Violin and piano - Level 1

SKU: LM.26026

Classical. Score. Editions Henry Lemoine #26026. Published by Editions Henry Lemoine (LM.26026).

ISBN 9790230960267.

ANON YME : By an by - BACH : Choral (Passion selon St Jean) - BARTOK : Danse du gardien de cochons - BEETHOVEN : Marmotte (Lied) - BRAHMS : Serenade inutile (Lied) - BRITTEN : Air irlandais - DVORAK : Melodie tzigane - ELGAR : Marche (Pomp and Circumstance, n. 1) - HAYDN : Une histoire tres courante! (Lied) - JOPLIN : The Entertainer (Ragtime, extrait) - MAHLER : Lied (extrait du Cor merveilleux de l'enfant) - MOZART : La petite fileuse (Lied) - SCHOENBERG : Salutations (Lied) - SCHUBERT : Les fleurs du meunier (Lied) - SCHUMANN : Le Paradis et la Peri (choeur des Houris).

Violin & Piano

SKU: SU.28120210

For Violin & Piano. Composed by Alla Pavlova. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #28120210. Published by Subito Music Corporation (SU.28120210).

Violin & Piano Duration: 7' Composed: 2015 Published by: Alla Pavlova.

Edited by George A. Speckert. For violin and piano. This edition: stapled. Anthology. Ready to Play series. Level 3. Score and part. Text Language: German, English. 19/16 pages. Published by Baerenreiter Verlag

(for Violin and Piano). By Carlos Gardel. Arranged by Diego Collatti. For Violin, Piano. World Music. 32 pages. Published by Universal Edition

Violin and Piano - easy

SKU: BT.EMBZ6311

By Lenkei Gabriella. EMB Music for Beginners. Educational Tool. Book Only. Composed 1970. 52 pages. Editio Musica Budapest #EMBZ6311. Published by Editio Musica Budapest (BT.EMBZ6311).

English-German-Hungari an.

The volumes of the series 'Music for Beginners' cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the voluumes have been published in this series for the first time.

Violin and Piano. By Camille Saint-Saens. EMB. Size 9x12 inches. 20 pages. Published by Editio Musica Budapest.

Violin and Piano - intermediate

SKU: XC.LS1810

Composed by Jules Massenet. Arranged by Josh Dampier. Legacy Solo Series. Solo with Piano. Classical, Acoustic. Score and part. Excelcia Music Publishing #LS1810. Published by Excelcia Music Publishing (XC.LS1810).

UPC: 812598030150. 12 x 9 inches.

The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website.

Violin (2 Violins), Piano, Guitar ad lib Guitar; Piano Accompaniment; Violin (VIOLIN/PIANO)

SKU: HL.48024317

Violin and Piano with opt. Violin accomp, Easy Violin, and Guitar. Composed by Edward Huws Jones. Boosey & Hawkes Chamber Music. Classical, Irish. Softcover with CD. 104 pages. Boosey & Hawkes #M060124242. Published by Boosey & Hawkes (HL.48024317).

ISBN 9780851626932. UPC: 888680748180. 9.0x12.0x0.35 inches. Ed. Edward Huws Jones Book/CD Pack.

Edward Huws Jones' popular series of traditional fiddle repertoire, now available with expertly-recorded audio CD. Containing colorful instrumental backing tracks and full demonstrations, the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music, some familiar, some more exotic, but all of it faithfully arranged, enable you to create your own ceilidh, bluegrass club or charanga band. The violin edition includes optional easy violin part and guitar chords, while the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.

(Favorite classics for flexible string ensemble with optional piano accompaniment) Arranged by Mary Cohen. Score and accompaniment CD for flexible string ensemble (violin, viola) and optional piano accompaniment. 24 pages. Published by Faber Music Ltd.

Violin & Piano

SKU: ST.R1884

Composed by Ludwig van Beethoven. Edited by Yfrah Neaman. String music. Edited by Yfrah Neaman. Score and part. Stainer & Bell Ltd. #R1884. Published by Stainer & Bell Ltd. (ST.R1884).

ISBN 9790220201028.

By Louis-Gabriel Guillemain. Chamber ensemble. For Violin, piano. Chamber Music. Sonata in the high baroque style of the French gallant. Baroque. Score and part. 18 pages. Duration 15:00. Published by Wolfhead Music. (WM511) Level: Advanced.

By Jonathan Harvey. For Violin and Piano. Masterworks; Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Violin, Piano SKU: HU.HN410 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Strings, Repertoire, Solos. Sonata for Violin and Piano. Classical, Romantic. Softcover Book. 70 pages. G. Henle #HN410. Published by G. Henle (HU.HN410).

(Violin and Piano). Composed by Antonio Bazzini (1818-1897). Edited by Endre Granat. Arranged by Jascha Heifetz. For Piano, Violin. LKM Music. 20 pages. Lauren Keiser Music Publishing #S511025. Published by Lauren Keiser Music Publishing

By Armand Parent. For violin and piano. Classical. Score. Published by Edition Delrieu

(Violin and Piano). By Camille Saint-Saens. Edited by Peter Jost. For Violin, Piano Accompaniment. Henle Music Folios. Softcover. 79 pages. G. Henle #HN572. Published by G. Henle

(Entertaining folk tunes for flexible string ensemble with optional piano accompaniment) Arranged by Mary Cohen. Score and accompaniment CD for flexible string ensemble (violin, viola) and optional piano accompaniment. 24 pages. Published by Faber Music Ltd.

Violin, piano

SKU: BR.EB-9413

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2020. 28 pages. Duration 9'. Breitkopf and Haertel #EB 9413. Published by Breitkopf and Haertel (BR.EB-9413).

ISBN 9790004188873. 9 x 12 inches.

For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020

World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.

Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Wirth, Helmut. For Violin, Piano. Playing Score; Single Part; Urtext Edition (paperbound). Op.post.159. Published by Baerenreiter-Ausgaben (German import).

For Violin and Orchestra - Piano Reduction. By Camille Saint-Saens. Edited by P. Jost. Violin. Pages: Score = VI and 45 * Vl Part = 19. Urtext edition (Paper-bound). Published by G. Henle.

For violin and orchestra Violin and Piano. By Camille Saint-Saens. Arranged by Georges Bizet. This edition: DF1586400. Editions Durand. Book only. 32 pages. Published by Editions Durand.

Chamber Music violin, piano

SKU: CF.B3475

Composed by Martin Bresnick. Performance Score. 32+12 pages. Carl Fischer Music #B3475. Published by Carl Fischer Music (CF.B3475).

ISBN 9781491162026. UPC: 680160920709.

This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don't usually reveal. The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.
This work for violin and piano by Martin Bresnick is a play on the words suite and bittersweet. Each of the four movements is based on a Yiddish folk song, which in English translate to On the Road, My Resting Place, Black Cat, and Dona, Dona. Each of the four pieces is primarily based on a Jewish folk song, but re-envisions them in a modern context, akin to Bartok and Kodaly. The composer noted, “I found it a very challenging, yet touching way to remain in contact with some part of my own past that I don’t usually reveal.” The title references the difficult (bitter) and pleasant (sweet) aspects of experiencing the tumultuous history of a people through their folk music.

Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Oppermann. Henle Music Folios. Classical. Softcover. G. Henle #HN1056. Published by G. Henle

Edited by Endre Granat. LKM Music. Softcover. Lauren Keiser Music Publishing #S511033. Published by Lauren Keiser Music Publishing

Violin & Piano

SKU: ST.R7331

Composed by Ludwig van Beethoven. String music. Score and part. Stainer & Bell Ltd. #R7331. Published by Stainer & Bell Ltd. (ST.R7331).

ISBN 9790220200960.

Violin and Piano - Grade 3

SKU: BT.EMBZ810

Composed by Ferenc Vecsey. Book Only. Composed 1952. 6 pages. Editio Musica Budapest #EMBZ810. Published by Editio Musica Budapest (BT.EMBZ810).

English-German-Hungari an.

Ferenc Vecsey (1893-1935) was one of the greatest virtuoso violinists of the early twentieth century. He was soon noticed as a child prodigy, and after his early violin lessons from his father, he became a pupil of Hubay. His first known public appearance was at the age of 6 in Tátraszéplak (Tatranská Polianka), and a few years later in Berlin he made his debut abroad. There he heard the elderly maestro József Joachim, who was astonished at the talented boy's playing. So started the young Vecsey's performing career: he gave a dozen or so concerts in Germany, then followed a series of concert tours all over the world (in 1906 in Spain, Bartók was his accompanist). From1907, his permanent place of residence between concerts was Berlin, where he began to study harmony and counterpoint. Soon he began composing himself, mainly writing virtuoso pieces for his own concerts, of which the Valse triste became the most famous. Other musicians were also happy to include this short character piece in their programmes.Vecsey later settled in Italy. He died unexpectedly at the young age of 42.