The Orchestra Musician's CD-ROM Library - Violin. By Claude Debussy, Gustav Mahl...(+)
The Orchestra Musician's
CD-ROM Library - Violin.
By Claude Debussy, Gustav
Mahler. Misc. Book and CD
Package. Size 8.5x11
inches. 8 pages.
Published by Hal Leonard.
A Sequenced Guide to American Fiddling (Violin). Composed by Crystal Plohman ...(+)
A Sequenced Guide to
American Fiddling
(Violin).
Composed by Crystal
Plohman
Wiegman, Renata Bratt,
and
Bob Phillips. Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement.
Folk; Traditional. 48
pages.
Published by Alfred Music
A Sequenced Guide to American Fiddling (Viola). Composed by Crystal Plohman Wi...(+)
A Sequenced Guide to
American
Fiddling (Viola).
Composed by
Crystal Plohman Wiegman,
Renata Bratt, and Bob
Phillips. Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement.
Folk; Traditional. 48
pages.
Published by Alfred Music
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Violin).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Violin.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44210. Published by
Alfred Music (AP.44210).
(Complete Violin I and II Parts to 74 Orchestral Masterworks on CD-ROM) For viol...(+)
(Complete Violin I and II
Parts to 74 Orchestral
Masterworks on CD-ROM)
For violin I and violin
II. Includes CD-ROM
(Windows and Mac). With
standard notation.
Classical. Series: The
Orchestra Musician's
CD-ROM Library. 9x12
inches. Published by Hal
Leonard.
(Complete Violin I and II Parts to 64 Orchestral Masterworks on CD-ROM) For viol...(+)
(Complete Violin I and II
Parts to 64 Orchestral
Masterworks on CD-ROM)
For violin I and viola
II. Includes CD-ROM
(Windows and Mac). With
standard notation.
Classical. Series: The
Orchestra Musician's
CD-ROM Library. 9x12
inches. Published by Hal
Leonard.
Cello, piano, violin (solo and accompaniment) SKU: GH.NMS0526 For Viol...(+)
Cello, piano, violin
(solo and accompaniment)
SKU: GH.NMS0526
For Violin/Cello and
Piano. Composed by
Eduard Tubin. Arranged by
K Raid. Published by
Gehrmans Musikforlag
(GH.NMS0526).
Arrangement for
violin or cello and piano
by K Raid. Also available
in version for string
orchestra (arr. Raid), or
two violins and two
violoncellos (original
version).
For
Violin, Cello, Piano and
Orchestra - Full
Score. Composed by
Bent Sorensen. Music
Sales America. Classical.
Softcover. Composed 2015.
96 pages. Edition Wilhelm
Hansen #WH32743.
Published by Edition
Wilhelm Hansen
(HL.14047784).
ISBN
9788759837092. UPC:
888680952921. 11.75x16
inches.
English.
L'Isola
Della Citta for Violin,
Cello, Piano and
Orchestra (2104-15) by
Bent Sørensen.
Commissioned by the
Danish Radio, Trondheim
Symphony Orchestra and
Trondheim Chamber Music
Festival. Written for
Trio con Brio,
Copenhagen.
Chamber Ensemble (Study Score) SKU: HL.49046391 For Violin, Cello, Nor...(+)
Chamber Ensemble (Study
Score)
SKU:
HL.49046391
For
Violin, Cello,
Northumbrian pipes,
Hammond Organ and
Orchestr. Composed by
Jon Lord. Edited by Paul
Mann. Study Score.
Classical. Softcover. 146
pages. Duration 3420
seconds. Schott Music
#ED23177. Published by
Schott Music
(HL.49046391).
ISBN
9781540086549. UPC:
842819108696.
The
general inspiration for
the music was an idea of
Durham, garnered from two
or three short visits and
a reading of a short
history - so a sort of
Durham of the mind, a
stylized Durham; 'my'
Durham, if you will,
imagined into music.
However, the
defininginspiration for
the piece was the
Cathedral. My first visit
to Durham in 2001 saw me
standing open-mouthed on
Palace Green, and then in
silent awe as I walked
into that formidable
magnificence inside. Most
of the themes came from
the days immediately
following my first
experience of this
extraordinary, inspiring
building. The feeling
that the very stones and
pillars themselves are
imbued with centuries of
prayer, withpeople's joy,
grief, despair, even
anger; gratitude and
hope. As the tunes and
chords and sounds started
to organize themselves in
my mind and onto
manuscript paper, I
realized that I was
writing a sort of day in
the life of Durham, and
that the Cathedral
wouldbe its beginning,
would be in its middle,
and would be at its
ending. The piece
consists of six
'pictures' arranged into
three parts - the
morning, afternoon and
evening of this imaginary
Durham city. Jon Lord,
2017.
For
violin, Violoncello and
Orchestra (Double
Concerto). Composed
by Ellen Taaffe Zwilich.
Set of parts. With
Standard notation.
Duration 18 minutes.
Theodore Presser Company
#446-41076P. Published by
Theodore Presser Company
(PR.44641076P).
For
violin , Violoncello,
Piano and Orchestra.
Composed by Ellen Taaffe
Zwilich. Classical. Large
Score. With Standard
notation. Composed 1995.
Duration 24 minutes.
Theodore Presser Company
#446-41102. Published by
Theodore Presser Company
(PR.446411020).
By Frederick Muller. Edited by Harold Rusch. (Muller-Rusch String Series). Orche...(+)
By Frederick Muller.
Edited by Harold Rusch.
(Muller-Rusch String
Series). Orchestra
Method. Muller-Rusch
String Method - Book 1.
Level: Elementary. Music
Book. Size 232. Published
by Neil A. Kjos Music
Company.
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more.
SKU:
PR.416411770
For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770).
UPC:
680160091508.
I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting.
Score and Parts Chamber Group, String Instruments, Piano Chamber (Chamber Orches...(+)
Score and Parts Chamber
Group, String
Instruments, Piano
Chamber (Chamber
Orchestra)
SKU:
HL.14035706
For
Violin, Viola, Cello,
Double Bass, and Piano
Score and Parts.
Composed by Judith Weir.
Music Sales America. 20th
Century. Set. Composed
2000. 108 pages. Chester
Music #CH60298. Published
by Chester Music
(HL.14035706).
ISBN
9780711930070.
9.25x12.0x0.37
inches.
This work
was commissioned by the
Schubert Ensemble, and
first performed by them
on 5th July 1992 as part
of the Cheltenham
International Festival.
The words I broke off a
golden branch come from a
Croatian folksong, which
is very obliquely
referred to in the second
of the work's two
movements. Scored for
Violin, Viola, Cello,
Double Bass and Piano.
Duration: c.15
minutes.
