Organ SKU: CA.5027600 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5027600
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score.
Carus Verlag #5027600.
Published by Carus Verlag
(CA.5027600).
ISBN
9790007298432.
Befo
re Rheinberger came to
public attention as an
organ composer with the
publication of his first
Organ Sonata op. 27, he
had already written a few
shorter works for his
favorite instrument.
These include the three
Preludes and Fugues JWV
10, 13 and 16 which
Rheinberger composed at
the age of just 15. He
dedicated his early
contributions to this
tradition-rich genre to
his organ teacher and
supporter Johann Georg
Herzog, who found these
to be of such high
quality that he offered
them to a colleague for
publication. Separate
edition from
Supplementary Volume 3 of
the Rheinberger Complete
Edition.
Written for
upper-advanced organ
players, Three Preludes
and Fugues is a work by
Marcel Dupre. Dedicated
to Rene Vierne, this Op.
7 uses complex
figurations and pedals.
With such challenging
difficulty, the first and
third preludes were
pronounced?unplayable by
Charles-Marie Widor due
to their fast tempo,
their figurations and the
pedal chords. For a long
time, Dupre himself was
the only one able to play
them. Marcel Dupre is a
French organist who
reviewed some works by J.
S. Bach, including The
little Organ Book. He
composed numerous pieces
such as Lamento, Scherzo
and Titelooze Tombstone,
among others.
Composed by Nicolaus Bruhns (1665-1697). Masterworks; Organ - Method or Collecti...(+)
Composed by Nicolaus
Bruhns (1665-1697).
Masterworks; Organ -
Method or Collection.
Kalmus Edition. Form:
Fugue; Prelude. Baroque;
Masterwork. Book. 28
pages. Kalmus Classic
Edition #00-K04101.
Published by Kalmus
Classic Edition
Organ SKU: SU.80101502 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101502
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101502.
Published by Zimbel Press
(SU.80101502).
Three Preludes
and Fugues (2022)
consists of Preludio e
fuga delfica, Preludio e
fuga in modo frigio, and
Preludio e fuga in
ascolto. They were
conceived and written as
three independent pieces,
although they can also be
played as group of three
or as any subset of two.
The three pieces are
unified by their
unconventional approach
to this familiar genre
and their extreme formal
concision.Organ Duration:
13' Composed: 2022
Published by: Zimbel
Press.
Organ SKU: AP.K03670 Composed by Felix Bartholdy Mendelssohn. Masterworks...(+)
Organ
SKU:
AP.K03670
Composed by
Felix Bartholdy
Mendelssohn. Masterworks;
Organ - Method or
Collection. Kalmus
Edition. Masterwork;
Romantic. Book. 120
pages. Kalmus Classic
Edition #00-K03670.
Published by Kalmus
Classic Edition
(AP.K03670).
ISBN
9780769242576. UPC:
029156214888.
English.
Three
Preludes and Fugues, Op.
37 * Six Sonatas, Op. 65.
The comb binding creates
a lay-flat book that is
perfect for study and
performance.
Organ - intermediate SKU: HL.49019844 Part 1 - 4. Composed by Diet...(+)
Organ - intermediate
SKU: HL.49019844
Part 1 - 4.
Composed by Dietrich
Buxtehude. Edited by
Claudia Schumacher. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Softcover.
Schott Music #ED21111-01.
Published by Schott Music
(HL.49019844).
ISBN
9790001196659. UPC:
888680968236.
8.75x11.75x1.178
inches.
Buxtehude's
organ music fascinated J.
S. Bach and generations
of organists ever since.
Our new edition in the
renowned series 'Masters
of the North German Organ
School' is based on the
original version while
taking the latest
findings of the Buxtehude
research into account.
Vol. 1 contains 18
Preludes (pedaliter),
Vol. 2 three toccatas, 1
preambulum, 2 ciacones, 9
canzonas and 3
fugues.
Violin 1 SKU: BR.OB-5294-15 Book 2. Composed by Wolfgang Amadeus M...(+)
Violin 1
SKU:
BR.OB-5294-15
Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-15.
Published by Breitkopf
and Haertel
(BR.OB-5294-15).
ISBN
9790004338018. 9 x 12
inches.
The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8.
Viola SKU: BR.OB-5294-19 Book 2. Composed by Wolfgang Amadeus Moza...(+)
Viola
SKU:
BR.OB-5294-19
Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-19.
Published by Breitkopf
and Haertel
(BR.OB-5294-19).
ISBN
9790004338025. 9 x 12
inches.
The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).