Still, Still, Still Chorale SATB SATB divisi, A Cappella [Octavo] - Intermédiaire/avancé MorningStar Music Publishers
By Matthew Culloton. For SATB choir divisi, a cappella and baritone voice solo. ...(+)
By Matthew Culloton. For
SATB choir divisi, a
cappella and baritone
voice solo. Christmas.
Moderately Difficult.
Octavo. Published by
MorningStar Music
Publishers
Praise
Gathering Choral.
Christmas. Softcover. 128
pages. PraiseGathering
#A08417. Published by
PraiseGathering
(HL.2050267).
ISBN
9781705153451. UPC:
797242013799.
6.75x10.5x0.318
inches.
Randy
Vader, Jay Rouse, and
Camp Kirkland present the
powerful sequel to THE
WONDERS OF HIS LOVE.
Christmas is a modern day
miracle of ancient
origin. Two thousand
years of human history
have not diminished the
importance nor the
implications of the
Incarnation. The joy of
that event will resound
for millennia to come. As
we celebrate the
antiquity of the
Christmas story, we must
be mindful of the
significance the account
of the coming of Christ
has on our lives today.
The Light that shone from
Bethlehem, from Galilee
to Jerusalem, from a
rugged cross to the
Father's throne; that
Light still shines in the
darkest night it will
lead us home. The visions
of a star, a stable,
shepherds, wisemen, a
young mother and father,
and a tiny baby in a
manger of hay, are still
wreathed in wonder and
awe. The tidings of great
joy that reach to us from
that time long ago in
that place far away,
resound with this great
promise and truth...
“the people living in
darkness have seen a
great light; on those
living in the land of the
shadow of death a light
has dawned.” (Matthew
4:16).
Choral (SATB) SKU: HL.1189332 Excellence in Choral Music Series. C...(+)
Choral (SATB)
SKU:
HL.1189332
Excellence in Choral
Music Series.
Composed by Matthew
Emery. Pavane Choral.
Concert, Poetry. Octavo.
Duration 90 seconds.
Pavane Publishing #P1728.
Published by Pavane
Publishing (HL.1189332).
UPC: 196288130857.
6.75x10.5x0.008
inches.
Sometimes
profundity emerges
through simplicity.
Composer Matthew Emery
specializes in making
musical statements that
carry all the harmonic
weight of a divisi choir,
while using only four
voice parts. This
meditative piece matches
his musical artistry with
the wisdom of polymath
Rabindranath Tagore. Sing
it through on sounds
without words, then add
the text, and you will be
transported.
SA choir, piano accompaniment - Beginning SKU: GI.G-8553 Composed by Matt...(+)
SA choir, piano
accompaniment - Beginning
SKU: GI.G-8553
Composed by Matthew
Emery. Christmastide,
Christmas Vigil,
Christmas Night,
Children. Christmas.
Sacred. Octavo. 8 pages.
GIA Publications #8553.
Published by GIA
Publications (GI.G-8553).
UPC: 785147855309.
English. Text Source:
From 'A Cradle Hymn',
Issac Watts, 1674-1748,
alt. Text by Isaac
Watts.
In the
tradition of lullabies
past, “Lie Still
and Slumberâ€
encompasses the soothing
comfort of angelic voices
with tender words like
those of this text by
Isaac Watt. Delicate and
smooth, this piece
recreates the rocking of
a cradle or a
mother’s arms
through the rhythmic sway
created by the rising and
falling of the
arpeggiated
accompaniment.
SATB choir, assembly, keyboard accompaniment, violin - Early intermediate SKU...(+)
SATB choir, assembly,
keyboard accompaniment,
violin - Early
intermediate
SKU:
GI.G-10450
Composed
by Benjamin Brody.
Eastertide, Easter
Sunday. Celebration
Series. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #10450.
Published by GIA
Publications
(GI.G-10450).
UPC:
785147045014. English.
Text by David Bjorlin.
Scripture: Isaiah
25:6–9, Isaiah
65:17–25, Matthew
28, Mark 16:1–13,
Luke 24, John
20:1–18, Romans
6:3–11, Revelation
21:1–7.
This
choral arrangement was
written during the height
of the COVID pandemic
with virtual choirs in
mind. The piece is
wonderfully adaptable
whether sung by a vocal
quartet or a full choir,
featuring unison lines
that may be taken by a
soloist and a violin part
that could be played by
any treble C instrument
or even incorporated into
the piano
accompaniment.
This
choral arrangement was
written during the height
of the COVID pandemic
with virtual choirs in
mind. The piece is
wonderfully adaptable
whether sung by a vocal
quartet or a full choir,
featuring unison lines
that may be taken by a
soloist and a violin part
that could be played by
any treble C instrument
or even incorporated into
the piano
accompaniment.
12-String Guitar SKU: HL.287559 By Various. Guitar Collection. Pop, Stand...(+)
12-String Guitar
SKU:
HL.287559
By Various.
Guitar Collection. Pop,
Standards. Softcover.
With guitar tablature.
120 pages. Published by
Hal Leonard (HL.287559).
ISBN 9781540043313.
UPC: 888680904715.
9.0x12.0x0.299
inches.
This
one-of-a-kind collection
presents accessible,
must-know songs from the
Beatles and Bob Dylan to
Dave Matthews Band and
Tom Petty for those who
have been learning
12-string guitar and are
eager to put their new
skills to work. You'll
find a combination of
tab, chords and lyrics
for 50 great songs,
including: California
Dreamin' • Carry On
• Closer to the
Heart • Do You
Believe in Magic •
Free Fallin' • Give
a Little Bit • A
Hard Day's Night •
Hotel California •
Leaving on a Jet Plane
• Life by the Drop
• Like the Way I Do
• Melissa •
Mr. Tambourine Man
• More Than a
Feeling • The One I
Love • Over the
Hills and Far Away
• Solsbury Hill
• Space Oddity
• Still the Same
• Turn! Turn! Turn!
(To Everything There Is a
Season) • The
Waiting • Wish You
Were Here • You
Wear It Well • and
more!
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
Jesus Said Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano reduction - Intermediate SKU: GI.G-10506 Seven Chora...(+)
SATB choir, piano
reduction - Intermediate
SKU: GI.G-10506
Seven Choral
Preludes. Composed by
Carol Browning & William
B. Bradbury. Eastertide,
Easter 5 A, Easter 3 C,
OT 25 B, Holy Thursday,
Easter 6 B, OT 12 B.
Choral. Sacred. Octavo.
12 pages. GIA
Publications #10506.
Published by GIA
Publications
(GI.G-10506).
UPC:
785147050612. English.
Text Source: Matthew
19:14, Mark 4:39, John
13:34, 14:1, 6, 15:9,
21:15-17, adapt.
Scripture: John 14:6,
John 14:1, John 21:15,
Matthew 19:14, John
13:34, John 15:9, Mark
4:39.
This
collection of short
pieces is based on seven
familiar messages of
Jesus: I Am the Way, Do
Not Let Your Hearts Be
Troubled, Feed My Lambs,
Tend My Sheep, Let the
Children Come to Me, A
New Commandment, Live in
My Love, Abide in My
Love, and Peace, Be
Still. The pieces are
arranged for SATB choir
and meant to be sung a
cappella.
Organ - Medium SKU: JK.01885 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01885
Composed by
Various. Arranged by
Brent Jorgensen. Organ
Chains, Organ Postludes,
Organ Preludes, Organ
Solos, Special Events
Funeral and Memorial,
Comfort, Eternal Life,
Funeral, Plan of
Salvation, Resurrection.
Christian, Inspirational.
Jackman Music Corporation
#01885. Published by
Jackman Music Corporation
(JK.01885).
UPC:
093285018853.
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
Thirty-one
favorite funeral hymns
arranged in a continuous
medley for organ
prelude/postlude. You
can start anywhere in the
book and end
anywhere! Pedals are
included within the
staff. Songs included
in this book: Comfort
and Hope Be Still, My
Soul The Lord is My
Shepherd Nearer, My
God, To Thee Where
Can I Turn For Peace?
Come unto Jesus Lead,
Kindly Light Jesus
Christ I Know That
My Redeemer Lives
Beautiful Savior I
Believe in Christ I
Stand All Amazed He
Sent His Son How
Great Thou Art The
Love of God Our
Savior's Love Love
One Another My
Heavenly Father Loves
Me I Feel My Savior's
Love Where Love
Is Faith and Devotion
Come, Follow Me
I Need Thee Every
Hour Because I Have
Been Given Much
Amazing Grace In the
Garden Softly and
Tenderly Come, Thou
Fount of Every
Blessing Each Life
That Touches Ours For
Good Eternal Families
Families Can Be
Together Forever Love
at Home Oh, What
Songs of the Heart I
Am a Child of God O
My Father Closing
God Be With You Till
We Meet Again Abide
with Me! Abide with
Me, 'Tis Eventide
Anthems Goin'
home Consider the
Lilies Holy Art
Thou Jesu, Joy of
Man's Desiring
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Medium Reference:
Ecclesiastes 3:1-2,
Matthew 5:4, 1 Peter
5:7.
SSATBB choir a cappella - Late Intermediate SKU: MN.50-1137 Composed by M...(+)
SSATBB choir a cappella -
Late Intermediate
SKU:
MN.50-1137
Composed
by Matthew Culloton.
Secular, Christmas,
Advent, Christmas-Sacred,
Lessons and Carols, 21st
Century. Duration 2
minutes, 30 seconds.
MorningStar Music
Publishers #50-1137.
Published by MorningStar
Music Publishers
(MN.50-1137).
UPC:
688670511370.
English.
A lilting
choral accompaniment
evokes pizzicato sounds
surrounding the tenor
melody in verse one.
The other verses
are set more
conventionally but still
reflect the goals of our
Christmas with The
Singers series: that the
audience will enjoy the
famliarity of the carol
but be enchanted by the
creativity of the
arrangement. Challenging,
but masterful in how
Matthew Culloton treats
the ensemble as a
self-sufficient choral
idiom. Duration 2:30.
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone
Quartet
SKU:
PR.114417130
&
Happy Birthday to
Prism. Composed by
Chen Yi. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2014.
24+12+12+12+8 pages.
Duration 14 minutes.
Theodore Presser Company
#114-41713. Published by
Theodore Presser Company
(PR.114417130).
ISBN
9781491110409. UPC:
680160626687. 9x12
inches.
A recipient
of the New Music USA 2013
Live Music For Dance
Award commissioning
grant, Not Alone is
inspired by the ancient
Chinese poet Li Bai's
poem Drinking Alone under
the Moon with the Shadow.
The premiere was given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned the work to
celebrate its 25th
Anniversary NYC Season.
From the Program Note by
Matthew Levy (The PRISM
Quartet), Not Alone
(2014) is an
interdisciplinary
work...but it stands
alone in a chamber music
setting. The work spans a
stunning range of
textures, from
introspective solos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alone for a
2017 release on XAS
Records titled Paradigm
Lost. But we're excited
for a wider community of
saxophonists to embrace
the work, and share it
with their own audiences.
Not Alone is published
together with Happy
Birthday to PRISM, a
brief miniature that Chen
Yi wrote for the
quartet's 20th
anniversary celebration
in 2004. For advanced
performers.______________
___________Text from the
scanned back cover:NOT
ALONE for Saxophone
QuartetHAPPY BIRTHDAY TO
PRISM for Saxophone
QuartetNot Alone is a
14-minute saxophone
quartet and dance score
inspired by the ancient
Chinese poet Li
Bai’s
“Drinking Alone
under the Moon with the
Shadow.†The
expansively-textured sax
quartet matches the
exploratory and dramatic
movements and gestures in
the dance. NOT ALONE was
commissioned by the
Nai-Ni Chen Dance Company
which premiered the work
in collaboration with the
PRISM Quartet. Also
included in this
publication is Chen
Yi’s fascinating
take on “Happy
Birthday to You,â€
composed in celebration
of Prism’s 25th
anniversary season. A
recipient of the New
Music USA 2013 Live Music
For Dance Award
commissioning grant, Not
Alone is inspiredby the
ancient Chinese poet Li
Bai’s poem
“Drinking Alone
under the Moon with the
Shadow.†The
premierewas given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned thework to
celebrate its 25th
Anniversary NYC
Season. Program Note
by composer Chen YiThe
original inspiration for
this work for both the
choreographer and the
composer came from the
Tang Dynasty poem - Alone
Under the Moon by Li Bai.
The poem describes the
poet being alone in a
garden. The moon and his
shadow became his
companions that night.
The choreographer brings
this idea to modern life
in an urban setting. She
created a series of
“mindscapesâ€
which are the result of
the exploration of the
different mental and
physical states of being
alone.Through
self-examination, the
choreographer raises the
question: are we ever
really alone? Our
physical being may be
standing by itself, but
what about our
introspective self? When
we are still, we let our
thoughts pass by like
flowing water. If we
could engage with our
shadows, what would it be
like?Program Note by
Matthew Levy, The PRISM
QuartetThe PRISM Quartet
has commissioned a great
many composers since our
founding days in 1984.
Chen Yi is among ahandful
of our very favorites,
and one to whom
we’ve returned
time and time again. Her
music is powerful,
expansive,intimate, and
draws connections between
Eastern and Western,
ancient and modern
traditions in a voice all
her own.Chen Yi has
written or adapted four
works for the PRISM
Quartet. She penned a
wonderful miniature
called HappyBirth day to
PRISM to celebrate the
ensemble’s 20th
anniversary back in 2004
(Dedication, Innova
Recordings).We
subsequently commissioned
her to compose Septet
(2008) for Erhu, Pipa,
Percussion, and Saxophone
Quartet(2008), premiered
and recorded with the New
York ensemble Music From
China (Antiphony, Innova
Recordings 2010).In 2015,
the PRISM Quartet
performed and recorded
(XAS Records) a new
version of her saxophone
quartet concerto,BA YIN,
with the University of
Missouri-Kansas City Wind
Ensemble under the baton
of Steven Davis
(originally writtenfor
the Rascher Quartet and
scored for saxophones and
string
orchestra.).Finally, Not
Alone (2014) is an
interdisciplinary work
written for the Nai-Ni
Chen Dance Company with
the PRISMQuartet, but it
stands alone in a chamber
music setting. The work
spans a stunning range of
textures, from
introspectivesolos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alonefor a
2017 release on XAS
Records titled Paradigm
Lost. But we’re
excited for a wider
community of saxophonists
toembrace the work, and
share it with their own
audiences.In his liner
notes for the recording,
WNYC’s John
Schaefer writes:
“As with much of
her music, Chen employs
percussiveeffects and
glissandi; in Chinese
music these are not
considered
“extended
techniques†or
special effects, but
animportant part of the
performer’s
arsenal. Here, they help
create the twilit mood of
the opening moments. The
piecesoon becomes more
dramatic, suggesting the
arrival of the
drinker’s
companions (real or
imagined) and his or
herincreasingly garrulous
outbursts. Passages of
consonance and discord
can easily be heard as
companionable singingand
bouts of drunken
argument. The piece
bustles along on a kind
of restless energy,
until, finally, that
restlessnesssubsides,
giving way to a gently
humorous ending where a
short falling phrase
signals the drinker
falling
asleep.â€.
Mixed choir SKU: FG.55011-348-0 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir
SKU:
FG.55011-348-0
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-348-0.
Published by Fennica
Gehrman (FG.55011-348-0).
ISBN
9790550113480.
Shik
i began as a request for
a short winter-themed
piece for the
Hamalais-Osakunnan
Laulajat choir in
Helsinki. It eventually
grew into a four
seasons-type cycle on
haiku by a 20th century
Japanese monk Santoka
Taneda. The music of
Shiki is a progression
through various states of
near-stasis. The main
impression the composer
wished to convey was the
one of absolute stillness
at the heart of each
scene, of communion with
the outer world, as if
the viewer were drawing
the landscape into him,
and at the same time
dissolving himself into
it. The voices are
treated texturally, as
well as textually, moving
on slow masses, with the
soft but precisecely
colored vowels of
Japanese creating the
basic sounds, and the
sharper consonants giving
them shape and
definition.
Mixed choir SKU: FG.55011-355-5 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir
SKU:
FG.55011-355-5
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-355-5.
Published by Fennica
Gehrman (FG.55011-355-5).
Asked to
contribute a carol to the
already rich Finnish
Christmas repertoire,
music I've sung myself
for many years, I was
very aware of the things
that mark the season for
my adopted countrymen:
peace, stillness, the
cold landscape and home.
When I came across Ester
Ahokainen's gentle poem,
so focused around these
images, it seemed like
providence. The resulting
song is modest and warmly
modal, departing only a
little from Finnish
tradition: a lingering
dissonance here, a moment
of quiet sentiment held
slightly longer expected
there. Like the words,
the music opens outward
in thanks at the end.
Aattoilta was composed
for the Helsinki Chamber
Choir Christmas CD
recording, and is
dedicated to them.
A Winter's Tale Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-293-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-293-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2010.
Anglo Music Press #AMP
293-010. Published by
Anglo Music Press
(BT.AMP-293-010).
9x12
inches.
English-German-French-Dut
ch.
Bij dit
winterverhaal staat het
thema kerst eens n et
centraal. Vandaar dat u
A Winter’s
Tale net zo goed
rondom de kerstdagen als
ook bij andere concerten
in het winterseizoen kunt
uitvoeren. De muziek
geeft een beschrijvingvan
een winters tafereel op
het land: een
zonsondergang,
sprookjesachtig
besneeuwde landerijen en
bossen. In de verte
klinken de bellen van een
slee die langzaam maar
zeker naderbij komt. Maar
dan keert de rust weer
terug, terugin het
verstilde
landschap…
A
Winter’s Tale hat
keinen direkten Bezug zum
Thema Weihnachten, kann
also ebenso zu (vor-)
weihnachtlichen
Anlässen wie auch bei
anderen Konzerten im
Winterhalbjahr
aufgeführt werden.
Die Musik beschreibt eine
Winterszenerie auf dem
Lande: Ein stiller
Sonnenuntergang, tief
verschneite Felder und
Wälder, von ferne
klingen die Glöckchen
eines Schlittens, der
sich als Dreigespann
entpuppt, bevor zum
Schluss des Werkes wieder
Ruhe in die Szenerie
einkehrt.
A Winter's Tale Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-293-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-293-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2010. 24 pages.
Anglo Music Press #AMP
293-140. Published by
Anglo Music Press
(BT.AMP-293-140).
9x12
inches.
English-German-French-Dut
ch.
Bij dit
winterverhaal staat het
thema kerst eens n et
centraal. Vandaar dat u
A Winter’s
Tale net zo goed
rondom de kerstdagen als
ook bij andere concerten
in het winterseizoen kunt
uitvoeren. De muziek
geeft een beschrijvingvan
een winters tafereel op
het land: een
zonsondergang,
sprookjesachtig
besneeuwde landerijen en
bossen. In de verte
klinken de bellen van een
slee die langzaam maar
zeker naderbij komt. Maar
dan keert de rust weer
terug, terugin het
verstilde
landschap…
A
Winter’s Tale hat
keinen direkten Bezug zum
Thema Weihnachten, kann
also ebenso zu (vor-)
weihnachtlichen
Anlässen wie auch bei
anderen Konzerten im
Winterhalbjahr
aufgeführt werden.
Die Musik beschreibt eine
Winterszenerie auf dem
Lande: Ein stiller
Sonnenuntergang, tief
verschneite Felder und
Wälder, von ferne
klingen die Glöckchen
eines Schlittens, der
sich als Dreigespann
entpuppt, bevor zum
Schluss des Werkes wieder
Ruhe in die Szenerie
einkehrt.