(Cello and String Orchestra Cello and Piano Reduction). By John Tavener (1944-). For Cello, Piano Accompaniment (Score and Solo Part). Music Sales America. Softcover. 38 pages. Chester Music #CH5903001. Published by Chester Music

Cello, Piano

SKU: PR.UE008600

For Cello and Chamber Orchestra. Composed by Alexander Tcherepnine. This edition: Edition For Cello And Piano. With Standard notation. Opus 37 Number 2. Universal Edition #UE008600. Published by Universal Edition (PR.UE008600).

ISBN 9783702464400. UPC: 680160678471.

Romance of the Hsiao.... (For Cello and Piano). By Chen Yi (1953-). For Cello, Piano. Premiered by Schlomo Mintz and Elmar Oliveira with the Orchestra of St. Luke's conducted by Maestro Menuhin at "A Benefit Tribute to Yehudi Menuhin" at Lincoln Center, August 11, 1996. Solo part with piano reduction. Standard notation. 7 pages. Duration 4 minutes. Published by Theodore Presser Company

Score and Parts Cello; Piano Accompaniment (Score and Parts)

SKU: HL.49047373

For Cello and Organ (String Orchestra Reduction) Score and Parts. Composed by Peteris Vasks. Edited by Ligita Sneibe. Edition Schott. Classical. Softcover. 24 pages. Duration 780 seconds. Schott Music #ED23557. Published by Schott Music (HL.49047373).

ISBN 9798350124897. UPC: 196288207702.

Flute, Cello, Piano Chamber

SKU: HL.14032647

Composed by Jacob Gade and Per Norgard. Music Sales America. Set. 37 pages. Music Sales #KP00596. Published by Music Sales (HL.14032647).

ISBN 9788759876626. Danish.

Per Norgard 's Tango Chikane , arranged for Flute, Cello and Piano by Gunnar Moller Pedersen (1969). TANGO CHIKANE - music for a ballet by Flemming Flindt (1967). “Tango Chikane” is a humorous paraphrase on the evergreen hit from the 1920s, the Danish composer Jakob Gade's “Tango Tzigane” (also known as 'Tango Jalousie'). Per Norgard Orig. version for Orchestra: WH28904.

By Luigi Boccherini. For Cello, Orchestra. Play Along. CD/DVD. Published by Edition Peters.

For Violoncello and Orchestra, Piano Reduction. By Behzad Ranjbaran. For Cello, Piano. Published by Theodore Presser Company.

Cello and piano

SKU: CU.EC9828

Per violoncello e orchestra op. 102. Composed by Franco Mannino. Published by Edizioni Curci (CU.EC9828).

Cello and String Orchestra, piano reduction. By Luigi Boccherini. Schott. Size 9x12 inches. 40 pages. Published by Schott.

Concerto for Violoncello and Orchestra. Piano Reduction = BA 3721. By Carl Stamitz. Edited by Walter Upmeyer. Arranged by Heinz Fussl. For Violoncello, Piano. Hortus Musicus. Piano Reduction/Vocal Score. Published by Hortus Musicus (German import). (HM105 90)

Fantasy for Ceelo and Orchestra. By William Schuman. For Violoncello, Piano. Solo Part with Piano Reduction. Duration 21:. Published by Theodore Presser Company.

By Wolfgang Amadeus Mozart. Edited by Hermann Beck. For Violoncello. Single Part. KV 491. Published by Baerenreiter-Ausgaben (German import). (BA4741 82)

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Double bass (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-27

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-27. Published by Breitkopf and Haertel (BR.OB-16104-27).

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Woodwinds (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Folder. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Set of parts. 100 pages. Duration 35'. Breitkopf and Haertel #OB 16104-30. Published by Breitkopf and Haertel (BR.OB-16104-30).

ISBN 9790004339466. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violin 2 (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-16

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-16. Published by Breitkopf and Haertel (BR.OB-16104-16).

ISBN 9790004339428. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violoncello (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-23. Published by Breitkopf and Haertel (BR.OB-16104-23).

ISBN 9790004339442. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violin 1 (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-15

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Part. 12 pages. Duration 23'. Breitkopf and Haertel #OB 5283-15. Published by Breitkopf and Haertel (BR.OB-5283-15).

ISBN 9790004332832. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.

Woodwinds (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-30

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Set of parts. 78 pages. Duration 23'. Breitkopf and Haertel #OB 5283-30. Published by Breitkopf and Haertel (BR.OB-5283-30).

ISBN 9790004332887. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.

Violin 2 (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-16

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Part. 12 pages. Duration 23'. Breitkopf and Haertel #OB 5283-16. Published by Breitkopf and Haertel (BR.OB-5283-16).

ISBN 9790004332849. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.