Descant recorder - easy SKU: HL.49007511 German Text. Composed by ...(+)
Descant recorder - easy
SKU: HL.49007511
German Text.
Composed by Gerhard
Engel, Gudrun Heyens,
Hans-Martin Linde, and
Konrad Huenteler. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Student book.
80 pages. Schott Music
#ED 7771. Published by
Schott Music
(HL.49007511).
ISBN
9783795750671. UPC:
073999263855.
9.0x12.0x0.199 inches.
German. Christa
Estenfeld-Kropp.
Wh
ere in volume 1 the notes
in the octave c1 * d2
were carefully introduced
and consolidated, volume
2 expands the range of
notes to include c3 and
gradually introduces
chromatic notes. Rhythmic
knowledge is extended
(semiquavers, dotted
crotchets) and different
playing styles are
practised (legato,
staccato, portato). Lots
of songs from all over
the world, together with
increasing numbers of
original pieces, provide
varied and colourful
teaching repertoire. The
teacher's book deals with
the prerequisites for
starting lessons (buying
and caring for an
instrument, the
principles of teaching)
and gives plenty of
practical tips for
lessons and suggestions
for introducing each
piece. Following on from
volume 2, the publishers
now present a tutor book
for treble [alto]
recorder that continues
to feature the descant
[soprano] recorder too
(ED 8641/ED 8642).
Piano SKU: BT.YK21376 By Denes Agay. Joy Of. Classical. Book Only. Compos...(+)
Piano
SKU:
BT.YK21376
By Denes
Agay. Joy Of. Classical.
Book Only. Composed 1992.
80 pages. Yorktown Music
Press #YK21376. Published
by Yorktown Music Press
(BT.YK21376).
ISBN
9780711911017.
Noth
ing can quite compare to
the satisfaction,
pleasure and joy of
learning and playing the
finest pieces of
classical music and this
terrific volume gives you
the opportunity to do
exactly that! Inside
there are more than 60
easy pieces and Keyboard
miniatures by master
composers, selected and
edited by Dennis Agay.
All the pieces are
printed in their original
form though have had
sensible expression marks
and fingerings added.
There is a wonderful
range and diversity to
these pieces with works
by the likes of Bach,
Haydn, Mozart and also
lesser-known composers,
set for Piano solo.
Guitar solo - Advanced SKU: DZ.DZ-3758 Composed by Henry T. Burleigh. Arr...(+)
Guitar solo - Advanced
SKU: DZ.DZ-3758
Composed by Henry T.
Burleigh. Arranged by
Christopher Mallett. GFA
Spotlight Series. Score.
Les Productions d'OZ #DZ
3758. Published by Les
Productions d'OZ
(DZ.DZ-3758).
ISBN
9782897956752.
The
Guitar Foundation of
America (GFA) is
committed to cultivating
Inclusion, Diversity,
Equity and Access in the
international guitar
community and in the
repertoire published for
the instrument. Many
factors, including a
composer's race, gender,
and sexual orientation,
have historically created
a narrow representation
of our community in the
classical music canon.
For this first volume of
the GFA Spotlight Series,
the GFA commissioned
seven new works by
composers of color. The
second volume of this
series will follow with
seven transcriptions of
existing pieces by
composers of color. These
commissioned pieces and
transcriptions were
premiered by students in
the GFA Mentorship
Program in 2021. With
this collection, the
guitar takes a step
towards a more inclusive
and representative
repertoire that nurtures
creativity and inclusion
for generations of
guitarists to come.
Growing the canon
enriches the musical
experiences of our entire
international guitar
community through
exposure to diverse
perspectives and voices,
complementing the
invaluable lessons we
learn from the existing
contributions of pieces
that form the canon.
Critical Edition
Hardcover. Composed
by Karol Szymanowski.
PWM. Classical.
Hardcover. 60 pages.
Polskie Wydawnictwo
Muzyczne #9267030.
Published by Polskie
Wydawnictwo Muzyczne
(HL.370494).
ISBN
9781705147009. UPC:
840126994025.
The
First String Quartet in C
major, Op. 37, was
written in the autumn of
1917 and earned
Szymanowski the first
prize in a competition
organized by the Ministry
of Religious and in a
competition organized by
the Ministry of Religious
and Educational Affairs
in January 1922. The
First String Quartet is
notable for its clar and
simple construction. The
first movement is in the
formof a sonata allegro;
the Andantino semplice
(in modo iuna canzone) in
the middle is a cross
between ternary and
variation form. The final
Scherzando alla burlesca
also keeps to the form of
a sonata allegro. The
combinations and
proportions of formal
factors and the treatment
of thematic material
betray a fairly
conventional adoption of
classical models.
Similarly, the expressive
and structural use of
melodic material shows a
respect for traditional
norms. Szymanowski
created, in other works
from the same period, his
own individual type of
melodic line, which was
strongly expressive and
achieved its effect
chiefly by its tonal
qualieties; nevertheless
in this Quartet he
returns to a fluid,
cantilena-like,
symmetrically shaped
melodic line, which runs
along in broad phrases of
a concentrated,
reflective character.
Melody becomes the chief
factor in the development
of the form, both in
thematic usage and in the
application of a more
polyphonic texture.
Harmonic and tonal means
are considerably
simplified in the Quartet
[]. Most of the writing
is linear, or horizontal,
with individual treatment
of each part, the
parallel continuation of
the four sound planes,
almost a matter of
principle. The functions
of the particular
instruments in realizing
these planes are
constantly changing,which
accounts for the even
greater variedy of
tone-colour. The decision
to forego experiment with
forms and sonorities is
reflectedin the overall
approach to musical
expression. The
predominant atmosphere of
restrained emotion, quiet
lyricism and serenity is
strongly suggestive of
classical aestetic
models. (Based on Zofia
Helman Commentary on
Szymanowski Complete
Edition, Vol. B6) (II)
The ''Second String
Quartet'' represents an
interesting attempt to
revert to classical form
coupled with the new
harmonic and tonal
vocabulary worked out
previously in the
''Slopiewnie'', ''Stabat
Mater'' and ''Mazurkas''.
It was also the first
time the composer had
used folk elements in the
framework of a major
classical form. The
''Second String Quartet''
is in a special category
among Szymanowski's
works. Though it dates
from the composer was
still occupied with folk
music, it nevertheless
shows him returning to
classical models, but at
the same time using an
aesthetic of subjective
expression, which gives
the work its own
individual stamp. The
''Second String Quartet''
synthesis of the various
directions in which
Szymanowski was
attempting to develop.
The sonority and texture
used in the first.