(On the last day of May). Composed by Ottorino Respighi (1879-1936). Arranged by Robert Sieving. For SATB choir (divisi, a cappella). Prima Cantate Series. Concert. Octavo. Heritage Music Press #15/3158H. Published by Heritage Music Press

Clarinet Choir

SKU: IS.CC7002EM

Composed by Ferenc Farkas. Woodwinds - Clarinet. Vanoosthuyse, Eddy. Metropolis Music Publishers #CC7002EM. Published by Metropolis Music Publishers (IS.CC7002EM).

ISBN 9790365070022.

Fere nc Farkas wrote about the origin of the Passacaglia: In 1931, while I was still a student by Ottorino Respighi in Rome, I began to compose a Partita in 4 movements for orchestra, whose third movement should be a Passacaglia. From this work, I only finished the Passacaglia and the Scherzo. In 1968, I took over the Passacaglia and transcribed it for organ without any modification, except the last 6 bars, I partially changed. In the shape of an arch, the work is based on a theme that is repeated thirteen times. Piano initially it evolves in crescendo to a climax in the 33rd bar, then falls gradually to a gently end. We do not know when and for whom Ferenc Farkas wrote this version for 6 clarinets of the Passacaglia.

Composed by Ottorino Respighi (1879-1936). Arranged by Johan van der Linden. For saxophone choir (SAAATTB). Chamber Music. Grade 2. Duration 5:30. Published by Tierolff Muziekcentrale

(2.2+1.2+1+Eb.3/6.3.3.1,t imp,perc,hp,org,str)

SKU: TM.13815SET

Composed by Ottorino Respighi. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13815SET).

(2.2+1.0.2/2.1.0.0,hp,cem ,str)

SKU: TM.07733SET

Composed by Ottorino Respighi. Set Type: D. Set of parts. Lucks Music Library #A8152. Published by Lucks Music Library (TM.07733SET).

Transposed: tpt. Balletto Detto il Conte Orlando, Gagliarda, Villanella, Passo Mezzo e Mascherada.

(2.2+1.0.2/2.1.0.0,hp,cem ,str)

SKU: TM.07733SC

Composed by Ottorino Respighi. Score. Lucks Music Library #A8152. Published by Lucks Music Library (TM.07733SC).

Transposed: tpt. Balletto Detto il Conte Orlando, Gagliarda, Villanella, Passo Mezzo e Mascherada.

(2+1.2+1.2+1.2/4331, timp, perc, 2hrp, pf,(ad lib org), str)

SKU: TM.06979SC

Composed by Ottorino Respighi. Score. Published by Lucks Music Library (TM.06979SC).

Opt org.

(0+2.2+1.2.2/2.1.0.0,hp,c el,str,solo violin)

SKU: TM.00586SC

Composed by Ottorino Respighi. Score. Published by Lucks Music Library (TM.00586SC).

Solo/pf.

(2+1.2+1.2.2/3.2.3.0,timp ,hp,cel,2 cem,str)

SKU: TM.13886SC

Composed by Ottorino Respighi. Score. Published by Lucks Music Library (TM.13886SC).

Cembalo I & II together on the same part; 2 copies in the set.

(0+2.2+1.2.2/2.1.0.0,hp,c el,str,solo violin)

SKU: TM.00586SET

Composed by Ottorino Respighi. Set Type: D. Set of parts. Published by Lucks Music Library (TM.00586SET).

Solo/pf.

(2+1.2+1.2+1.2/4331, timp, perc, 2hrp, pf,(ad lib org), str)

SKU: TM.06979SET

Composed by Ottorino Respighi. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06979SET).

Opt org.

(2+2.2+1.2+1+Eb.2+1/4.4.3 .1,timp,perc,2hp,str)

SKU: TM.07732SC

Composed by Ottorino Respighi. Score. Lucks Music Library #A8117. Published by Lucks Music Library (TM.07732SC).

P/C in set.

(2+1.2+1.2.2/3.2.3.0,timp ,hp,cel,2 cem,str)

SKU: TM.13886SET

Composed by Ottorino Respighi. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13886SET).

Cembalo I & II together on the same part; 2 copies in the set.

(2+2.2+1.2+1+Eb.2+1/4.4.3 .1,timp,perc,2hp,str)

SKU: TM.07732SET

Composed by Ottorino Respighi. Set Type: D. Set of parts. Lucks Music Library #A8117. Published by Lucks Music Library (TM.07732SET).

P/C in set.

(2.2+1.2+1+Eb.3/6.3.3.1,t imp,perc,hp,org,str)

SKU: TM.13815SC

Composed by Ottorino Respighi. Score. Published by Lucks Music Library (TM.13815SC).

SATB choir, keyboard accompaniment

SKU: GI.G-527

Level 2. Composed by John M. Feierabend. Choral. Conversational Solfege. Music Education. Octavo. GIA Publications #527. Published by GIA Publications (GI.G-527).

Text by Noel Goemanne.

Conversat ional Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5  John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.