Solo Violin with Piano Reduction. Composed by Steven Mackey. Boosey & Hawkes Chamber Music. Classical. Softcover. 56 pages. Boosey & Hawkes #M051107643. Published by Boosey & Hawkes (HL.48023248).

Plus CD: Full performances and Play-Along-Tracks - Piano part to print. Arranged by Achim Brochhausen and Dirko Juchem. This edition: Saddle stitching. Sheet music with CD. String. Performance book with CD. 26 pages. Schott Music #ED20128. Published by Schott Music

Chamber Music violin, piano

SKU: PR.144407050

Composed by James Primosch. Set of Score and Parts. With Standard notation. 28+12 pages. Duration 20 minutes. Theodore Presser Company #144-40705. Published by Theodore Presser Company (PR.144407050).

UPC: 680160655519. 9 x 12 inches.

Celebrating 30 years, the Philadelphia Chamber Music Society commissioned a work of 20-25 minutes for violin and piano from James Primosch, University of Pennsylvania professor of music. Primosch had originally thought to create a new sonata, but what developed is more appropriately a set of five character pieces, two of which were directly inspired by poems. Five Poems was premiered in May, 2016, and Primosch's thoughts are recorded at his website: https://jamesprimosch.com /2016/05/10/five-poems-pr emiere/.
Upon receiving a commission from the Philadelphia Chamber MusicSociety for a violin and piano piece in honor of its 30th anniversary, myplan was to write a sonata, a term suggesting a relatively abstractdiscourse. But as the piece developed, the movements struck me ascharacter pieces rather than music employing a more “symphonic”ap proach. When specific poems started to attach themselves in my mindwith two of the movements, the overall title Five Poems became clear.The title of the second movement is a line from Susan Stewart’s“De scent”, which deals with Aeneas’s visit to the underworld. The musicis alternately fiercely driving and quite still, though tense. RobertFrost’s Nothing Gold Can Stay summons fleet scale passages framinglyrical counterpoint. The remaining movements do not refer to specificpoems, but have titles reflecting their expressive tone. Dreamscape ismusing with an improvisatory violin line over shifting pairs of pianochords. Nightsong is a bluesy lullaby that turns highly dramatic.Vision begins with a closely argued struggle but breaks through tosomething spacious and clear.

With online audio of piano accompaniments. By Various. By Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

By Hunter. Instrumental Hymns, Violin Solo. Jesus Loves Me; I Sing the Mighty Power of God; Take My Life, and Let it Be; Come Thou Long-Expected Jesus; Joyful, Joyful, We Adore Thee; Amazing Grace; For the Beauty of the Earth; Holy, Holy, Holy; Be Thou My Vision; Fairest Lord Jesus. All 1st position, compatible with Suzuki Book #1; violin plays melody with simple accompaniments. Now includes descant. Published by Latham Music Enterprises.

Chamber Music Cello, Piano, Violin

SKU: PR.114422690

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2+2 pages. Duration 5 minutes. Theodore Presser Company #114-42269. Published by Theodore Presser Company (PR.114422690).

UPC: 680160684809. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Violin and Piano with Online Accompaniments. Composed by Alain Boublil and Claude- Michel Schonberg. For Classical Players. Broadway, Movies, Musicals. Softcover Audio Online. 56 pages. Published by Hal Leonard

(With marked and unmarked string parts). By Gabriel Faur̩ and Gabriel Faur. Edited by Fabian Kolb. For Violin, Piano Accompaniment (Score and Parts). Henle Music Folios. Softcover. G. Henle #HN980. Published by G. Henle

Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompaniment. Format: instrumental solo/duet book. With standard notation, solo part, harmony part and piano accompaniment. Christian. 9x12 inches. Published by Hope Publishing Company.

Arranged by Denise Gendron. Performance part for piano accompaniment. With chord names. Accompaniment for [SP.TS358]. 47 pages. Published by Santorella Publications.

For violin. Format: instrumental solo/piano accompianment set. With solo part and piano accompaniment. Christmas and holiday. 16 pages. 9x12 inches. Published by Rubank.

By Kristin Campbell; Ruth Coleman. For violin and piano. General, Eastertide, Christmas. Sacred instrumental. Published by Exaltation Publications.

(Traditional Carols with a Popular Twist). By Ed Hogan. String ensemble. For violin, piano. Creative Carols. Christmas. Moderate. Published by Lillenas Publishing Company

With a CD of Performance and Backing Tracks Complete Edition (Violin, Guitar, Piano). Composed by Various. Edited by Edward Huws Jones. Arranged by Edward Huws Jones. Boosey & Hawkes Chamber Music. Bluegrass, Blues, Jazz, Ragtime. Softcover with CD. 28 pages. Boosey & Hawkes #M060124228. Published by Boosey & Hawkes

Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo with piano accompaniment. David Nowakowsky Foundation Series. Medium. Published by MorningStar Music Publishers

(with analytical studies and exercises by Otakar Sevcik, Op. 21 Violin and Piano critical violin part). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Endre Granat. LKM Music. Softcover. 116 pages

(Entertaining folk tunes for flexible string ensemble with optional piano accompaniment) Arranged by Mary Cohen. Score and accompaniment CD for flexible string ensemble (violin, viola) and optional piano accompaniment. 24 pages. Published by Faber Music Ltd.

Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. For Violin, Piano. Playing Score; Single Part; Urtext Edition (paperbound). Op.post.159. Published by Baerenreiter-Ausgaben (German import).

Violin and Piano Reduction. Composed by Johan Severin Svendsen (1840-1911). Edited by Annette Seyfried. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Piano reduction with solo part. Op. 26. 24 pages. Schott Music #SE 1044. Published by Schott Music

(with analytical studies and exercises by Otakar Sevcik, Op. 16 Violin and Piano critical violin part). By Henri Wieniawski (1835-1880). Edited by Stephen Shipps. LKM Music. Softcover. 52 pages

(for Violin and Piano) Composed by Antonio Vivaldi (1678-1741), arranged by Rok Klopcic. Op. 8. For violin solo and piano accompaniment. Format: violin solo single. With solo part, standard notation, fingerings, piano accompaniment and introductory text. Baroque. E Major. 16 pages. 9x12 inches. Published by G. Schirmer, Inc.

Composed by Albert Hay Malotte, arranged by William Kroll. For violin solo and piano accompaniment. Format: violin solo single. With standard notation, piano accompaniment and fingerings. Sacred and Classical. A Major. 5 pages. 9x12 inches. Published by G. Schirmer, Inc.

By Vittorio Monti (1868-1922). Edited by Kurt Sassmannshaus. For Violin, Piano. Baerenreiter's Easy Concertos. Piano reduction, Single part. Published by Baerenreiter Verlag

(With Marked and Unmarked String Parts). By Robert Schumann. Edited by Ernst Herttrich. For Violin, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1098. Published by G. Henle

Chamber Music violin, piano

SKU: PR.114419280

Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280).

ISBN 9781491132357. UPC: 680160676125.

Inspi red by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,” and the Chaozhou tune “Lion Playing Ball.”II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.