The many moods of Holy Week followed by the triumph of Easter are captured in this moving work from Lloyd Larson and Mark Hayes, with compelling narration by Pamela Stewart. From the celebration of Palm Sunday to the despair of Good Friday followed by the resurrection, The Passion and the Promise presents fresh and dynamic words and music with creative narration. Perform each anthem separately during Holy Week and Easter or together as an unforgettable 25-minute cantata. / Choeur Mixte (SATB)

This new communion offering blends new words and music with the favorite songs 'Jesus Walked This Lonesome Valley' and 'Wayfaring Stranger.' With Lloyd Larson's signature singable choral scoring and Pam Stewart's thoughtful text, it's easily prepared yet highly effective. / Choeur (SATB)

Jouer ses premiers accords de guitare, accompagner des amis au chant, se retrouver autour d’un feu lors d’une veillée, relire un texte et laisser résonner les mots qu’un autre a écrit... Depuis plus de 25 ans, Diapason rouge est la référence des carnets de chants. / Parolesandaccords / Hit Diffusion

Bredon Hill (C - G)Is my team ploughing? (E flat - E flat)Lads in their hundreds, The (C sharp - E)Look not in my eyes (C - F)Loveliest of trees (C sharp- F)O fair enough are sky and plain (B flat - E flat)On the idle hill of summer (C sharp - F)Think no more, lad (C sharp - E)When I was one and twenty (D - E)When the lad for longing sighs (D - E)With rue my heart is laden (C sharp - E) / Soprano - piano / Stainer And Bell

1. Blue [Billie Eilish]2. The Diner [Billie Eilish]3. Birds Of A Feather [Billie Eilish]4. Wildflower [Billie Eilish]5. The Greatest [Billie Eilish]6. Bittersuite [Billie Eilish]7. Chihiro [Billie Eilish]8. L'Amour De Ma Vie [Billie Eilish]9. Lunch [Billie Eilish]10. Skinny [Billie Eilish] / Piano voix guitare / Hal Leonard

Dvorák, AntonínMass in D major op. 86Organ version- The organ version includes violoncello and double bass parts edited for the first time- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editorDvorák composed the “Mass in D major” in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages for soloists, uses simple expressive devices and makes light technical demands. Thus, this work is easy to perform, also by amateur church choirs; all that is needed is a small choir and the solo parts can be sung by members of the choir.The full score includes an additional violoncello/double bass part edited for the first time. Dvorak himself had written this additional part into a copy of the organ version.11.95 €incl. VATplus delivery costsLieferbarkeitsanzeigeavailableCopies / Choeur et ensemble vocal / Barenreiter

Par BARLOW ABIGAIL. Inspirées par la série à succès Netflix, Abigail Barlow et Emily Bear se sont demandées : ' Et si Bridgerton était une comédie musicale ' '. Elles ont composé 15 chansons originales en 6 semaines, en direct et en temps réel sur les réseaux sociaux, attirant une fanbase internationale massive, avec plus de deux millions de followers et plus de 36 millions de likes sur TikTok ! L'album complet est sorti en septembre 2021 et s'est hissé à la première place sur iTunes moins d'une heure et demie après sa sortie. Barlow and Bear se produisent lors de concerts et d'événements musicaux dans le monde entier. / Date parution : 2022-01-18/ Recueil / Piano/Vocal/Guitare (PVG)

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view / Soprano - piano / Edition Breitkopf

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of vie and featuring a CD ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) / Soprano - piano / Edition Breitkopf

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) / Soprano - piano / Edition Breitkopf

The present volume (OperAria Tenor, Volume 2, EB 8875) contains a representative cross-section of the lyric-dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. / Ténor - piano / Edition Breitkopf

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Baculus - Der Wildschütz)Lortzing: Auch ich war ein Jüngling mit lockigem Haar (Stadinger - Der Waffenschmied) / Baryton - piano / Edition Breitkopf

Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diable)Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff (Marcel - Les Huguenots)Glinka: ?ujut pravdu! / Ty prijdë?' moja zarja! (Susanin - ?izn' za carja)Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser)Wagner: Gott grüß euch (König Heinrich - Lohengrin)Wagner: Mein Herr und Gott (König Heinrich - Lohengrin)Wagner: Hoiho! Hoiho hoho! (Hagen - Götterdämmerung) / Baryton - piano / Edition Breitkopf

It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. (Peter Anton Ling) OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work,the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view and featuring a CD with a ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) with aria texts in German and English translations as a text file (pdf) / Baryton - piano / Edition Breitkopf