The New Oxford Book of Carols by Hugh Keyte; Andrew Parrott. Arranged by Cliffor...(+)
The New Oxford Book of
Carols by Hugh Keyte;
Andrew Parrott. Arranged
by Clifford Bartlett. For
Mostly SATB choir,
accompanied and a
cappella. Mixed Voices.
Christmas, Choral
Collection, Sacred.
Paperback. 744 pages.
Published by Oxford
University Press
Book 2 Clarinet SKU: HL.862591 Bb Clarinet. Concert Band Method. E...(+)
Book 2 Clarinet
SKU:
HL.862591
Bb
Clarinet. Concert
Band Method. Essential
Elements 2000. Play
Along. Softcover Media
Online. 48 pages.
Published by Hal Leonard
(HL.862591).
ISBN
9780634012884. UPC:
073999625912.
9.0x12.0x0.127
inches.
Essential
Elements for Band offers
beginning students sound
pedagogy and engaging
music, all carefully
paced to successfully
start young players on
their musical journey. EE
features both familiar
songs and specially
designed exercises,
created and arranged for
the classroom in a
unison-learning
environment, as well as
instrument-specific
exercises to focus each
student on the unique
characteristics of their
own instrument. EE
provides both teachers
and students with a
wealth of materials to
develop total
musicianship, even at the
beginning stages.
Essential Elements now
includes Essential
Elements Interactive
(EEi), the ultimate
online music education
resource. EEi introduces
the first-ever, easy set
of technology tools for
online teaching,
learning, assessment, and
communication... ideal
for teaching today's
beginning band and string
students, both in the
classroom and at home.
For more information,
visit Hal Leonard Online
- Essential Elements
Interactive. For a
complete overview of Book
2, click here.
(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Conductor's
Score)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Conductor's Score.
Band Method; CD; DVD;
Method/Instruction;
Score; SmartMusic. Sound
Innovations Series for
Band. Early Intermediate.
404 pages. Published by
Alfred Music Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Mallet Percussion)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Mallet
Percussion)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Mallet Percussion.
Band Method; Book; CD;
DVD; Method/Instruction.
Sound Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Oboe)). By Robert Shel...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Oboe)). By
Robert Sheldon, Peter
Boonshaft, Dave Black,
and Bob Phillips. Concert
Band. For Oboe. Band
Method; Book; CD; DVD;
Method/Instruction. Sound
Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (B-Flat Trumpet)). By R...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (B-Flat
Trumpet)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For B-Flat Trumpet. Band
Method; Book; CD; DVD;
Method/Instruction. Sound
Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (E-Flat Baritone Saxoph...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (E-Flat
Baritone Saxophone)). By
Robert Sheldon, Peter
Boonshaft, Dave Black,
and Bob Phillips. Concert
Band. For E-Flat Baritone
Saxophone. Band Method;
Book; CD; DVD;
Method/Instruction. Sound
Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Conductor's
Score)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Conductor's Score.
Band Method;
Method/Instruction;
Score. Sound Innovations.
Early Intermediate. 400
pages. Published by
Alfred Music Publishing
(A Revolutionary Method for Early-Intermediate Musicians (B-Flat Clarinet)). By ...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (B-Flat
Clarinet)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For B-Flat Clarinet. Band
Method; Book; CD; DVD;
Method/Instruction. Sound
Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Conductor's
Score)). By Bob Phillips,
Peter Boonshaft, and
Robert Sheldon.
Orchestra. For
Conductor's Score.
Method/Instruction;
Score; String Orchestra
Method/Supplement. Sound
Innovations. 208 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Violin)). By Bob Phill...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Violin)). By
Bob Phillips, Peter
Boonshaft, and Robert
Sheldon. Orchestra. For
Violin. This edition:
Violin. Book; CD; DVD;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Combined Percussion))....(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Combined
Percussion)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Combined Percussion.
Band Method; Book; CD;
DVD; Method/Instruction.
Sound Innovations. Early
Intermediate. 96 pages.
Published by Alfred Music
Publishing
Composed by Roy C. Bennett and Sid Tepper. Arranged by Gary Fry. Choir Secular. ...(+)
Composed by Roy C.
Bennett and Sid Tepper.
Arranged by Gary Fry.
Choir Secular. For
Chamber Orchestra
(Women's Choir). Choral
Octavo. Archive Edition.
Christmas; Novelty;
Secular; Winter. 12
pages. Published by
Alfred Music
(A Revolutionary Method for Beginning Musicians (Conductor's Score)). By Bob Phi...(+)
(A Revolutionary Method
for Beginning Musicians
(Conductor's Score)). By
Bob Phillips, Peter
Boonshaft, and Robert
Sheldon. Orchestra. For
Conductor's Score.
Method/Instruction;
Score; String Orchestra
Method/Supplement. Sound
Innovations. 200 pages.
Published by Alfred Music
Publishing
Sound Innovations for String Orchestra, Book 1 (Conductor's Score) (A Revolution...(+)
Sound Innovations for
String Orchestra, Book 1
(Conductor's Score) (A
Revolutionary Method for
Beginning Musicians) by
Bob Phillips, Peter
Boonshaft, and Robert
Sheldon. Orchestra. For
Conductor's Score. This
edition: Conductor's
Score. Book; CD; DVD;
Method/Instruction;
String Orchestra
Method/Supplement. 200
pages. Published by
Alfred Music Publishing
Sound Innovations for String Orchestra, Book 1 (Piano Accompaniment) (A Revoluti...(+)
Sound Innovations for
String Orchestra, Book 1
(Piano Accompaniment) (A
Revolutionary Method for
Beginning Musicians) by
Bob Phillips, Peter
Boonshaft, and Robert
Sheldon. Orchestra. For
Piano Acc.. This edition:
Piano Accompaniment.
Book; Method/Instruction;
String Orchestra
Method/Supplement. 72
pages. Published by
Alfred Music Publishing
Composed by Henry Brant (1913-). Arranged by Elizabeth Ames. For Alto Saxophone,...(+)
Composed by Henry Brant
(1913-). Arranged by
Elizabeth Ames. For Alto
Saxophone, Piano
reduction. Contemporary.
Solo part with piano
reduction. Standard
notation. 36 12 pages.
Published by Carl Fischer
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Chris Tedesco
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trumpet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Chris
Tedesco Chris Tedesco has
distinguished himself as
a soloist, chamber
artist, orchestral and
commercial trumpeter in
Los Angeles for over 20
years. His early
classical training
included studies with
Chuck Lirette of the
Buffalo Philharmonic and
college training with
Gilbert Johnson, (former
principal trumpet of the
Philadelphia
Philharmonic) at the
University of Miami in
Florida. Chris Tedesco's
road travels included
concert tours with the
Glenn Miller Band, Tommy
Dorsey Orchestra, but it
was Cruise Ships that
brought him to Los
Angeles in 1987. Chris
Tedesco can be heard on
the movie soundtracks of
Finding Nemo, Road to
Perdition, Boat Trip, The
Mexican, Best in Show,
Ring of Fire, After the
Storm, Durango Kids,
Winchell, Absolute Power,
Star Trek - First
Contact, Nixon,
Stonebrook, Heaven and
Earth, Cool World and
Lorenzoes Oil. On the
small screen you can hear
his solo Trumpet on the
theme to the hit TV show
"The District" along with
many national TV
commercials. Chris
Tedesco has recorded with
Joe Cocker, Natalie
Merchant, Ellis Hall,
Royal Crown Revue, Pat
Boone, Cher, Brian
Setzer, Dwight Yoakum,
Juan Carlos Quintero,
Thom Rotella, Jump with
Joey, Leslie Paula, Boom
Shaka and for The Disney
Afternoon. For more
information about Chris
Tedesco visit:
www.christedesco.com.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Clarinet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Flute" From A
Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Pater
Noster. Composed by
Reginal S Wright. Sws.
Mjts. Performance. 16
pages. Duration 4
minutes, 40 seconds. Carl
Fischer Music #CM9592.
Published by Carl Fischer
Music (CF.CM9592).
ISBN 9781491154144.
UPC: 680160912643. 6.875
x 10.5 inches. Key: Ab
major. English. Henry F.
Lyte
(1793-1847).
Henry
Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to Abide with us, for
it is toward evening, and
the day is far spent. The
change to the singular
pronoun gives the hymn
its comforting, personal
and emotional intimacy.
Though Lyte wrote his own
tune for the poem, the
tune most associated with
the text is Eventide by
William Henry Monk. Monk,
a composer, arranger, and
editor wrote this tune
for the hymns inclusion
in Hymns Ancient and
Modern, published in
1861. Be intentional to
sing a tall, pure /a/
sound on the word abide.
Also be mindful that the
original Abide with me
hymn melody should be
primary with the
prayerful Pater Noster
providing its support.
Overall, bear in mind the
prayerful mood of the
selection and mold the
color of the tone
accordingly. For more
information visit
www.reginalwright.com. Henry Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to aAbide with us,
for it is toward evening,
and the day is far
spent.a The change to the
singular pronoun gives
the hymn its comforting,
personal and emotional
intimacy. Though Lyte
wrote his own tune for
the poem, the tune most
associated with the text
is aEventidea by William
Henry Monk. Monk, a
composer, arranger, and
editor wrote this tune
for the hymnas inclusion
in Hymns Ancient and
Modern, published in
1861. Be intentional to
sing a tall, pure /a/
sound on the word
aabidea. Also be mindful
that the original aAbide
with mea hymn melody
should be primary with
the prayerful aPater
Nostera providing its
support. Overall, bear in
mind the prayerful mood
of the selection and mold
the color of the tone
accordingly. For more
information visit
www.reginalwright.com. Henry Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to Abide with us, for
it is toward evening, and
the day is far spent. The
change to the singular
pronoun gives the hymn
its comforting, personal
and emotional intimacy.
Though Lyte wrote his own
tune for the poem, the
tune most associated with
the text is Eventide by
William Henry Monk. Monk,
a composer, arranger, and
editor wrote this tune
for the hymn's inclusion
in Hymns Ancient and
Modern, published in
1861. Be intentional to
sing a tall, pure /a/
sound on the word abide.
Also be mindful that the
original Abide with me
hymn melody should be
primary with the
prayerful Pater Noster
providing its support.
Overall, bear in mind the
prayerful mood of the
selection and mold the
color of the tone
accordingly. For more
information visit
www.reginalwright.com. Henry Francis Lyte, 19th
century Scottish minister
and poet, wrote this hymn
text during the last year
of his life. The opening
line of the hymn is
misquoted from Luke
24:29, when the disciples
meet the resurrected
Jesus, but do not
recognize him. They ask
him to “Abide with
us, for it is toward
evening, and the day is
far spent.†The
change to the singular
pronoun gives the hymn
its comforting, personal
and emotional
intimacy.Though Lyte
wrote his own tune for
the poem, the tune most
associated with the text
is “Eventideâ€
by William Henry Monk.
Monk, a composer,
arranger, and editor
wrote this tune for the
hymn’s inclusion
in Hymns Ancient and
Modern, published in
1861.Be intentional to
sing a tall, pure /a/
sound on the word
“abideâ€. Also
be mindful that the
original “Abide
with me†hymn
melody should be primary
with the prayerful
“Pater
Noster†providing
its support. Overall,
bear in mind the
prayerful mood of the
selection and mold the
color of the tone
accordingly.For more
information visit
www.reginalwright.com.
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet....(+)
A New Approach to
Altissimo Trumpet Playing
by John H. Lynch. For
flute quartet.
Method/Study book.
Method/study book.
Composed 1984. Published
by C.L. Barnhouse
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for
Beginning,
Intermediate or Advanced
Students). Composed by
Miles
Okazaki. For guitar.
Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory,
Harmony.
Book. 166 pages.
Published
by Mel Bay Publications,
Inc