Composed by Thomas Ken. Arranged by Robert W. Smith. Young Concert Band. Sound F...(+)
Composed by Thomas Ken.
Arranged by Robert W.
Smith. Young Concert
Band. Sound Foundations
Series. Audio recording
available separately
(item CL.WFR393). Score
and parts. Composed 2017.
Duration 2 minutes, 5
seconds. Published by
C.L. Barnhouse
(CL.023-4593-00).
By Werner Thomas. Arranged by Larry Moore. For Orchestra, String Orchestra (Scor...(+)
By Werner Thomas.
Arranged by Larry Moore.
For Orchestra, String
Orchestra (Score and
Parts). Easy Pop Specials
For Strings. Grade 2.
Published by Hal Leonard
The Chicken Dance Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
By Terry Rendall And Werner Thomas. Arranged by George Vincent. Words and music ...(+)
By Terry Rendall And
Werner Thomas. Arranged
by George Vincent. Words
and music by Terry
Rendall and Werner Thomas
/ arr. George Vincent.
For Marching Band.
Marching Band. Warner
Bros. Marching Band.
Level: 2.5 (Medium Easy)
(grade 2.5). Conductor
Score and Parts. 110
pages. Published by
Alfred Publishing.
Marching Band - Grade 2.5 SKU: AP.MBM04006C Composed by Terry Rendall and...(+)
Marching Band - Grade 2.5
SKU: AP.MBM04006C
Composed by Terry Rendall
and Werner Thomas.
Arranged by George
Vincent. Marching Band;
Performance Music
Ensemble; Single Titles.
Warner Bros. Marching
Band. Pop. Score. 8
pages. Alfred Music
#00-MBM04006C. Published
by Alfred Music
(AP.MBM04006C).
ISBN
9781470655419. UPC:
654979069621.
English.
This one
needs no introduction!
Really get the crowd into
it this year with
everyone's favorite party
tune. And don't blame us
if they keep asking for
more!
Scherzo From Symphony No. 6 Quintette à Vent [Conducteur et Parties séparées] - Intermédiaire/avancé Kendor Music Inc.
By Bourgault. For woodwind quintet (flute, oboe, Bb clarinet, Horn in F, bassoon...(+)
By Bourgault. For
woodwind quintet (flute,
oboe, Bb clarinet, Horn
in F, bassoon (optional
Bb bass clarinet)). Grade
5. Score and set of
parts. Duration 3
minutes. Published by
Kendor Music Inc
By Rixton. By Ammar Malik, Benjamin Levin, Robert Thomas, Steve Mac, and Wayne H...(+)
By Rixton. By Ammar
Malik, Benjamin Levin,
Robert Thomas, Steve Mac,
and Wayne Hector.
Arranged by Alan
Billingsley. For Choral
(SSA). Pop Choral Series.
12 pages. Published by
Hal Leonard
Choral (SAB Choir) SKU: HL.142313 By Rixton. By Ammar Malik, Benjamin Lev...(+)
Choral (SAB Choir)
SKU: HL.142313
By
Rixton. By Ammar Malik,
Benjamin Levin, Robert
Thomas, Steve Mac, and
Wayne Hector. Arranged by
Alan Billingsley. Pop
Choral Series. Pop,
Pop/Rock, Show Choir.
Octavo. 12 pages.
Published by Hal Leonard
(HL.142313).
UPC:
888680048006. 6.75x10.5
inches.
A solid
chart performance, great
piano track and
mainstream pop vocals
make this hit from the
band Rixton a super
choice for pop and show
groups. Easily-learned
and fun to sing!
By Rixton. By Ammar Malik, Benjamin Levin, Robert Thomas, Steve Mac, Wayne Hecto...(+)
By Rixton. By Ammar
Malik, Benjamin Levin,
Robert Thomas, Steve Mac,
Wayne Hector. Arranged by
Alan Billingsley. Pop
Choral Series. Pop/Rock,
Show Choir, Pop. CD.
Published by Hal Leonard
(HL.142315).
By Rixton. By Ammar Malik, Benjamin Levin, Robert Thomas, Wayne Hector, and S...(+)
By Rixton. By Ammar
Malik,
Benjamin Levin, Robert
Thomas, Wayne Hector, and
Steve Mac. Arranged by
Alan
Billingsley. Pop Choral
Series. Pop, Pop/Rock,
Show
Choir. Octavo. 12 pages.
Published by Hal Leonard
Kentish Dances Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-246-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-246-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2008. 80 pages.
Anglo Music Press #AMP
246-140. Published by
Anglo Music Press
(BT.AMP-246-140).
9x12
inches.
English-German-French-Dut
ch.
Kentish
Dances is een suite
op basis van dansen uit
het Engelse graafschap
Kent. Dit graafschap
heeft zijn eigen
dansmelodieën, wat in
Engeland bekend is
geworden als
‘country
dancing’. Deze
danswijsjes waren de bron
van ditdriedelige werk
van Philip Sparke, waarin
levendige en opgewekte
melodieën worden
afgewisseld door
melancholische en
zangerige passages. Een
betoverend
werk!
Wie der
Titel schon andeutet,
besteht Kentish
Dances aus
traditionellen
Tanzmelodien aus der
englischen Grafschaft
Kent. Die seit dem 17.
Jahrhundert beliebten
Volkstänze sind
zahlreich überliefert
und boten Philip Sparke
eine reichhaltige Quelle
für dieses
dreisätzige Werk, in
dem sich lebhafte und
beschwingte Melodien, mit
melancholischeren Weisen
und lieblichen Passagen
abwechseln. Bezaubernd!
Kentish Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-246-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-246-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2008.
Anglo Music Press #AMP
246-010. Published by
Anglo Music Press
(BT.AMP-246-010).
9x12
inches.
English-German-French-Dut
ch.
Kentish
Dances is een suite
op basis van dansen uit
het Engelse graafschap
Kent. Dit graafschap
heeft zijn eigen
dansmelodieën, wat in
Engeland bekend is
geworden als
‘country
dancing’. Deze
danswijsjes waren de bron
van ditdriedelige werk
van Philip Sparke, waarin
levendige en opgewekte
melodieën worden
afgewisseld door
melancholische en
zangerige passages. Een
betoverend
werk!
Wie der
Titel schon andeutet,
besteht Kentish
Dances aus
traditionellen
Tanzmelodien aus der
englischen Grafschaft
Kent. Die seit dem 17.
Jahrhundert beliebten
Volkstänze sind
zahlreich überliefert
und boten Philip Sparke
eine reichhaltige Quelle
für dieses
dreisätzige Werk, in
dem sich lebhafte und
beschwingte Melodien, mit
melancholischeren Weisen
und lieblichen Passagen
abwechseln. Bezaubernd!
SATB choir, keyboard - Early Intermediate SKU: MN.50-8952 Composed by Phi...(+)
SATB choir, keyboard -
Early Intermediate
SKU: MN.50-8952
Composed by Philip
Lawson. 21st Century,
Evening, Morning. Octavo.
MorningStar Music
Publishers #50-8952.
Published by MorningStar
Music Publishers
(MN.50-8952).
UPC:
688670589522.
Commo
nly associated with
Thomas Tallis canon,
Bishop Thomas Kens
beautiful twilight text
is here combined with the
composers new tune,
creating a hymn-anthem
for a restful end to an
evening service. A
morning text by Ken in
the same meter makes the
piece suitable for
morning worship as
well.
By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SAT...(+)
By John Rutter (1945-).
For Soprano and Baritone
solo voices, children's
and SATB choirs,
orchestra/chamber
ensemble (Orchestra:
[2.2.2.2-2.2.0.0],
timpani, percussion (2
players).hp-str Chamber
ensemble: fl, ob, cl,
bsn, hn, timp, perc (1 or
2 players), hp
SBar solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orches...(+)
SBar solo voices,
children's and SATB
choirs, orchestra/chamber
ensemble (Orchestra:
2.2.2.2-2.2.0.0-timp.perc
(2 players).hp-str
Chamber ensemble: fl, ob,
cl, bsn, hn, timp, perc
(1 or 2 players), hp, db,
org) - easy
SKU:
OU.9780193380950
Composed by John Rutter.
This edition: paperback.
Choral Works (inc.
Oratorios). Contemporary,
Choral Works. Children's
choir part. 32 pages.
Duration 37'. Oxford
University Press
#9780193380950. Published
by Oxford University
Press (OU.9780193380950).
ISBN 9780193380950. 10
x 7 inches.
For
soprano and baritone
soloists, children's
choir, adult choir, and
orchestra or chamber
ensemble The text is that
of a standard Latin Missa
brevis, to which several
relevant English poetic
texts have been added.
The first and last of
these are taken from
Bishop Thomas Ken's
renowned morning and
evening hymns for the
scholars of Winchester
College. They give the
whole work the framework
of a complete day, from
waking to sleeping,
within which other texts
and moods appear like
events in that day or
landmarks in a life.
Vocal scores are
available on sale or on
hire from the publisher.
Instrumental material is
available on hire from
the publisher.
SKU: HL.49015663 (German Text). Composed by Hans-Eberhard Dentler....(+)
SKU: HL.49015663
(German Text).
Composed by Hans-Eberhard
Dentler. This edition:
Paperback/Soft Cover.
Book. Edition Schott. Die
Kunst der Fuge ist nicht
nur eines der grossten
Meisterwerke der Musik,
sondern zugleich auch
Bachs problematischste
Komposition hinsichtlich
Deutung und
Auffuhrungspraxis - in
der Musikgeschichte gibt
es kein vergleichbares
Werk. Dem Autor ist es
gel. Classical. 220
pages. Schott Music #ED
9630. Published by Schott
Music (HL.49015663).
ISBN 9783795704902.
UPC: 073999480771.
6.75x9.5x0.547 inches.
German.
Die Kunst
der Fuge ist nicht nur
eines der grossten
Meisterwerke der Musik,
sondern zugleich auch
Bachs problematischste
Komposition hinsichtlich
Deutung und
Auffuhrungspraxis. Sie
erinnert in ihrem
Geheimnisstand an
Leonardo da Vincis La
Gioconda - in der
Musikgeschichte gibt es
kein vergleichbares Werk.
Dem Autor ist es auf der
Grundlage eines
interdisziplinaren
Forschungsansatzes und
essentieller historischer
Entdeckungen gelungen,
eine enge Beziehung
zwischen der Kunst der
Fuge und dem
pythagoreischen Denken
nachzuweisen. Teil 1 des
Buches legt die antiken
Quellen in Bachs Umfeld
offen und beschreibt die
aktive Rezeption
pythagoreischer
Uberlieferung an der
Thomasschule in Leipzig
zu Bachs Zeit. Eine
detaillierte Aufzahlung
und Beschreibung
pythagoreischer
Kennzeichen in Autograph
und Erstdruck der Kunst
der Fuge schliesst sich
an. In Teil 2 werden die
gelaufigen Hypothesen zur
Kunst der Fuge einer
erkenntnistheoretischen
Prufung unterzogen. Teil
3 beschaftigt sich mit
der Auffuhrung bzw.
Besetzung der Kunst der
Fuge. Diese ist uber die
Bachsche
Auffuhrungspraxis hinaus
von pythagoreischen
Parametern bestimmt und
konkretisiert sich in
einem von Athanasius
Kircher und Lorenz
Christoph Mizler
beschriebenen Stil, dem
Stylus symphoniacus. Als
Ergebnis tritt eine
bisher nicht erkannte
Besetzungsform zutage,
welche das Werk endgultig
vom Schicksal der
Bearbeitung befreit.
Hans-Eberhard Dentlers
Erkenntnisse markieren
einen bahnbrechenden
Wendepunkt in der
Erforschung dieses bis
heute ratselhaften
Kunstwerks.
Composed by Thomas Fettke. Arranged by Thomas Grassi. Choral, cantatas. Christma...(+)
Composed by Thomas
Fettke. Arranged by
Thomas Grassi. Choral,
cantatas. Christmas. Bulk
Performance CDs (10
pack). Lorenz Publishing
Company #99/3271L.
Published by Lorenz
Publishing Company
Composed by Thomas Fettke. Arranged by Thomas Grassi. Choral, cantatas. Christma...(+)
Composed by Thomas
Fettke. Arranged by
Thomas Grassi. Choral,
cantatas. Christmas.
Split-track accompaniment
CD. Lorenz Publishing
Company #99/3269L.
Published by Lorenz
Publishing Company
Concert band - Grade 1 SKU: CL.023-4593-01 Composed by Ken. Arranged by R...(+)
Concert band - Grade 1
SKU:
CL.023-4593-01
Composed by Ken. Arranged
by Robert W. Smith. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR393). Extra full
score. Composed 2017.
Duration 2 minutes, 5
seconds. C.L. Barnhouse
#023-4593-01. Published
by C.L. Barnhouse
(CL.023-4593-01).
Based on the
liturgical hymn The
Doxology written in 1674
by Thomas Ken, this
lyrical and sensitive
arrangement for the
beginning band provides
multiple teaching
opportunities in a rich
musical setting. The
first melodic statement
is written as a musical
exchange between soloists
or sections creating a
connection and awareness
between sections of the
band. The second melodic
statement is a lush full
ensemble setting in
contrast. The use of
mixed meter in an
accessible and musically
logical manner reinforces
teaching and concepts
introduced in the first
year of most beginning
band methods. A beautiful
and educational choice
for your concert
program!
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute
SKU:
CF.CM9583
Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852).
Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece.