| Thirty-two Rose Etudes for Flute Flûte traversière et Piano [Partition + CD] Carl Fischer
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone SKU:
PR.114419290 Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290). ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches. Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music for Two, Volume 2 - Flute/Oboe and Clarinet Flûte, Clarinette (duo) [Conducteur et Parties séparées] - Intermédiaire/avancé Last Resort Music Publishing
Arranged by Daniel Kelley. For Flute (or Oboe) and Clarinet. Duets. Music for Tw...(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe) and Clarinet.
Duets. Music for Two.
Wedding, Classical.
Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
$22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Holberg Suite Orchestre d'harmonie [Conducteur] - Facile G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd...(+)
Concert band (1st Flute,
2nd Flute, Oboe*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Bb Bass
Clarinet*, Bassoon*, 1st
Eb Alto Saxophone*, 2nd
Eb Alto Saxophone*, Bb
Tenor Saxophone*, Eb
Baritone Saxophone*, 1st
Bb Trumpet, 2nd Bb
Trumpet, 1st F Horn, 2nd
F Hor) - grade 3 SKU:
CN.S11251 Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 5:25. Published
by G & M Brand Music
Publishers (CN.S11251).
Originally
written for piano, Grieg
later scored his Holberg
Suite for orchestra.
Geoffrey Brand has done a
masterful job of setting
two movements of the
suite - the Sarabande and
Gavotte - for wind band.
Give your students the
opportunity to perform
first-rate classical
music they wouldn't
otherwise have access
to.
Born in
Bergen, Norway, into a
family of Scottish
descent, Edvard Grieg
showed a talent for music
early and at the age of
10 had piano lessons from
his mother. In 1849 he
went to study at Leipzig
Conservatoire before
moving to Copenhagen
where he met Riokaard
Nordaak, a young
Norwegian composer who
was immersed in Norwegian
nationalism and greatly
influence Grieg who felt
his future was as a
musician dedicated to
romantic nationalism.
Holberg Suite, originally
for piano, was written in
1884 in response to a
commission to mark the
bicentenary of the birth
of Ludvig Holberg, a
Norwegian dramatist and
satirist. A year later,
Grieg arranged 5
movements for string
orchestra. Sarabande and
Gavotte are intended to
be played segue but can,
if desired, be performed
separately. The music
expresses Grieg and his
native Norway in a manner
which justifies his
declaration I am not an
exponent of Scandinavian
music but of
Norwegian.. $7.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Nutcracker Suite Petite Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
By Peter Ilyich Tchaikovsky. Arranged by Joseph Compello. Concert band/stage ban...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Joseph Compello. Concert
band/stage band. For
Flute, Oboe, Flute II,
Clarinet I, Clarinet II,
Bass Clarinet, Alto
Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Euphonium, Bassoon,
Treble Baritone, Tuba,
Bells, Xylophone,
Timpani, Snare Drum, Bass
Drum, Triangle,
Tambourine. Carl Fischer
First Plus Performance
Series. Classical. Level:
very easy. Score and
parts. 20 pages.
Published by Carl
Fischer.
$58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
$75.00 $71.25 (- 5%) Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Treasures for Flute and Piano Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano SKU:
CF.WF228 Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228). ISBN
9781491153529. 9 x 12
inches. Compiled
and edited by Amy Porter,
Treasures for Flute and
Piano is acollection of
Philippe Gaubert’s
shorter works for flute
and piano. Gaubertwas a
multi-talented musician,
a marvelous flutist as
well as a
composer,teacher, and
master conductor. Over
his lifetime, he became
one of the mostimportant
musical figures in France
between the World Wars in
the first halfof the 20th
century. Trained in
theory and harmony at the
Paris
Conservatory,Gaubert was
also deeply influenced by
other composers at the
time, includingDebussy,
Fauré, and Dukas.
Editor Amy Porter is a
distinguished Professorat
The University of
Michigan School of Music,
Theatre & Dance, and
hasbeen praised by
critics for her
exceptional musical
talent and her passion
forscholarship. This
edition represents eleven
of the sixteen works from
AmyPorter and Dr.
Penelope Fischer’s
video study guide,
“The Gaubert Cycle:
TheComplete Works for
Flute and Piano by
Philippe
Gaubertâ€. Philip
pe Gaubert
(1879–1941) was a
very important teacher
and flutist in our
classical flute playing
lineage. In this edition
we have gathered his
beautiful, shorter
compositions for flute
and piano all in one
place, to be cherished as
“Gaubert’s
Treasures.â€Philippe
Gaubert personified the
modern French school of
flute playing as
introduced by his teacher
Paul Taffanel
(1844–1908) at the
Paris Conservatory.
Gaubert was a
multitalented musician, a
marvelous flutist as well
as a gifted composer,
teacher and master
conductor. Over his
lifetime he became one of
the most important
musical figures in France
between the World Wars in
the first half of the
twentieth century.
Gaubert’s musical
andpedagogical gifts to
us are passed along
through generations of
students and continue to
touch the hearts of many
who listen to his fine,
and refined,
music.Philippe Gaubert
studied composition at
the Paris Conservatory
with Raoul Pugno, Xavier
Leroux, and then for a
brief time with Charles
Lenepvu. It was after
this study that he won
the famous Prix de Rome
second prize in
composition. Even with
his schooling of theory
and harmony in Paris, he
was deeply influenced by
other composers of the
time, namely Debussy,
Fauré and Dukas.
Between the years of
1905–1914
Gaubert’s early
workswere arrangements
and short pieces written
for the year-end final
exam pieces at the
Conservatory.Between
1914–1918 Gaubert
served in the French Army
during World War I, most
notably in the battle of
Verdun in 1916. This was
considered one of the
largest battles against
the Germans in WWI. He
was wounded but his
creativity level was not
dampened. He was rewarded
for his service and
awarded medals for his
bravery. It was during
this time that he found
the energy to compose his
Deux Esquisses or 2
Scenes, and sketched out
his first flute
sonata.Gaubert composed
his remaining five flute
and piano works after
1922 in Paris, and
clearly his poetic soul
was transformed from the
earlier years. He took in
new forms and styles of
compositions such as a
Suite, a Ballade and a
Sonatine. He also
completed his Second and
Third Sonatas for Flute
and Piano, all of them
dramatic works in terms
of compositional
techniques and grandeur
of tone.Gaubert composed
music easily throughout
his lifetime, especially
during summer breaks when
the orchestra and Paris
Opera seasons were on
hiatus and he was not
conducting. He loved
literature and poetry
which inspired over
thirty vocal works from
1903 through 1938.He also
wrote twenty-six
instrumental chamber
works for other
instruments: oboe,
cornet, clarinet,
trombone, violin, viola,
cello, harp and
combinations of these
instruments with piano.
Some of these were
commissioned jury pieces,
but many were for his
musician friends.Six
full-length stage works,
both ballets and operas
for the stage, several
tone poems and symphonies
were written throughout
his lifetime.This edition
represents eleven out of
the sixteen works from
our video study guide
“The Gaubert Cycle:
The Complete Works for
Flute and Piano by
Philippe Gaubertâ€
with guest pianist Tim
Carey. Omitted in this
edition are Sonatas Nos.
1–3, Ballade, and
Sonatine. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lullaby from "The Unicorns" Piano seul Novello & Co Ltd.
Piano SKU: HL.234744 For Piano Solo. Composed by Peter Dickinson. ...(+)
Piano SKU:
HL.234744 For
Piano Solo. Composed
by Peter Dickinson. Music
Sales America. Classical.
Softcover. Composed 2017.
8 pages. Novello & Co
Ltd. #NOV166122.
Published by Novello & Co
Ltd. (HL.234744).
9.0x12.0x0.035
inches. Composer's
Note: The Lullaby from
The Unicorns arose from
an opera libretto I
commissioned from John
Heath-Stubbs (1918-2006)
in the late 1960s. In his
story two unicorns are
discovered in a remote
part of Africa. Both the
East and West want to
obtain them for research
so they send out rival
expeditions. The Western
technique is to lure the
unicorn with a young girl
singing a lullaby. Both
East and West capture
unicorns but the mythical
animals escape in the
end. I never completed
the opera but I made a
six-movement suite from
it called The Unicorns.
There are three songs and
three instrumental
numbers and the first
performance was given
with Elisabeth Soderstrom
and Solna Brass under
Lars-Gunnar Bjorklund at
Ekensbergskyrkan, Solna,
Sweden on 31 October
1982. This version was
recorded and my
arrangement of the three
songs for voice and piano
was recorded by Marilyn
Hill Smith. The career of
the Lullaby continued
with a version for
clarinet and piano, which
I premiered with Jack
Brymer aboard the Sea
Princess in the
Mediterranean on 29
September 1986. The oboe
version was for Sarah
Francis, and Duke Dobing
and I have recorded it
for flute an piano.
Lullaby can be played
with a variety of solo
instruments and is also
available for piano left
hand and piano solo. $7.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Little Suite for Summer Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
By Peter Schickele. Concert Band. For Piccolo, Flute, Oboe, Clarinet I, Clarinet...(+)
By Peter Schickele.
Concert Band. For
Piccolo, Flute, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Contrabass Clarinet,
Bassoon I, Bassoon II,
Contra Bassoon, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet II, Cornet II.
Classical. Score and Set
of Parts. Standard
notation. 22 pages
$75.00 $71.25 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tapestries Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Concert Band Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bass, Bass...(+)
Concert Band Alto
Saxophone I, Alto
Saxophone II, Baritone
Saxophone, Bass, Bass
Clarinet, Bassoon I,
Bassoon II, Clarinet I,
Clarinet II, Flute I,
Flute II, Horn I, Horn
II, Horn III, Horn IV,
Oboe I, Oboe II, Tenor I,
Tenor II, Tenor
Saxophone, Trumpet I,
Trumpet II - Grade 4 and
up SKU: CF.SPS30F
Composed by Mike Forbes.
SWS. Carl Fischer
Symphonic Performance
Series. Full score. With
Standard notation. Carl
Fischer Music #SPS30F.
Published by Carl Fischer
Music (CF.SPS30F).
ISBN 9780825864889.
UPC: 798408064884. 9 X 12
inches. Using the
musical styles and forms
of the Medieval and
Renaissance periods, Mike
Forbes has written a
striking and powerful
three movement suite that
is a major addition to
serious band literature.
The music is entirely
original, but the style
and approach is similar
to such pieces as the
Courtly Dances from
Gloriana by Benjamin
Britten, and makes
effective use of the
coloristic possibilities
of the modern concert
band. $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 2, Part 2 - Clarinet [Partie séparée] Last Resort Music Publishing
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for Three, Volume 2, Part 1 - Clarinet Clarinette [Partie séparée] Last Resort Music Publishing
(Mixed Trios). By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios....(+)
(Mixed Trios). By
Various. Arranged by
Daniel Kelley. For
Clarinet in Bb. Trios.
Music for Three.
Classical / Baroque.
Intermediate/Advanced.
Part 1
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasia Nova Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5
SKU:
MH.1-59913-082-3
Composed by Bob Margolis.
Suitable for community
bands, high school bands,
and college bands. 14
minutes duration if
played as a suite; or
movements 1 or 3 may be
performed separately.
Conductor score and set
of parts. Duration 14:00.
Published by Manhattan
Beach Music
(MH.1-59913-082-3).
ISBN
9781599130828. Fant
asia Nova is a suite
comprising two concert
marches and a slow,
middle movement that
derives its themes from
both marches. Ragtime
(composed in early
September, 1978) is a new
from old sort of piece.
Although its tunefulness
and harmonies have an
old-fashioned character,
its structure,
development, and
orchestration are unusual
for a march. In the
chorale section (measures
111 - 148) the band
director must be very
careful in balancing, for
each of the elements must
come through. More
important is that the
audience be brought up by
this section -- filled
with a joyous exaltation;
great attention must be
paid to sonority and the
band must play earnestly.
Ragtime stands on its own
and may be performed
separately. Dreams
(composed in late
September, 1978) is the
traditional march of the
two. It is very closely
modeled (in structure
only) to Sousa's Stars
and Stripes Forever. It
even includes a tricky
piccolo solo, although
the accompaniment has a
chorale texture, almost
like a school alma mater.
This march has a
patriotic, inspirational
sound, because it was
composed for the town of
Irondequoit, New York --
for a Town March contest
held by the town's
community concert band.
It did not, so far as I
know, become the town's
march; one can hear the
name, Irondequoit,
throughout the Trio, for
every turn of the melody
(in fact, each group of
four notes) fits the
accent pattern
(Ih-RON-dih-kwoit) of the
town's name. Parade
stands on its own as a
complete work and may be
performed separately.
Ensemble instrumentation:
1 Piccolo, 6 Flutes, 2
1st & 2nd Oboes, 1
English Horn, 1 Eb
Clarinet, 3 1st Bb
Clarinet, 3 2nd Bb
Clarinet, 3 3rd Bb
Clarinet, 1 Eb Alto
Clarinet, 2 Bb Bass
Clarinet, 1 Eb Contrabass
Clarinet (optional), 2
1st & 2nd Bassoons, 1
Contrabassoon (optional),
1 1st Eb Alto Saxophone,
1 2nd Eb Alto Saxophone,
1 Bb Tenor Saxophone, 1
Eb Baritone Saxophone, 3
1st Bb Cornets, 3 2nd Bb
Cornets, 3 3rd Bb
Cornets, 1 1st Horn in F,
1 2nd Horn in F, 2 3rd
and 4th Horns in F, 2 1st
Trombones, 2 2nd
Trombones, 2 3rd
Trombones, 1 Euphonium
(Treble Clef), 2
Euphonium (Bass Clef), 4
Tuba, 1 String Bass, 1
Timpani (Triangle), 5
Percussion. $125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dutch Masters Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Amstel Music
| | |
| Wassail Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Movement 1 from the Vaughan Williams Suite) By Robert W. Smith. Conductor's sco...(+)
(Movement 1 from the
Vaughan Williams Suite)
By Robert W. Smith.
Conductor's score and set
of performance parts for
concert band (3 - 1st
flute, 3 - 2nd flute, 1 -
1st oboe, 1 - 2nd oboe, 2
- bassoon, 3 - 1st
clarinet, 3 - 2nd
clarinet, 3 - 3rd
clarinet, 1 - alto
clarinet, 2 - bass
clarinet, 1 - contralto
clarinet, 2 - 1st alto
saxophone, 2 - 2nd alto
saxophone, 1 - tenor
saxophone, 1 - baritone
saxophone, 3 - 1st
trumpet, 3 - 2nd trumpet,
3 - 3rd trumpet, 2 - 1st
horn in F, 2 - 2nd horn
in F, 2 - 1st trombone, 2
- 2nd trombone, 2 - 3rd
trombone, 2 - euphonium,
1 - baritone (treble
clef), 4 - tuba, 3 -
mallet percussion, 1 -
timpani, 4 - percussion
I, 2 - per
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Appalachian Folk Song Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
By William Harbinson. Concert Band. For Piccolo, Flute, Oboe, Clarinet I, Clarin...(+)
By William Harbinson.
Concert Band. For
Piccolo, Flute, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Horn I, Horn II, Tenor I,
Tenor II, Bass Trom. Carl
Fischer Concert
Performance Series.
Classical. Grade 3-3.5.
Score and Set of Parts.
Standard notation. 29
pages. Published by Carl
Fischer
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| John Williams: Suite from The Star Wars Epic - Part I Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(I. Duel of the Fates from Episode I: The Phantom Menace; II. Across the Stars f...(+)
(I. Duel of the Fates
from Episode I: The
Phantom Menace; II.
Across the Stars from
Episode II: Attack of the
Clones; III. Revenge of
the Sith from Episode
III: Revenge of the
Sith). By John Williams.
Arranged by Robert W.
Smith. For concert band
(1 - piccolo, 3 - 1st
flute, 3 - 2nd flute, 2 -
oboe, 2 - bassoon, 3 -
1st clarinet, 3 - 2nd
clarinet, 3 - 3rd
clarinet, 2 - bass
clarinet, 1 - contrabass
clarinet, 2 - 1st alto
saxophone, 2 - 2nd alto
saxophone, 1 - tenor
saxophone, 1 barito.
Concert Band. Belwin
Concert Band. Movies. 3.5
(Medium Easy to Medium)
(grade 3.5). Conductor's
score and set of
performance parts.
Published by Alfred Music
Publishing
(1)$80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suite from Carmen Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Concert Band Alto Clarinet, Alto Saxophone I, Alto Saxophone II, Baritone (Bass ...(+)
Concert Band Alto
Clarinet, Alto Saxophone
I, Alto Saxophone II,
Baritone (Bass Clef),
Baritone Saxophone, Bass
Clarinet, Clarinet I,
Clarinet II, Clarinet
III, Flute, Horn I, Horn
II, Oboe, Tenor I, Tenor
II, Tenor Saxophone,
Trumpet I, Trumpet II,
Trumpet III, Tuba, -
Grade 3-3.5 SKU:
CF.CPS17F Composed by
Georges Bizet. SWS. Carl
Fischer Concert
Performance Series.
Classical. Full score.
With Standard notation.
Carl Fischer Music
#CPS17F. Published by
Carl Fischer Music
(CF.CPS17F). ISBN
9780825843693. UPC:
798408043698. 9 X 12
inches. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Latin Folk Song Trilogy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Latin Folk Song Trilogy (Grade 3 - Score and Parts). Arranged by William Himes. ...(+)
Latin Folk Song Trilogy
(Grade 3 - Score and
Parts). Arranged by
William Himes. Curnow
Music Concert Band. Grade
3. Curnow Music #044400.
Published by Curnow Music
$69.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| John Williams: Suite from The Star Wars Epic - Part II Orchestre [Conducteur et Parties séparées] Alfred Publishing
(IV. Princess Leia's Theme from Episode IV: A New Hope, V. Imperial March (Darth...(+)
(IV. Princess Leia's
Theme from Episode IV: A
New Hope, V. Imperial
March (Darth Vader's
Theme)/ The Forest Battle
from Episode V: The
Empire Strikes Back and
Episode VI: Return of the
Jedi and VI. Star Wars
(Main Title) from Episode
I through VI) Composed by
John Williams, arranged
by Robert W. Smith.
Conductor's score and set
of performance parts for
concert band (1 -
piccolo, 3 - 1st flute, 3
- 2nd flute, 2 - oboe, 2
- bassoon, 3 - 1st
clarinet, 3 - 2nd
clarinet, 3 - 3rd
clarinet, 2 - bass
clarinet, 1 - contrabass
clarinet, 2 - 1st alto
saxophone, 2 - 2nd alto
saxophone, 1 - tenor
saxophone, 1 - baritone
saxophone, 3 - 1st
trumpet, 3 - 2nd trumpet,
3 - 3rd trumpet, 2 - 1st
horn in F, 2 - 2nd horn
in F, 2 - 1st trombone, 2
- 2nd trombone, 2 - 3rd
trombone, 2 - euphonium,
1 - baritone (treble
clef), 4 - tuba, 2 -
piano/synthesizer, 4 -
mallet percussion, 1 -
timpani, 4 - percussion
I, 3 - percussion II).
Series: Belwin Concert
Band Series. Published by
Alfred Publishing.
$82.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| John Williams: Harry Potter and the Sorcerer's Stone (Suite for Orchestra) - Deluxe Score
Orchestre [Conducteur] Hal Leonard
(Suite For Orchestra) Composed by John Williams. For flute I (alto flute, piccol...(+)
(Suite For Orchestra)
Composed by John
Williams. For flute I
(alto flute, piccolo),
flute II (piccolo),
piccolo (flute, alto
flute), oboe I,II,
english horn (oboe), Bb
clarinet I (A clarinet),
Bb clarinet II (A
clarinet, Bb bass
clarinet), Bb bass
clarinet (Bb clarinet, Eb
piccolo clarinet),
bassoon I,II, contra
bassoon, F horn I-IV,
trumpet I-III, trombone
I-III, tuba, timpani,
percussion I,II, harp,
piano (celesta), violin
I,II, viola, cello,
cornet and contrabass.
From the motion picture
"Harry Potter And The
Sorcerer's Stone".
Format: full score
(spiral-bound). Movies.
Series: John Williams
Signature Edition. 86
pages. 10.5x14 inches.
Duration 16m26s.
Published by Hal Leonard.
(5)$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Page suivante 1 31 |