Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Ensemble A Vent

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Orchestre

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Alto

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Contrebasse

Plus de 40 évangiles bien connus et spirituals de facile-intermédiaire en solo piano. / Piano / 102 pages / Partition

Voici pour la première fois dans une collection sont bien connus spirituals traditionnels chez les chanteurs du Roi propres éditions du spectacle. Ce troisième volume de la couleur de la série morceau contient des oeuvres de leur répertoire passé aussi bien que deux arrangements nouvelle marque. Contient aussi des notes de performance pour chaque chanson. / Rép International / Recueil / Chant

A Further Handbook For Singing. Par HUNT PETER. VoiceWorks 2 est une deuxième collection de 66 chansons inspirées fabuleux y compris le matériel d'étirer des groupes plus confiant. Tout aussi pratique et accessible que VoiceWorks 1. Lively et simple des idées pour Key Stage 3 (Scottish niveaux D et E) Idéal pour des chorales de jeunes, groupes scolaires, des chorales de jeunes du comté, et des chorales de tous âges et de l'expérience 66 chansons, de l'unisson à l'harmonie simple en quatre parties Vaste gamme de répertoire et des styles du monde entier Chansons pour l'échauffement, l'utilisation de répétition, et le répertoire de concert La plupart des chansons non accompagnés, ou avec des accompagnements simples pour le clavier ou la guitare Une leçon complète ou un plan de répétition pour chaque chanson Vocal échauffements et des conseils généraux inclus Double CD contient performances ainsi que du matériel de soutien Pages photocopiables ' / Niveau : Débutant / Recueil / Chant

Released to coincide with the 50th anniversary of his songwriting partnership with Bernie Taupin, 'Diamonds' is the ultimate greatest hits collection from Elton John. Kicking off with the still-stunning 'Your Song', it brings together all his landmark hits including 'Tiny Dancer', 'Rocket Man', 'Candle In The Wind', 'Don't Go Breaking My Heart', 'Sacrifice', 'Can You Feel The Love Tonight?' and many more. For the first time on an Elton hits collection it also features his duet with George Michael on the classic 'Don't Let The Sun Go Down On Me'. / Piano/Vocal/Guitare (PVG)

Loosely based on the plot of the popular 1976 movie Rocky, this musical with music and lyrics by Stephen Flaherty and Lynn Ahrens premiered in Germany in 2012 and began a run on Broadway in 2014. Our songbook features 11 songs presented with vocal lines and piano accompaniment, plus four pages of color photos from the show. / Voix

'In the need of prayer' est l'oeuvre la plus récente parue dans série Concerts for Choirs, laquelle représente une approche innovante de planification des programmes de concert. Chaque volume contient une quantité importante d'oeuvres dans l'intention de f / Choeur Mixte A Cappella Ou Avec Piano / 128 pages / Partition