Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bestseller. Piano score. Galaxy Music Corporation #1.5036. Published by Galaxy Music Corporation

Trombone

SKU: HL.48182263

Composed by Roger Boutry. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL23346. Published by Alphonse Leduc (HL.48182263).

UPC: 888680836221. 9.0x12.0x0.114 inches.

Roger Boutry: Concerto (Trombone & Piano).

Trombone

SKU: HL.48184008

Composed by Michel Defaye Jean. Leduc. Classical. Softcover. Alphonse Leduc #AL26282. Published by Alphonse Leduc (HL.48184008).

UPC: 888680852627. 9.0x12.0x0.146 inches.

Jean Michel Defaye: Concerto (Trombone & Piano).

Trombone

SKU: HL.48182328

Composed by Alain Weber. Leduc. Classical. Softcover. 27 pages. Alphonse Leduc #AL23473. Published by Alphonse Leduc (HL.48182328).

UPC: 888680840235. 9.0x12.0x0.162 inches.

Alain Weber: Concerto (Trombone & Piano).

SKU: HL.48181221

Composed by George Frideric Handel. Leduc. Baroque. Softcover. 16 pages. Alphonse Leduc #AL20532. Published by Alphonse Leduc (HL.48181221).

UPC: 888680867829. 9.0x12.0x0.056 inches.

Concerto in F minor by G.F. Handel is a piece transcribed for Trombone and Piano by Andre Lafosse, soloist at the Paris Opera. Quite difficult, for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande ? Largo IV. Allegro The Piano introduces first and the third parts, which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas, oratorios and concertos..

By K Serocki. Trombone. PWM. 48 pages. Polskie Wydawnictwo Muzyczne #5820999. Published by Polskie Wydawnictwo Muzyczne

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Composed by Ole Olsen (1850-1927). Arranged by Christian Eriksen. For Trombone and Piano. Late Romantic Norgegian. Advanced. Solo part and Piano accompaniment. Published by Cherry Classics

For Trombone and Piano Reduction. Composed by William Bolcom. E.B. Marks. Classical. Softcover. 44 pages. Published by Edward B. Marks Music (HL.249506).

Alto Trombone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-54936

Composed by Jirka Kadlec. Score and parts. Duration 24'34. Editions Marc Reift #EMR 54936. Published by Editions Marc Reift (MA.EMR-54936).

1. Versailles Gardens / 2. Bell Concerto / 3. Spanish Drifts / 4. Holiday Island / 5. Legend Of The True Knight.

Trombone & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-54918

Composed by Jirka Kadlec. Score and parts. Duration 24'34. Editions Marc Reift #EMR 54918. Published by Editions Marc Reift (MA.EMR-54918).

1. Versailles Gardens / 2. Bell Concerto / 3. Spanish Drifts / 4. Holiday Island / 5. Legend Of The True Knight.

By Derek Bourgeois. Solo with piano. Chamber Music. Level: Grade 5. Score and set of parts. Published by G and M Brand Music Publishers.

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inches. Published by C.F. Peters.

For Trombone, Piano Accompaniment (Trombone). Music Sales America. Post-1900. Book only. Music Sales #CH55696. Published by Music Sales

(Trombone with Piano Reduction). Composed by James A. Beckel, Jr.. For Trombone. Brass Solo. Softcover. Published by Hal Leonard

Set of performance parts. By Carlos Chavez. (Trombone). Brass Solo. Size 8.5x11 inches. 28 pages. Published by G. Schirmer, Inc.

Trombone

SKU: HL.48182774

Composed by Pierre Max Dubois. Leduc. Classical. Softcover. 14 pages. Alphonse Leduc #AL24406. Published by Alphonse Leduc (HL.48182774).

UPC: 888680871031. 11.0x14.0x0.1 inches.

Pierre Max Dubois: Concerto dit 'l'Irrespectueux' (Trombone & Piano).

(Cancoes do Sol - Concerto No. 3 for Trombone and Orchestra). By Eric Ewazen. For Trombone, Piano. Contemporary. Solo part with piano reduction. Standard notation. 36 pages. Duration 18 minutes. Published by Theodore Presser Company

By Johann Georg Albrechtsberger (1736-1809). Arranged by Michael Clack. Solo. For Trombone solo and Piano accompaniment. Classical concerto for trombone. Classical. Advanced. Piano score and parts. Standard Notation

By Edward Gregson. For Trombone, Piano Accompaniment. 20th Century. Sheet Music. 42 pages. Published by Novello and Co Ltd.

Composed by Howard J. Buss (1951-). TROMBONE CONCERTO in 3 movements: Proclamation, Soliloquy, and Capriccio. This critically acclaimed composition works well as a feature number and as a contest piece. An alternative to the Rimsky-Korsakov, the Jacob 'Concertino', or the Larson - substant. 20th Century. Score and part. Composed 1983. Duration 18'. Published by Brixton Publications (B7.B342).

For Trombone, Piano. 20th Century. Sheet Music. 42 pages. Published by Novello & Co Ltd.

Composed by Vladisclav Blazhevich. Arranged by Gerald Felker. Solo part and accompaniment part. Duration 12 minutes, 30 seconds. Published by Kendor Music Inc (KN.12335).

By Wolfgang Amadeus Mozart. Arranged by Fote. Trombone Solo. Level: Grade 5. Published by Kendor Music Inc.

Trombone and Piano - advanced

SKU: CY.CC2319

Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ralph Sauer. Romantic. Solo part and accompaniment. Published by Cherry Classics (CY.CC2319).

The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Trombone world knows Rimsky-Korsakov for his Concerto with Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile. Mr. Sauer brings a true Trombone feel to the 4 1/2 minute work for advanced performers.

Trombone - Piano Accompaniment. Solo Collection (Rubank). Size 9x12 inches. 72 pages. Published by Hal Leonard.

Composed by Launy Grondahl (1886-1960). For trombone solo and piano accompaniment. Format: instrumental solo book. With solo part, standard notation, piano reduction and introductory text. 20th Century. Composed 1924. 28 pages. 9x12 inches. Published by Samfundet.