kinds of
situations and
circumstances it is
assured that
ââ¬ÅWeââ
â¢ll walk together
stride by
stride.ââ¬Â The
choral parts are
homophonic and
approachable, the piano
part a bit challenging
(there is one section
which is essentially a
beautiful piano solo with
the chorus accompanying
on a neutral syllable).
An uplifting piece
suitable for school,
community, or
professional
choruses.
Composed
by Franz Gleissner.
Edited by Raimund
Rüegge. Arranged by
Raimund Rüegge. Letter
format (190 x 270).
Hardback. Choral. Full
score. 134 pages.
Duration 28 minutes.
Edition Kunzelmann
#OCT-10291. Published by
Edition Kunzelmann
(KU.OCT-10291).
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Carus digital:
Extra digital products.
Full Score. Composed
1852. Op. 147. Duration
40 minutes. Carus Verlag
#4068700. Published by
Carus Verlag
(CA.4068700).
ISBN
9790007239701. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â??
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâ??s time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be â??fashioned with
great loveâ?. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâ??s partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
Arrangement for soli,
choir and 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Carus digital:
Extra digital products.
Full Score. WAB 26.
Duration 45 minutes.
Carus Verlag #2709244.
Published by Carus Verlag
(CA.2709244).
ISBN
9790007303358. Key: D
minor. Latin.
In
the 19th and early 20th
centuries, transcriptions
of large (choral)
symphonic works for two
pianos were extremely
popular, as they enabled
a large audience to get
to know classical
compositions in an age
before recorded music. In
many cases, world-famous
pieces were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
The Stuttgart
composer, pianist and
experienced piano-duo
performer Sebastian
Bartmann was commissioned
by the Landesakademie
für die musizierende
Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists,
choir, and two pianos. A
timpani part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.While
Brucknerâ??s symphonic
approach becomes evident
for the first time in the
Mass in D minor from
1864, the work does not
place the same high
demands on the performers
as the two later masses.
This arrangement for
soloists, choir and 2
pianos has an air of
transparency, rather like
a work of chamber
music.. Score
available separately -
see item CA.2709200.
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Gr...(+)
Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc - Grade 3
SKU:
CA.1025000
Composed
by Henry Purcell. Edited
by Julia Rosemeyer. Carus
digital: Extra digital
products. Full Score.
Composed 1692. Z 328.
Duration 55 minutes.
Carus Verlag #1025000.
Published by Carus Verlag
(CA.1025000).
ISBN
9790007251826. Key: D
major.
English.
â??Hail!
bright Cecilia, hail to
thee. Great patroness of
us and harmony!â? â??
this exclamation opens
the final chorus of Henry
Purcellâ??s eponymous
Ode to St. Cecilia from
1692. A paean to the
power of music, the work
is one of the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâ??s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâ??s Feast, HWV
75 (Carus 55.075), and
his Ode for St.
Ceciliaâ??s Day, HWV 76
(Carus
55.076).Purcellâ
??s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
â??Orpheus
Britannicusâ?, as
Purcell was admiringly
called by
contemporaries.-
Festive, rousing ode to
music- Highlight of
the choral ode genre in
the 17th century
Soloist(s), Choir, and/or Congregation SKU: SU.80101330 For Soloist(s)...(+)
Soloist(s), Choir, and/or
Congregation
SKU:
SU.80101330
For
Soloist(s), Choir, and/or
Congregation.
Composed by Carson
Cooman. Vocal/Choral,
Sacred Choral.
Interactive audience.
Choral Octavo. Zimbel
Press #80101330.
Published by Zimbel Press
(SU.80101330).
Soloist(s),
Choir, and/or
Congregation Composed:
2012 Published by: Zimbel
PressThese three brief
pieces were inspired by
the Shakers, whose many
thousands of songs were
sung unaccompanied. For
the first hundred years
of their society, Shaker
songs were always
monophonic. Though the
music of these monodies
is not in a Shaker style,
they are meant to be sung
by soloists, choirs,
and/or congregations
without accompaniment.
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
carson@carsoncooman.com
b> (include the
organization name with
your request). To order
quantities fewer than
8.
Arrangement for soli,
choir and 1-2 organs.
Composed by Camille
Saint-Saens. Edited by
Leon Roques. Arranged by
Leon Roques. Carus sheet
music series: Great
choral works in small
scorings. Arrangement for
choir and 1-2 organs.
Sacred vocal music,
Masses, Latin. Full
score. Composed 1856. Op.
4. 72 pages. Duration 45
minutes. Carus Verlag #CV
27.060/45. Published by
Carus Verlag
(CA.2706045).
ISBN
9790007241018. Language:
Latin.
Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. As an alternative
to the original version
with large orchestra and
Grand Orgue, Carus-Verlag
is now publishing the
version for organ made by
Saint-Saens's
contemporary Leon Roques.
It contains the original
part for grand orgue as
well as an organ
arrangement of the
orchestral writing in
score notation, but also
provides for the
possibility of a
performance with just one
instrument. The vocal
parts (for soloists and
choir) are identical with
the edition of the
original version, so that
the vocal score and
chorus score of that
version can be used.
Score available
separately - see item
CA.2706000.
Composed by George
Frideric Handel. Carus
Choir Coach. Messiah.Ccc
(3 Cds). Sacred vocal
music, Oratorios. Compact
Disc. Composed 1742. HWV
56. Duration 150 minutes.
Carus Verlag #CV
55.056/94. Published by
Carus Verlag
(CA.5505694).
Text
language: English. Text:
Jennens,
Charles.
George
Frideric Handel is
considered England's
first and foremost
composer of oratorios.
Above all, the Messiah is
regarded as the epitome
of sacred music and in
German-speaking countries
it is also one of the
most often performed
works in the genre. The
version of the Messiah
which is most often
performed today is a
combination of various
versions. Consequently,
the present critical
edition by Ton Koopman
contains all the
surviving alternative
versions of the solo
movements. A concordance
makes it possible to
assign these movements to
those various
performances of the work
conducted by Handel
between the Dublin
premiere in 1742 and the
London concerts which
took place up to 1759. In
accordance with the
wishes voiced by many
choral conductors and
singers, the vocal score
is available in separate
English and German
versions. Score available
separately - see item
CA.5505600.
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Franz
Schubert. Arranged by
Joachim Linckelmann.
Carus digital: Extra
digital products. Full
Score. D 950. 216 pages.
Duration 50 minutes.
Carus Verlag #4066050.
Published by Carus Verlag
(CA.4066050).
ISBN
9790007294533. Key: E
flat major.
Latin.
Schubertâ??
s Mass in E-flat major is
the last of his six
settings of the
Ordinarium Missae (Mass
ordinary) and also his
most important work in
this genre. The mass is
full of color and drama,
infused with the spirit
of confession. For many
choirs, it is on the wish
list of those works they
would like to sing
someday. But what happens
if you donâ??t have
enough singers, money is
tight, and your venue is
on the small side?
Here the experienced
arranger and orchestral
musician Joachim
Linckelmann has a great
solution. His version for
soloists, choir and
chamber orchestra
requires only 7 winds
rather than the original
13. The string parts,
while identical to the
original, can now also be
scaled back. The vocal
parts (soloists and
chorus) are completely
untouched by the
arrangement, so that the
vocal scores and choral
scores of the Carus
Urtext edition can also
be used for
performanceâ?¢,A
large-scale work now
arranged for smaller
choirs â?¢,13 winds
of the original version
reduced to 7
instrumentsâ?¢,Voca
l scores and choral
scores of the original
version can still be
usedâ?¢,carus plus:
The work (original
version) is available in
the app carus music, the
Choir Coach, as well as
in our Carus Choir Coach
series (audio only)..
Score available
separately - see item
CA.4066000.
Missa pro defunctis (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732111 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732111
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 1.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/11. Published
by Carus Verlag
(CA.2732111).
ISBN
M-007-25435-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
O! Come
let us worship and kneel
before the Lord.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. DER
95.PSALM/KOMMT,LAssT UNS
ANBETEN. Sacred vocal
music, Cantatas, Psalms,
German, Praise and
thanks, Psalms. Set of
Orchestra Parts. Composed
1838. MWV A 16, Op. 46.
Duration 28 minutes.
Carus Verlag #CV
40.073/19. Published by
Carus Verlag
(CA.4007319).
ISBN
9790007134488. Language:
German/English.
The
Psalms inspired
Mendelssohn throughout
his working life, and,
aside from a cappella
settings, he left behind
five great orchestral
Psalms. Score and parts
available separately -
see item CA.4007300.