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Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
» . Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
INSSTR inches.
French.
A
previously unreleased
piece by Francis Poulenc,
published with permission
from the Bibliothèque
Historique de la Ville de
Paris and Benoît
Seringe, secretary of the
Association des amis
de Francis Poulenc
[Association of the
Friends ofFrancis
Poulenc]. Le Voyageur
sans bagage [The
Traveller Without
Luggage], which had been
premiered in 1937 with
music by Darius Milhaud,
was reprised on 1 April
1944 at the Thé tre de
la Michodière; Francis
Poulenc was asked to
compose new stage music.
Theentire unpublished
score lay undiscovered
until Bérengère de
l’Épine, a
librarian at the
Bibliothèque
Historique de la Ville de
Paris, announced the
existence of a manuscript
in the Association de la
Régie Thé trale
collection.Poulenc
finalised the score
between 19 and 21 March
1944. It contains nine
songs, all written for a
small instrumental
ensemble including oboe,
clarinet, cello and
piano. However, at the
end of the manuscript,
the composer echoes the
second song Lent
[Slow] and creates
another version for cello
and piano; curiously, the
original version of the
song has not been erased
in the manuscript.
Poulenc seems to suggest
that we consider the
piece for cello and
piano, that we have
publishedhere, as a
different piece of music.
It was premiered on
Wednesday 23 January 2013
by Marc Coppey,
accompanied by
Jean-François Heisser,
in the organ auditorium
of the Conservatoire
National Supérieur de
Musique et Danse de Paris
(CNSMDP), during
thesymposium for the
fiftieth anniversary of
Poulenc’s
death.Given in a dramatic
context, some elements
allow us to get an idea
of the character of the
piece, which Benoît
Seringe, Poulenc’s
beneficiary, judiciously
chose to name
Souvenirs .The main
character of
Anouilh’s play,
Gaston, is suffering from
amnesia at the end of
World War One. Several
families try to claim
him; they want him to be
their missing relative.
The Renaud family prove
to be particularly
stubborn, but Gaston
doesnot recognize himself
in the child and young
man they depict: a
ruthless and violent
person. In Act 1 Scene 3,
left alone for a moment,
overwhelmed by the story
of the “old
Gaston†that is
gradually coming to
light, and outraged by
the desire ofthose around
him to appropriate him
(to the detriment of the
person he would like to
be from now on), he
whispers these words:
“You all have
proof, photographs that
look like me, memories as
clear as day…
I’ve listened to
you all and it’s
slowlycausing a hybrid
person to rise up in me;
a person in which there
is a piece of each of
your sons and nothing of
me.†Poulenc chose
to place the second piece
from his stage music
score as these words are
spoken.He borrowed part
of the material, as he
often did, from an
earlier composition. In
this particular case, the
beginning is a recycled
version of the
“slow and
melancholicâ€
section from
L’Histoire de
Babar , composed
between 1940 and 1945,
andpremiered in 1946
(unless it is Babar
that reuses the
musical idea from
Voyageur ).The
eponymous elephant
decides to leave in
search of the great
forest. He embraces the
old lady, promises her he
will return and reassures
her that he will never
forget her. Left alone,
the old lady, feeling sad
and pensive, wonders when
she’ll seeher
friend Babar again. The
situation is similar to
that in Voyageur sans
bagage : solitude,
sadness, a distressing
and introspective time,
fear of oblivion, the
presence of
memories… Pi
èce inédite de
Francis Poulenc,
publiée avec
l’autorisation de
la Bibliothèque
historique de la ville de
Paris et de Benoît
Seringe, secrétaire de
l’Association des
Amis de Francis
Poulenc.Le 1er avril
1944, Le Voyageur sans
bagage d’Anouilh,
qui avait été
créé en 1937 avec
de la musique de Darius
Milhaud, est repris au
Thé tre de la
Michodière. Francis
Poulenc a été
sollicité afin
d’écrire une
nouvelle musique de
scène. On ignoraittout
de cette partition
inédite,
jusqu’au jour
où Bérengère de
l’Épine,
conservateur la
Bibliothèque
historique de la ville de
Paris, nous signala
l’existence
d’un manuscrit
dans le fonds de
l’Association de
la Régie thé
trale.Poulenc mit au
point sa partition entre
le 19 et le 21 mars 1944.
Elle comprend neuf
numéros, tous
écrits pour un petit
effectif instrumental
réunissant un
hautbois, une clarinette,
un violoncelle et un
piano.Cependant, la fin
de son manuscrit, le
compositeur reprend le no
2 Lent et en donne une
seconde version, pour
violoncelle et piano.
Curieusement, la version
originale de ce numéro
n’est pas
biffée dans le
manuscrit.Poulenc semble
nous inviter
considérer comme un
morceau distinct cette
pièce pour violoncelle
et piano dont nous
proposons ici
l’édition. Elle
a été créée
par Marc Coppey,
accompagné de
Jean-François Heisser,
lors du concert donné
durant lecolloque
organisé pour le
cinquantenaire du
décès de Poulenc,
le mercredi 23 janvier
2013, salle
d’orgue du
Conservatoire National
Supérieur de Musique
et de Danse de Paris
(CNSMDP).Quelques
éléments sur le
contexte dramatique
permettront de se faire
une idée du
caractère du morceau,
que Benoît Seringe,
ayant droit Poulenc, a
judicieusement choisi
d’intituler
Souvenirs.Le personnage
principal de la pièce
d’Anouilh, Gaston,
a été retrouvé
amnésique la fin de la
Première Guerre
Mondiale. Plusieurs
familles le réclament.
On veut voir en lui un
parent disparu. Les
Renaud se montrent
particulièrement
tenaces ; maisGaston ne
parvient se
reconnaître dans
l’enfant et le
jeune homme dont on lui
trace le portrait : un
être violent et sans
scrupule. Au tableau 3 de
l’acte I, resté
seul un moment,
écrasé par
l’histoire de cet
autre lui-même
qu’il découvre
peu peu, indigné par
le désir des personnes
qui l’entourent de
le ramener elles au
détriment de celui
qu’il voudrait
être désormais, il
se murmure ces paroles :
« Vous avez tous des
preuves, des
photographies
ressemblantes, des
souvenirs précis
commedes crimes… je
vous écoute tous et je
sens surgir peu peu
derrière moi un
être hybride où il
y a un peu de chacun de
vos fils et rien de moi
»…C’est
sur ces mots que Poulenc
a choisi de placer le no
2 de sa partition de
musique de scène.Comme
il le fait souvent, il
emprunte une composition
antérieure une part de
son matériau. Dans ce
cas précis, il
réutilise pour le
début du morceau la
section « Lent et
mélancolique » de
l’Histoire de
Babar, composée entre
1940 et 1945, créée
en1946 ( moins que ce ne
soit Babar qui
réutilise
l’idée musicale
du Voyageur). Le
héros-éléphant
s’est décidé
partir pour retrouver la
grande forêt. Il a
embrassé la vieille
dame, lui a promis de
revenir, l’a
rassurée : jamais il
ne
l’oubliera.RestÃ
e seule, la vieille
dame, triste et pensive,
se demande quand elle
reverra son ami Babar. La
situation est similaire
celle du Voyageur sans
bagage : solitude,
tristesse, instantde
trouble et de retour sur
soi, crainte de
l’oubli,
présence des
souvenirs….
$11.95 - Voir plus => Acheter Délais: 4 to 6 weeks
Away in a Manger Violoncelle, Piano Jackman Music Corporation
Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Co...(+)
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #09008.
Published
by Jackman Music
Corporation
$3.97 - Voir plus => Acheter Délais: 1 to 2 weeks
Les Filles Du Forgeron Violoncelle, Piano Bote and Bock
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025367
Cello
and Piano . Composed
by Simon Laks. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Bote & Bock #M202538630.
Published by Bote & Bock
(HL.48025367).
UPC:
196288194286.
Simon
Laks (1901-1983), who
moved from Warsaw to
Paris in 1926 at the age
of 25, belonged to the
large group of composers
from Central and Eastern
European countries who
went down in 20th-century
music history as the
“École de
Parisâ€. Slavic
temperament amalgamated
in their music with
French esprit, the
folklore of their native
countries combined with
the stylistic elements of
neoclassicism and jazz
typical of the time. As a
member of the
“Association of
Young Polish
Musiciansâ€, Laks
quickly made his way into
French musical life.
However, his career was
ended with the beginning
of World War 2 due to the
collaboration of the
Vichy government with
Nazi Germany. Internment
in 1941 was followed by
deportation to Auschwitz
in 1942. Laks survived
the Shoah as a member and
later leader of a camp
band in Birkenau, which
he testified to in his
moving book Music in
Auschwitz. After the
traumatic experiences,
Laks did not return to
regular compositional
activity until the 1960s,
producing an opera,
songs, and chamber music
works, some of which were
awarded important
composition prizes. At
the peak of this
optimistic creative
phase, he composed
incidental music for
Peretz Hirschbein's
famous Yiddish comedy Dem
Schmids Techter (The
Blacksmith's Daughters),
which premiered in New
York in 1918, for a new
production of the play at
the Théâtre
de'l’Entrepôt in
Paris. Along with
Prokofiev's Overture on
Hebrew Themes and
Shostakovich's cycle From
Yiddish (Jewish) Folk
Poetry, it is one of the
most significant
20th-century explorations
of art music with Jewish
folklore – homage
to a culture irreparably
destroyed. From the
original score, Holger
Groschopp compiled two
suites, for violoncello
and piano and piano solo,
that capture the essence
of Lak's enchanting drama
music. The premiere
recording of the suites
with Holger Groschopp and
Adele Bitter was awarded
the Opus Klassik 2023 in
the category Editorial
Achievement of the
Year.
$45.00 - Voir plus => Acheter
Carol of the Bells Violoncelle, Piano Carl Fischer
Composed by Mykola Leontovich. Arranged by Larry Clark. For cello, piano. Standa...(+)
Composed by Mykola
Leontovich. Arranged by
Larry Clark. For cello,
piano. Standard Notation.
8 pages. Published by
Carl Fischer
$4.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Cello Recital Album, Volume 2 Violoncelle, Piano - Facile Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
$24.95 - Voir plus => Acheter Délais: 1 to 2 weeks
Cello Recital Album, Volume 1 Violoncelle, Piano - Facile Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
$24.95 - Voir plus => Acheter Délais: 1 to 2 weeks
The Cello Playlist Violoncelle, Piano [Partition + Accès audio] Schott
50 Popular Classics in Easy Arrangements . Composed by Various. Arranged b...(+)
50 Popular Classics in
Easy Arrangements .
Composed by Various.
Arranged by Barrie Carson
Turner. String. Softcover
Audio Online. 56 pages.
Schott Music #ED13862.
Published by Schott Music
(HL.49045387).
$18.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Joy of Music - Discoveries from the Schott Archives Violoncelle, Piano - Intermédiaire/avancé Schott
Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edi...(+)
Virtuoso and Entertaining
Pieces for Cello and
Piano.
Composed by Various.
Edited
by Beverley Ellis and
Rainer
Mohrs. String. Softcover.
Schott Music #ED23310.
Published by Schott Music
$27.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Figaro Violoncelle, Piano Carl Fischer
From The Barber of Seville . Composed by Gioachino Rossini (1792-1868). ...(+)
From The Barber of
Seville . Composed by
Gioachino Rossini
(1792-1868). Edited by
Gregor Piatigorsky.
Arranged by Mario
Castelnuovo-Tedesco. With
Standard notation. Carl
Fischer #B002670.
Published by Carl Fischer
(CF.B2670).
$16.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Rostropovich: In Memorium Violoncelle, Piano Carl Fischer
(9 Solos in Honor of the Maestro's Legacy). Edited by Marion Feldman. For cello ...(+)
(9 Solos in Honor of the
Maestro's Legacy). Edited
by Marion Feldman. For
cello and piano. 72
pages. Published by Carl
Fischer
$45.00 - Voir plus => Acheter Délais: 1 to 2 weeks
Csardas obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano
SKU:
BT.EMBZ14779
Composed
by Franz Liszt. Book
Only. Composed 2011. 16
pages. Editio Musica
Budapest #EMBZ14779.
Published by Editio
Musica Budapest
(BT.EMBZ14779).
The arranger of
this work (a well-known
Hungarian composer living
in Romania) writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the latter
suggests the description
of a type of behaviour,
the emotional state of a
dancer's inner frame of
mind abstracted into
movements, expressed in
dance movements, and this
is a fascinating
interpretation. The
demonstration ofstubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
in Transylvania. At that
time, I asked the
composer, Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartókian false
relations that keep
recurring in the work,
the B-E flat-G, etc. That
foreshadows Debussy,
creating harmonic thrills
that, when I hear the
work, keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the cello.
The arranger of
this work, the well-known
Romania-based Hungarian
composer Cs ky
Boldizsár writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinateone, may refer
to its ostinato
character, this is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the
lattersuggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of
stubbornresistance ,
defiance to the point of
exhaustion, was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
here in Transylvania
(Romania). Der
Bearbeiter des Werkes,
der renommierte
ungarische Komponist aus
Rumänien, schreibt:
Dieses Stück reizte
immer schon meine
Phantasie, sogar in
vielerlei Hinsicht. Als
erstes sein Name. Der
deutsche Titel
‚Hartnäckiger'
kann auf den ihm
innewohnenden ostinativen
Charakter hinweisen, was
der Liszt'schen
Programm-Konzeption
näher kommt, das
französische
,obstiné' steht jedoch
eher dem Wort
‚dickköpfig'
nah. Das sind nur
geringfügige
Unterschiede, mir ist das
dennoch wichtig, weil aus
Letzterem die Darstellung
eines Verhaltens, der in
Tanzgesten
ausgedrückte, zur
Bewegung abstrahierte
innere emotionale Zustand
eines Tänzers
durchscheint, und das ist
eine überaus
beeindruckendeErklärun
g. Die Demonstration des
bis zur Erschöpfung
reichenden Trotzes, der
störrischen Kraft
erscheint bei Liszt
selten. Der zweite
Aspekt: Zu Beginn der
70er Jahre spielte bei
uns Zoltán Kocsis das
Stück. Schon damals
(und seitdem) frage ich
den Komponisten:.
$18.95 - Voir plus => Acheter Délais: 2 to 3 weeks
Sonata C major op. 40/1 Violoncelle, Piano Schott
Schott Student Edition Repertoire . Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire . Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
$15.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Peter Ilyich Tchaikovsky: Variations on a Rococo Theme (orginal version) (Variationen Uber Ein Rokoko-Thema) Violoncelle, Piano [Set de Parties séparées] Peters
Composed by Peter Ilyich Tchaikovsky (1840-1893), arranged by John York, edited ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893),
arranged by John York,
edited by David Brown,
Raphael Wallfisch. Set of
performance parts for
cello and piano. Urtext.
With bowings, fingerings,
introductory text and
performance notes. Op. 33
(original version). 42
pages. Published by C.F.
Peters.
)
(3) $21.95 - Voir plus => Acheter Délais: 1 to 2 weeks
Fourteen Pieces for Cello and Piano Violoncelle, Piano [Livre] Kevin Mayhew
Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by ...(+)
Arranged by Julian Lloyd
Webber. For Cello, Piano.
Book. 56 pages. Published
by Kevin Mayhew
Publishers
$12.49 - Voir plus => Acheter Délais: 2 to 3 weeks
Sonata in E Minor, Op. 38, No. 1 Violoncelle, Piano - Intermédiaire Schott
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire . C...(+)
Cello and Piano or 3
Cellos, Level 3 Schott
Student Edition
Repertoire . Composed
by Bernhard Romberg.
Edited by Beverley Ellis.
Arranged by Friedrich
Janssen. This edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Repertoire.
Softcover. Op. 38/1. 32
pages. Schott Music
#SE1007. Published by
Schott Music
(HL.49045501).
$15.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Robert Schumann - Concerto in A minor Violoncelle, Piano [Partition + CD] Salabert
Cello and Piano Reduction. By Robert Schumann. Arranged by Andre Navarra and Mar...(+)
Cello and Piano
Reduction. By Robert
Schumann. Arranged by
Andre Navarra and Marcel
Bardon. String. Book and
CD Package. Size 9x12
inches. Published by
Salabert.
$44.95 - Voir plus => Acheter Délais: 24 hours - In Stock
Serenata, Op. 34 Violoncelle, Piano [Conducteur et Parties séparées] Faber Music Limited
By Ferruccio Busoni (1866-1924). For Cello and Piano. Masterworks; Part(s); Scor...(+)
By Ferruccio Busoni
(1866-1924). For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
$11.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Sonata No.1 in D major Op. 6 Violoncelle, Piano Breitkopf & Härtel
Urtext. Composed by Eduard Franck. Breitkopf and Haertel #EB-32071. Published ...(+)
Urtext. Composed by
Eduard
Franck. Breitkopf and
Haertel
#EB-32071. Published by
Breitkopf and Haertel
$40.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Robert Schumann - Kinderszenen, Op. 15 Violoncelle, Piano Ricordi
(Cello and Piano). By Robert Schumann. Edited by Emanuele Torquati and Francesco...(+)
(Cello and Piano). By
Robert Schumann. Edited
by Emanuele Torquati and
Francesco Dillon.
Arranged by Friedrich
Grützmacher. For
Cello, Piano
Accompaniment. MGB.
Softcover. 52 pages.
Ricordi #NR140538.
Published by Ricordi
$18.95 - Voir plus => Acheter Délais: 24 hours - In Stock
Einaudi - The Cello Collection Violoncelle, Piano [Partition + Accès audio] Chester
(Book with Online Audio). Composed by Ludovico Einaudi. For Cello, Piano A...(+)
(Book with Online Audio).
Composed by Ludovico
Einaudi.
For Cello, Piano
Accompaniment. Music
Sales
America. Softcover Audio
Online. 56 pages. Chester
Music #CH82357. Published
by
Chester Music
$16.99 - Voir plus => Acheter Délais: 24 hours - In Stock
Wedgwood /Up-Grade! Vc/Pf Gr.3-4 Violoncelle, Piano - Intermédiaire Faber Music Limited
Grade 3-4. Composed by Pam Wedgwood. Series; String - Cello Studies or Collectio...(+)
Grade 3-4. Composed by
Pam Wedgwood. Series;
String - Cello Studies or
Collection. Faber
Edition: Up-Grade!
Series. Book. Faber Music
#12-0571519636. Published
by Faber Music
$11.99 - Voir plus => Acheter Délais: 1 to 2 weeks
Masters for the Young, Complete Cello works by Beethoven, Schubert, Haydn, Mozart Violoncelle, Piano [Partition] - Intermédiaire/avancé Kalmus
For Cello and Piano. Masterworks; String - Cello Collection. Kalmus Edition. Mas...(+)
For Cello and Piano.
Masterworks; String -
Cello Collection. Kalmus
Edition. Masterwork.
Book. 84 pages. Kalmus
Classic Edition
#00-K02128. Published by
Kalmus Classic Edition
$11.99 - Voir plus => Acheter Délais: 4 to 6 weeks
6 Easy Concert Pieces op. 4/7-12 Violoncelle, Piano - Facile Schott
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...(+)
6 Easy Concert Pieces.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition. 6
leichte Stucke fur
Violoncello und Klavier.
Classical. Softcover. Op.
4/7-12. 40 pages. Schott
Music #SE 1050. Published
by
Schott Music
$17.99 - Voir plus => Acheter Délais: 24 hours - In Stock
O Shenandoah! Violoncelle, Piano Faber Music Limited
(And Other Songs from the New World). By Polly Waterfield. For Cello and Piano. ...(+)
(And Other Songs from the
New World). By Polly
Waterfield. For Cello and
Piano. Book; Solo; String
- Cello Studies or
Collection. Faber
Edition. Folk.
Elementary. 24 pages.
Published by Faber Music
$11.99 - Voir plus => Acheter Délais: 1 to 2 weeks
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