Référence unique par son ISBN 73999238402 cette partition musique de Verdi Giuseppe n'est autre que Verdi Requiem For Four Solo Voices And Chorus qui a été composée pour Voix. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50323840. / Voix / Partition

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions [such as revised instrumentation, or recomposition of some parts]. At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions [such as revised instrumentation, or recomposition of some parts]. At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions [such as revised instrumentation, or recomposition of some parts]. At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions [such as revised instrumentation, or recomposition of some parts]. At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Conducteur

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Ensemble A Vent

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Violon I

Tonalité : B-Moll - Op.: 60 -. Par RHEINBERGER JOSEF GABRIEL. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin/Allemand / Requiem / Répertoire / Solistes SATB, Choeur SSATTB, 2 Flûtes Traversière

Tonalité : Es-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : C-Moll - Mh 155. Par HAYDN JOHANN MICHAEL. Gattungen: Requiem - Reihen bei Carus: Salzburger Kirchenmusik - Verwendung / Anlässe: Trauer, Tod - Langue : Latin / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Cors, 2 Clarinettes,

Par CAMPRA ANDRE. Gattungen: Requiem - Reihen bei Carus: Französische Kirchenmusik - Verwendung / Anlässe: Trauer, Tod - Langue : Latin / Requiem / Répertoire / Solistes ST (A) TBarB, Choeur SST (A) TBarB/SST (A

Par HALLER HANS PETER. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Allemand / Requiem / Répertoire / Solo à et Alto

Tonalité : C-Moll -. Par CHERUBINI LUIGI. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin / Requiem / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,

Tonalité : C-Moll -. Par CHERUBINI LUIGI. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin / Requiem / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,