A Chamber Cantata for Christmas. Par MARTIN JOSEPH. For such a time as this comes a work that will bring hope and light to your community of faith. Decorated with beloved carols and engaging original anthems, this chamber cantata is brimming with the joy of Christmas and arranges for success with well-crafted, impactful and accessible selections. The scripture based narration will affirm the Christmas message. Colorful orchestrations by Ed Hogan can be done by a minimal number of players, making this work not only beautiful, but practical. Score and Parts (fl 1, fl 2/ob, cl, tpt, hn, tbn, perc 1-3, pno, hp, vn 1-2, vc, db) available as a digital download. For the Accompaniment, Split, and Part Dominant Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. To purchase, click on the cart icon and add to the Shopping Cart. HL00428740: Accompaniment Tracks HL00428741: Split Tracks HL00428745: Part Dominant Tracks Songs include:Overture of Joy; A Weary World Rejoices; Redeem, Restore, Renew; Arise! Rejoice!; Come, Graceful Rose; Away in a Manger; Sing, O Heavens; Beautiful Star; Cantique de Nöel. / Date parution : 2022-07-23/ Répertoire / Choeur Mixte SATB

Händel, Georg Friedrich The King shall rejoice HWV 260 Coronation Anthem Edition no. BA 10259-90 ISMN 9790006562220 Volume / Series BÄRENREITER URTEXT Editor Blaut, Stephan Arranger Köhs, Andreas Language(s) of work English Language(s) of text German, English Product format Vocal score, Urtext edition Binding Stapled Pages / Format V, 32 S. - 27,0 x 19,2 cm Handel Coronation Anthems in Urtext editions for the first time 'Zadok the Priest'(BA 10258) and 'The King shall rejoice'(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest' have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition'. ' Bilingual Forewords (Ger/Eng) ' Idiomatic piano reductions ' Based on the Halle Handel Edition

Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation.Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest? have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition?.- Bilingual Forewords (Ger/Eng)- Idiomatic piano reductions- Based on the Halle Handel Edition / Conducteur

For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem #2 ('The King Shall Rejoice'), although less well-known than Anthem #1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous - a grandiose setting of 'Glory and great worship hast thou laid upon him' - and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas. / Chant Et Piano

Les mots de la cantate ' Rejoice dans l'agneau ' sont issus d'un long poème du même nom. L'écrivain a été Christopher Smart, un poète du XVIIIe siècle, profondément religieux, mais d'un esprit étrange et déséquilibrée. 'Se réjouir de l'agneau' a été écrit tout en Smar / Parties Solo (SATB), Choeur Mixte Et Orgue

A Cantata for Christmas. Par LEAVITT JOHN. A Midnight Clear is a joyful collection of carols that beautifully and elegantly portray the Christmas story. Stylistic variety abounds, and the optional Chamber Orchestration will provide additional layers of texture and color to the work. Selections can be presented individually or as part of a full-length cantata, making this book an excellent choice for Lessons and Carols services or for concert presentations. Songs include: King Jesus Hath a Garden - Puer Natus in Bethlehem - Blessed Be That Maid Mary - All My Heart This Night Rejoices - It Came Upon the Midnight Clear - O Come, Little Children - In Dulci Jubilo - Carol for the Newborn King - Christmas Celebration. / Cantate / Répertoire / SATB

Par L\'ESTRANGE ALEXANDER / L\'ESTRANGE JOANNA. Commissioned by Twyford School in Hampshire, The Twyford Carols by Joanna and Alexander L?Estrange comprises four uplifting and heartwarming Christmas songs for unison/2-part children?s choir and piano accompaniment. The jazzy and joyous Rejoice, rejoice! and its reprise, which feature clapping and optional percussion, frame two charming carols Save the world and Come and see. With touching lyrics based on the Christmas story and signing specially devised by Paul Whittaker OBE, The Twyford Carols is perfect for school Christmas concerts and carol services. / Choral Music / Répertoire / Voix Hautes, Choeur A Voix Egales et Piano

Une des plus largement effectué de compositeurs britanniques du XXe siècle, célèbre notamment pour ses opéras, musique vocale et chorale. Les oeuvres chorales de Britten comprennent Rejoice dans l'agneau, hymne à St Cecilia et A Ceremony of Carols. / Choeur D'Enfants (Choeur De Femmes) (SSA) Et Harpe (Ou Piano)

Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest? have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition?.- Bilingual Forewords (Ger/Eng)- Idiomatic piano reductions- Based on the Halle Handel Edition / Choeur Mixte (SSAATBB) Et Orchestre

This anthem, alternatively known as the Bell Anthem , appears as edited by Edward J. Dent. For SATB Choir and Organ with Alto, Tenor and Bass verse solos. Text: Philippians IV 4-7 / Chant Et Piano

Edition no.: BA 8957ISMN: 9790006525515Editor: Münden, Gerd-PeterLanguage(s) of work: German, English, LatinLanguage(s) of text: German, EnglishProduct format: Score, AnthologyIncludes the following individual parts: Mixed choir: SSATBB, Children's choir: SSA oder Youth choir: SSA oder Chor (gleichstimmig) Organ ad lib.Binding: StapledPages / Format: IV, 52 S. - 29,0 x 21,0 cm Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.- Well-known Advent and Christmas carols in new settings- With texts in German and English- With short Latin introductions as a part of each motet- Ideal for a children's or adults' choir during the Christmas seasonContentsThere comes a galley, laden / Es kommt ein Schiff, geladenO saviour, open heaven's gate / O Heiland, reiß die Himmel aufO Lord, how shall I meet you / Wie soll ich dich empfangenAngels from the realms of Glory / Hört der Engel helle LiederAs I was watching o'er my sheep / Als ich bei meinen Schafen wachtGood Christian men rejoice / Nun singet und seid frohThe EditorGerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

Barker Noelle (Compiler). Par BARKER NOELLE. Compiled by Noelle Barker CONTENTS ARNE, Thomas: Sleep Gentle cherub (E - A) BALES, Alfonso: Chloris sigh'd (G - G) BLOW, John: Philander, do not think of arms (E - A) BUSH, Geoffrey: Love for such a cherry lip (C sharp - G flat) HOLST, Gustav: Persephone (D -G flat) MORLEY, Thomas: Thyrsis and Milla (G - G) PARRY, Hubert: Weep you no more (E - G) PIERSON, Henry Hugo: The white owl (C - E) PURCELL, Henry: Hark! how all things with one sound rejoice (D - F) STORACE, Stephen: How mistaken is the lover (D - G) SULLIVAN, Arthur: Where the bee sucks (D - G)/ Recueil / Chant et Piano

Kantate Zum Sonntag Laetare. Par TELEMANN GEORG PHILIPP. A cantata from the annual cycle “Musicalisches Lob Gottes” [1744], which celebrates Laetare [the third Sunday before Easter] – “rejoice” – with a jubilant opening chorus. According to Telemann’s notes, it can be performed in several different combinations of parts. The opening chorus is also in the “Biblische Sprüche” [see p. 12]. / Date parution : 1974-04-01/ Répertoire / Solistes SA, Choeur SA (SAB), 2 Violons et Basse C

With a text based on Psalm 33, this anthem poses questions of what makes a Christian sing, rejoice, and lift one's voice...all answered by 'God's unfailing love.? Upbeat and positive, it's a perfect call to praise at any time during the year. Easily prepared. / Choeur SAB

Kantate Zum Sonntag Laetare. Par TELEMANN GEORG PHILIPP. A cantata from the annual cycle “Musicalisches Lob Gottes” [1744], which celebrates Laetare [the third Sunday before Easter] – “rejoice” – with a jubilant opening chorus. According to Telemann’s notes, it can be performed in several different combinations of parts. The opening chorus is also in the “Biblische Sprüche” [see p. 12]. / Date parution : 1974-04-01/ Répertoire / Solistes SA, Choeur SA (SAB), 2 Violons et Basse C