Cantata for the First Sunday of Advent. Par TELEMANN GEORG PHILIPP. The cantata Nun Komm Der Heiden Heiland (TVWV 1:1174) is taken from Telemann ’s cantata cycle of 1717–18. Though festively scored for two Oboes, two Trumpets, Kettledrums, Strings and Basso Continuo, it will not overly strain the financial resources of today’s ensembles. The well-known chorale tune features prominantly in all choruses. Telemann gives one aria each to the three soloists (SAB). Thanks to the relatively small instrumental ensemble, the choral passages can be taken one to a part. The vocal score appears with a singing translation in English. - Urtext based on the latest scholarly research. - Straightforwardand easy-to-play Keyboard reduction. - Duration: approx. 15 minutes. - Singing translation in English - Vocal score (BA7677-90) and performance material (BA7677) available for sale./ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre

Cherubini owes his fame as a church composer primarily to the ?Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with ?spartitino? (additional instruments written in by hand) but also the first edition and a copyist?s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng). ? Cherubini?s well-known Requiem in a definitive Urtext edition ? Bilingual Foreword (Eng/Ger) ? Idiomatic, uncluttered piano reduction Edition no.: BA 8961-90 ISMN: 9790006559244 Editor: Schellevis, Hans Language(s) of work: Latin Language(s) of text: English, German Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: X, 70 S. - 27,0 x 19,0 cm

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Ensemble A Vent