Budget Books. This fabulous collection includes 110 songs that kids love, from favorite folksongs to movie and TV themes. Includes: Alphabet Song ú Animal Crackers in My Soup ú Be Our Guest ú The Bear Went Over the Mountain ú Bingo ú Bob the Builder Intro Theme Song ú Do-Re-Mi ú Eensy Weensy Spider ú Hakuna Matata ú Home on the Range ú I'm Popeye the Sailor Man ú It's a Small World ú London Bridge ú My Favorite Things ú Oh! Susanna ú Old MacDonald ú On Top of Spaghetti ú The Rainbow Connection ú Sesame Street Theme ú SpongeBob SquarePants Theme Song ú Yankee Doodle ú You've Got a Friend in Me ú and more. / Piano/Vocal/Guitare (PVG)

Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic periods. Carefully and skillfully edited and arranged by Patrick M. Liebergen, this reproducible CD-ROM is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily learned, yet dynamic. The reproducible CD-ROM format allows flexibility in weekly use and is a budget-stretcher as well! / Choeur

From John Brunning, English composer, musician and radio personality, this larger work offers an uplifting message ideal for worship, ecumenical events and sacred concerts. Includes 7 movements: Amazing Day- The Lord's Prayer- Pie Jesu- Introit, Kyrie, Sanctus- Ave Maria- The Lord Is My Shepherd- Hallelujah. / Choeur Mixte (SATB)

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.German can seem like an awkward language to sing in - there are just too many consonants! How do you get your tongue around them? And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? These issues and more are covered in this book, which contains settings from some of the masters of song-writing in the German language. / Voix Moyenne Et Piano

Les cloches de Rhymney et autres chants et histoires du chant de Pete Seeger. Folk songs, chansons favorites, chansons originales, contes et chansons d'autres terres. Plus de 80 chansons avec les mots, les mélodies et les accords de guitare. De Pete Seeger notes introductives et illustrations et photographies par Dan Seeger. / Chant Et Guitare

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano

Brown Tim (Editor). Par BROWN TIM. Musicke's Praier draws together ten classic English prayer settings from the 16th and 17th centuries which was a Golden Age in the history of English church music. From Tallis to Tomkins and Ford to Farrant, this collection will serve as a wonderful introduction to a rich and varied repertoire. An invaluable resource of introits and easy anthems for both concert and liturgical use. / Date parution : 1999-06-17/ Feuillet / SATB

From John Brunning, English composer, musician and radio personality, this larger work offers an uplifting message ideal for worship, ecumenical events and sacred concerts. Includes 7 movements: Amazing Day- The Lord's Prayer- Pie Jesu- Introit, Kyrie, Sanctus- Ave Maria- The Lord Is My Shepherd- Hallelujah. / Choeur Mixte (SATB) Et Orchestre

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic Periods. Carefully and skillfully edited and arranged by Patrick Liebergen, this book is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily learned, yet dynamic and filled with joyful singing! / Choeur Mixte (SATB)

Peace, I leave with you was originally written as part of a summer retreat at the Norfolk Music Festival. Appropriate for any time of the church year, the work is set in a fresh, flowing harmonic style that works well with choirs of all sizes and abilities. The text from John 14 works well as a choral benediction, introit, or offering. The work is also a good choice for concert occasions, as the text is inherently ecumenical and inclusive in its message. The premiere performance was given in 2007 by the Harvard Choral Fellows and Carson Cooman, conductor. / Choeur Mixte (SATB)

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Par KEYS ALICIA. Partition pour piano, chant et guitare de l'album 'As I am' d'Alicia Keys. / Date parution : 2008-04-08/ Recueil / Piano, Chant et Guitare