Tonalité : C-Dur - Anh. 2. Par BUXTEHUDE DIETRICH. Gattungen: Kantaten, Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand/ Répertoire / Solistes (Choeur soli) SSATB, Choeur SSATB, Basson

Tonalité : C-Dur - Horn, Paul (Arr.) -. Par PACHELBEL JOHANN. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit, Wei cor achten - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

Tonalité : G-Dur -. Par ROSENMULLER JOHANN. Kantaten, Psalmen, deutsch - Langue : Allemand/ Répertoire / Choeur STB (Solistes STB), 2 Violons et Basse Cont

Tonalité : G-Dur -. Par ROSENMULLER JOHANN. Kantaten, Psalmen, deutsch - Langue : Allemand/ Répertoire / Choeur STB (Solistes STB), 2 Violons et Basse Cont

Aus: Symphoniae Sacrae Ii. Par SCHUTZ HEINRICH. Högner, Friedrich (Arr. ) - SWV 345 / Musique religieuse / Répertoire / Petit Choeur ATB, 2 Instruments et Basse Continue,

Tonalité : C-Dur - Horn, Paul (Arr.) - Bwv 230. Par BACH JOHANN SEBASTIAN. Gattungen: Motetten, Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB (4 Instruments) et Basse Continue

Tonalité : C-Dur - Horn, Paul (Arr.) - Bwv 230. Par BACH JOHANN SEBASTIAN. Gattungen: Motetten, Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB (4 Instruments) et Basse Continue

Tonalité : C-Dur - Horn, Paul (Arr.) - Bwv 230. Par BACH JOHANN SEBASTIAN. Gattungen: Motetten, Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB (4 Instruments) et Basse Continue

Tonalité : C-Dur - Horn, Paul (Arr.) - Bwv 230. Par BACH JOHANN SEBASTIAN. Gattungen: Motetten, Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB (4 Instruments) et Basse Continue

Par GOODALL HOWARD. The Lord is my shepherd is best known as the theme tune to the award-winning BBC TV series 'The Vicar of Dibley' which starred Dawn French. Goodall's setting of Psalm 23 is warm and melodious and has been, and will continue to be, popular with choirs everywhere. Alternative accompaniments for strings have been made available and complement the SATB version that can be found in our Faber New Choral Works series (0-571-52048-0). Contact hire@fabermusic.com for details. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles. / Choral Music / Répertoire / Basse, Soprano, Alto et Ténor

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATTB et Basse Continue

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue