A Cantata for Holy Week. Par MARTIN JOSEPH M.. Portraits in Grace is a musical gallery of faith displaying the life, ministry and passion of Jesus. Through scripture, narration and song, the backdrop is created for the reflections of the Lenten season, particularly during Holy Week. As the cantata moves through Christ's extraordinary life, each song displays the sacred beauty of the Savior, and lingers with His many graceful acts of love. The work ends with Christ's death on the cross and the bittersweet beauty of this redemptive gift to the world. With options that include the visual arts, the presentation can be expanded to include more members of your congregation, taking the cantata beyond the loft. A small consortof instruments is available, as well. Songs include: Prelude, Portrait, Fairest Lord Jesus, The Healer, Behold the King, We Remember, A Sacred Garden, Let Us Gather in the Shadow of the Cross, Portrait of the Cross, Recessional of Shadows. Score and Parts (fl, cl, hn, hp, pno, vn, vc) available as a Printed Editional and as a digital download./ Recueil / SATB

The Ultimate Vocal Warm-up Book. Par HOLLINS LUCY. This resource is not just another warm-up book - it is the ultimate warm-up book! It contains everything a choir leader needs to improve the sound quality and vocal health of their choir. For those starting out, it gives first-rate tips and ideas about vocal technique. The 'Why we do this'' sections increase depth of understanding and knowledge for everyone, regardless of experience. The book starts with an introduction to the importance of vocal warmups - not only for improving the sound of your choir and for vocal health but also for physical and mental well-being. Warm-ups also provide an opportunity to gather focus, create a positive environment, and boost camaraderie. / Date parution : 2022-10-12/ Etude / Choeur

Par CANAT DE CHIZY EDITH. Avec Quatrains pour douze voix mixtes, To gather Paradise pour choeur de chambre, cette pièce est la troisième oeuvre vocale à s'inspirer de la poésie d'Emily Dickinson, après Lands away pour cymbalum et cordes. J'ai avec cette écriture une particulière affinité, par son caractère elliptique et particulièrement musical. La préoccupation constante d'Emily Dickinson pour l'au-delà ajoute un autre point commun à ma propre démarche. Ici, le paradis est comparé aux diverses lumières du jour, pour finir sur ce qu'on ne peut imaginer: 'Et nous, comment serons-nous ?'... J'ai structuré cette pièce en six séquences: Noon, Dawn, Sun, Rapture, Paradise, Not yet. L'articulation des voix et du quatuor de saxophones, mélange a priori peu évident, donne une couleur particulière au matériau par l'usage d'un contrepoint tantôt fusionnel, tantôt contradictoire. Edith Canat de Chizy / contemporain / Répertoire / 12 Voix Mixtes et Quatuor de Saxophones

Par PARRY BEN. This Spiritual Medley comprises three songs that speak of a journey through trial to eventual salvation and liberty. It should gradually gather pace and energy from a slightly more reflective start, though retaining a lively feel throughout. All My Trials developed into a popular protest song in the 1950s and 60s and has been recorded by, amongst others, Joan Baez, Paul McCartney and Elvis Presley. By and By is a more upbeat song with plenty of syncopated rhythms and more forthright dynamics – it should be sung and played with lots of energy. The medley ends with I Want Jesus to Walk With Me, a true ‘pilgrim journey’ full of trials and breaking hearts, but never giving up on hope and final deliverance. The tempo should really pick up for this final section, galvanised by the walking bass line and more jazzy harmonies, and reaching its climax in the final few measures. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

An ecumenical collection of worship songs for children to enjoy and share with everyone. Containing 83 exciting and unusual songs for young children to enjoy singing together and with other people, this is ideal for Sun Schools, group worship and church groups. There is a huge diversity of songs within the pages of this volume, something for everybody, gathered from the whole of the British Isles. These songs enable children, and others, to worship God, whether they are feeling happy, sad, lonely, worried or full of joy and happiness. Each song has suggestions for classroom and group activity, often actions to accompany the songs or as a guide to whichparticular service or occasion they would be suitable for. These make learning and singing more fun and will help connect the songs with the important issues in today’s world./ Recueil / Chant

Gathered in a unique volume, all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice, medium voice, high voice) have been composed by very important composers of the Nineteenth century, like Alfano, Malipiero, Respighi, Casella, Pizzetti. - With piano accompaniment for each vocalise. / Voix Moyenne(s) Et Piano

Par STEPTOE ROGER. CONTENTS A gathering of the clans (C - F) Blue iris sweetest smells (D sharp - E flat) He protests his loyalty (F sharp - F sharp) On early morning (C - G) The morning glory climbs above my head (C sharp - F sharp) Set for the Trinity College and Licentiate and Fellowship diploma./ Recueil / Soprano et Piano

Par SILVERMAN JERRY. Each song in this book was selected for its rousing chorus or its pattern of repeated lyrics (so everyone can sing along). Sixty songs are included to enhance any campfire gathering. Guitar chords, melody notation, and complete lyrics are included. / Niveau : Débutant / Folk - Songbooks / Recueil / Chant

230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano

Come and Thank Him! is an anthem for harvest or Thanksgiving that may be useful at other times throughout the year. Suggested corresponding lectionary readings include Exodus 23: 16, Psalms 104 and 128, Matthew 22: 34-46, 1 Thessalonians 2: 1-13, and 1 Corinthians 1:3-9. One basic homiletical theme is gathering together to praise God, the Creator and Provider. / Choeur Mixte (SATB)

Music from the Motion Picture Soundtrack. Par LACAMOIRE ALEX. Matching folio to this 2021 film about a one-of-a-kind kinkajou who embarks on an unforgettable musical adventure to deliver a love song on behalf of his owner. It features all-new original songs by Lin-Manuel Miranda and a score by Alex Lacamoire. Vivo is an exhilarating story about gathering your courage finding family in unlikely friends and the belief that music can open you to new worlds! / Date parution : 2023-01-24/ Répertoire / Piano/Vocal/Guitare (PVG)

Description Margaret Hamilton. This unique collection of songs from South Africa contains 35 songs of the people, performed in churches, workplaces and at gatherings. This book provides the first opportunity for churches, schools and colleges to perform these wonderful songs of liberation and Christian praise. Transcribed and introduced, including performance notes, by Maggie Hamilton and written for unaccompanied voices with guitar symbols for use with unison or two-part singing. The simplicity of many of the tunes and remaining parts makes them suitable for playing on glockenspiels, recorders or other melodic instruments. Published by Novello in association with Christian Aid. Songlist A Ndi Bonanga Umfana (I Did Not See The Shepherd) Abasundu Nabamhlope (Blacks And Whites) Afika Baba Mandela Daai Stones (Those Stones) Ehlatin'e Lusaka (In Lusaka Bush) Hamba Kahle (Go Well) Hamba Vangeli (Spread The Word) Hayo O Tshwanang Le Yena (There's No-one Like Him) Inzima Lendlela (This Road Is Heavy) Klim Op Die Wa (Get Onto The Wagon) Lerato Ia Jeso Le A Makatsa (The Love Of Jesus Is Wonderful) Mandela Prescribes For Freedom Mandela Wethu (Our Mandela) Manyanani Basebenzi (Workers Unite) Monateng Kapele (In Joy We Will Be Together) Nkosi Sikelel' Iafrika (Lord Bless Africa) Organize And Mobilize Parna Junda (The Flag) Release Mandela Rolihlahla Mandela Say'ilim Ingqolowa (We Are Ploughing Wheat) Senzenina (What Have We Done') Siku Rin Gwana (One Day) Siyay Epitori (We Are Goin To Pretoria) Songena Sirubuluza (We Enter Crawling) Stop Killing Our Children Studente Sal Nooit Verloor (Students Will Never Lose) Thula Sizwe (Be Silent, Nation) Thuma Mina (Send Me) Tshollela Moya Wa Hao, Jesu (Pour Down Your Spirit, Jesus) Tumelo Yaka Ha Nkeke Ka E Lathla (My Faith, I Will Never Lose It) Umzabalazo (We Are The Woman) Uthando Lwakhe (God's Love) We! Mshlamane Uzungakholwa (Hey! My 'Friend', Don't Foget)

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

An ingénue is an innocent young woman - a type of leading role in theatre and film. Disney movies and shows abound with such characters: Ariel, Belle, Cinderella, Moana, Pocahontas, Snow White, and others. This songbook gathers 27 of their songs with arrangements for vocal solo with piano accompaniments. Songs include: Belle (Reprise) - A Change in Me - A Dream Is a Wish Your Heart Makes - For the First Time in Forever - How Far I'll Go - I See the Light - Just Around the Riverbend - Let It Go - Reflection - Some Day My Prince Will Come - That's How You Know - Watch What Happens - When Will My Life Begin? - and more. / Chant Et Piano