Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Par SMITH PAUL. The text of Let’s Walk Together, by Daniel Simpson, neatly sums up the character of its composer Paul Smith and the vocal ensemble he founded, VOCES8. Connection, interaction and movement are all characteristics. Composed for SSAATTBB unaccompanied choir with baritone solo, this three-minute piece has sonorous hymn-like chords which introduce cascading faster voices in its middle. Although composed for VOCES8 to premiere in their LIVE From London Christmas festival, this piece is suitable for performance at any time of year./ Répertoire / Baryton Solo et Chœur SSAATTBB

Partie De Soprano Solo. Par BEETHOVEN LUDWIG VAN. / Répertoire / Choeur (Partie de Soprano Solo)

Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn – Child – Youth – Adult – Old – Dead, followed by a short epilogue. In this universal tale of Man’s journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the composer, with the Salisbury Festival Chorus and Salisbury Area Young Musicians Junior Choir, at Salisbury Cathedral on 31 May 2008. This edition (EP73536a) is the vocal score. The full score (EP73536) is available to purchase and the orchestral materials are available for hire. / Date parution : 2022-07-23/ Répertoire / Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Solo S, Choeur SATB, 2 Violons, Alto et Violoncell

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Solo Baryton, Choeur SATB, 2 Hautbois, 2 Clarinett

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1998-03-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut