Four Songs for High Voice and Piano. By Seymour Barab. Text: James Stephens. For High Voice Solo, Piano. Classical. Piano/Vocal Score. 15 pages. Published by Theodore Presser Company.

(High Voice Edition With 2 CDs of Piano Accompaniments). Composed by Various. Edited by Maria DiPalma and Richard Walters. For High Voice, Piano Accompaniment. Vocal Collection. Softcover with CD. 216 pages. Published by Hal Leonard

By Roger Quilter. Arranged by David Owen Norris. (High Voice). Boosey and Hawkes Voice. Size 9x12 inches. 76 pages. Published by Boosey and Hawkes.

60 Songs - High Voice. Composed by Roger Quilter (1877-1953). Boosey and Hawkes Voice. Softcover. 240 pages. Boosey and Hawkes #M051934560. Published by Boosey and Hawkes

Book/Pronunciation Guide/Accompaniment Online Audio. Composed by Various. Edited by Richard Walters, Virginia Saya. Vocal Collection. German, Classical. Softcover Audio Online. 344 pages. Published by Hal Leonard

High Voice The Vocal Library. By Roger Quilter. Arranged by Richard Walters. Vocal Collection. Size 8.5x11 inches. 228 pages. Published by Hal Leonard.

(High Voice and Piano). Composed by Paul Hindemith (1895-1963). Edited by Luitgard Schader. For High Voice, Piano Accompaniment (High Voice). Vocal Solo. Softcover. Schott Music #ED22458. Published by Schott Music

Composed by Gwyneth W. Walker (1947-). For high voice, piano. Secular, 21st century. Medium. Collection. Published by E.C. Schirmer Publishing

12 Contemporary Settings of Favorites from the Great American Songbook for Solo Voice and Piano. Arranged by Jay Althouse. For Voice. (Medium High Voice). Vocal Collection. Level: High School and Adult. Book and CD. 64 pages. Published by Alfred Publishing.

By Various. Edited by Losse. For High Voice and Piano. New selection of 60 songs by famous and less-known composers, also folk songs, selected for their value in vocal teaching, arranged in chronological order (Text Language: German)

High Voice and Piano

SKU: HL.14026589

Composed by Roger Quilter. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV26300901. Published by Music Sales (HL.14026589).

Roger Quilter (1877-1953) was a British composer, best known for writing many gentle and beautiful songs. Along with Henry Balfour Gardiner and Percy Grainger, he was a member of the Frankfurt Group, a group of friends who studied composition together at the Hoch Conservatory in Frankfurt.

Three Pastoral Songs (Op.22) is a collection of three songs based on countryside scenes: I will go with my father a-ploughing - Cherry valley - I wish and I wish. They are arranged here for High Voice with Piano accompaniment.

(High Voice and Piano). By David Diamond. For High Voice, Piano Accompaniment (High Voice). Peermusic Classical. 6 pages. Peermusic #61106-202. Published by Peermusic

High Voice and Piano

SKU: HL.14029299

Composed by Cyril Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV275188. Published by Music Sales (HL.14029299).

Album of 30 songs (I. and E.) Realization of the Figured Bass by LUIGI DALLAPICCOLA. Voice and piano. Published by International Music Co.

By Knud Jeppesen. For High Voice, Piano. Baroque, Renaissance. Sheet Music. 150 pages. Published by Edition Wilhelm Hansen.

High Voice. Composed by Various. Vocal Collection. Softcover. 232 pages. Published by Hal Leonard

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

What� �??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

The Vocal Library. Vocal Collection. Size 8.5x11 inches. 216 pages. Published by Hal Leonard.

(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High voice (Medium-High)). Vocal Collection. Spiritual. Book. 208 pages. Published by Alfred Music Publishing