The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for George Wither's The Hymnes and Songs of the Church (1623), many of which are still popular today. This is the first modern edition which incorporates Wither's hymn texts beyond the first verses. Gibbons composed treble and bass lines for the hymns - editor David Skinner has constructed the inner voices to create a collection of pieces that can be performed either as hymns or as simple anthems. Also in this volume are Gibbons's ten surviving full anthems, including popular works such as Almighty And Everlasting God and his masterpiece, O Clap Your Hands , alongside lesser-known compositions such as the beautiful miniature, O Lord, I Lift My Heart To Thee , and, presented here in a new reconstruction, I Am The Resurrection And The Life . / Choeur Mixte (SATB)

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli, SATB chorus and orchestra. This vocal score, edited by Janet Beat, includes a piano accompaniment. / Choeur Mixte (SATB) Et Piano

The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings, so that these versions are attractive to the broadest possible range of amateur as well as professional singers. The breathtakingly simple Mother Of God, here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The remaining three anthems are scored with Organ accompaniment: the sonorous You mantle yourself in light - the contemplative What God is we do not know and the radiant O Mary Theotokos. / Chant Et Piano / 32 pages / Partition

Les éditions Bärenreiter ont édité sous la référence BA 4267 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Chant/Vocal/Choeur. Cette partition a pour titre Anthem for the Funeral of Queen Caroline et pour compositeur Haendel Georg Friedrich. / Soli, Choeur Mixte, Et Orchestre / Partition

The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic.Some works included in this collection are universally-loved, pieces like Ave Maria by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu. Despite the title of Short And Easy, these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty.With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol, the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs.Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short and Easy Anthems gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily. / Choeur SSA Et Piano

This unique book contains piano/vocal/guitar arrangements of the national anthems from 56 countries, with lyrics in the original language and with an English translation. As a special bonus, historical notes and a full-color section showing each country's flag are also included. Anthems include those from: Australia, Finland, France, Germany, Great Britain, Jamaica, Japan, Mexico, South Africa and many more. Available: Piano/Vocal/Guitar Songbook, Singer's Edition, Singer's Edition (10-pak). For all ages. / Piano / Hal Leonard

For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem #2 ('The King Shall Rejoice'), although less well-known than Anthem #1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous - a grandiose setting of 'Glory and great worship hast thou laid upon him' - and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas. / Chant Et Piano

National anthems from around the world arranged for Piano and Voice with Guitar chord symbols. Complete with English translations and a CD of backing tracks. / Piano/Vocal/Guitare (PVG)

John Tavener Anthems favoris pour choeur SATB présente quelques-unes des oeuvres les plus populaires de John Tavener de son catalogue remarquablement vaste et variée d'oeuvres pour choeur. Sont également inclus les belles miniatures et des hymnes radiants qui tracent une ligne au cours des ans à compter de la simplicité exquise de son cadre de William Blake L'Agneau à la voile monumentale du temple et au-delà. John Tavener a connu la gloire en 1969 lorsque son oratorio La baleine a été enregistrée sur The Beatles 'étiquette Apple. Après sa conversion à l'Eglise orthodoxe en 1977, sa musique déplacé dans le sens de la spiritualité et de l'intensité toujours plus grande. Il a marqué un succès populaire en 1989 avec la première Proms de The Protecting Veil, suivie par la production de son opéra Marie d'Egypte au Festival d'Aldeburgh.Son titre de chevalier a été annoncé dans la Liste du Millénaire de distinctions honorifiques. Plus tard, en 2000, il a fait l'objet d'un festival au South Bank Centre. Depuis lors, sa musique a adopté une approche universaliste, qui englobe de nombreuses traditions religieuses, y compris les puissantes oeuvres chorales Le voile du Temple ainsi que l'automne et de la Résurrection, Ikon d'Eros, Lament for Jerusalem, Les Beaux Noms, ses Sollemnitas de masse dans Conceptione immaculata Virginis Mariae Beatae et un ensemble Requiem dans une variété de langues, dont l'anglais, l'arabe, le grec, l'hébreu et le sanskrit ainsi que le texte plus familier en latin. En aucune manière limitée dans sa production d'oeuvres chorales, Tavener a également produit d'innombrables orchestre, soliste instrumental et pièces vocales et a collaboré à des projets de danse et de musiques de film. / Choeur Mixte (SATB)

Händel, Georg Friedrich The King shall rejoice HWV 260 Coronation Anthem Edition no. BA 10259-90 ISMN 9790006562220 Volume / Series BÄRENREITER URTEXT Editor Blaut, Stephan Arranger Köhs, Andreas Language(s) of work English Language(s) of text German, English Product format Vocal score, Urtext edition Binding Stapled Pages / Format V, 32 S. - 27,0 x 19,2 cm Handel Coronation Anthems in Urtext editions for the first time 'Zadok the Priest'(BA 10258) and 'The King shall rejoice'(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest' have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition'. ' Bilingual Forewords (Ger/Eng) ' Idiomatic piano reductions ' Based on the Halle Handel Edition

This second anthem from the In Celebration of the Trinity Choral Cycle can be performed alone or in sequence with its two companion anthems. The optional spoken narrative will enhance the presentation. / Choeur Mixte (SATB)

Par MARTIN MATTHEW. The Festival Anthem I saw the Lord (2012) is a setting of words from Isaiah Ch 6, some of which are perhaps better known in the context of the great Victorian anthem by John Stainer. This Trinitarian/Dedication text (starting with the words “in the year that King Uzziah died”) is both powerful and full of dramatic imagery - flying seraphim, live coals, cries of the Tersanctus - as well as containing darker and more reflective passages. The Festival Anthem I saw the Lord (2012) is a setting of words from Isaiah Ch 6, some of which are perhaps better known in the context of the great Victorian anthem by John Stainer. This Trinitarian/Dedication text (starting with the words “in the year that King Uzziah died”) is both powerful and full of dramatic imagery - flying seraphim, live coals, cries of the Tersanctus - as well as containing darker and more reflective passages. - See more at: http://www.choralstore.com/I-saw-the-Lord-17571.aspx#sthash.GbicGU0e.dpuf / Choral Music / Répertoire / Voix Mixtes et Orgue