Soprano voice solo, tenor voice solo, bass voice solo, baritone voice solo, 4 choirs, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Baritone Voice Solo, 4Ch, Orchestra)

SKU: BA.BA08701

Opéra bouffon in two acts. Composed by Adolphe-Charles Adam. Edited by Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 1 hour, 20 minutes. Baerenreiter Verlag #BA08701_00. Published by Baerenreiter Verlag (BA.BA08701).

ISBN 9790006530458. 33.2 x 26.5 cm inches. Text: Thomas Sauvage.

Inspired by models from the Commedia dell’Arte, the plot is set in Seville and presents the old “Greybeard” Don Belflor (a retired bullfighter and womanizer), his young wife Coraline and her lover Tracolin. In a highly contemporary way, this leads to a three-way relationship of which everyone approves. The ‘accord parfait’ is a perfect triad consisting of exactly three notes. It is noticeable that the libretti of the Second Republic were no longer subject to censor.

Two arias were planned for each role. As a flautist, Tracolin also knows how to evoke famous melodies from the French opera repertoire in his advances. The centrepieces are the two trios.

One of these, the variation number “Ah! vous dirai-je, maman”, is the jewel of the opera: here, vocal virtuosity and the comedy of the situation are combined with brilliant ease.

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- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

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(Nos. 18-22). By Franz Joseph Haydn (1732-1809). String Ensemble - Mixed. Kalmus Edition. Classical; Masterwork. Book. 140 pages

Urtext der Neuen Mozart-Ausgabe. By Johann Sebastian Bach. Edited by Christoph Wolff. For Instrument. Neue Bach-Ausgabe. Serie VIII, Band 1. Collection; Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA5042 01)

By Franz Joseph Haydn (1732-1809). Edited by Landon Robbins. For violin, cello and piano. Chamber music. 226 pages. Published by Doblinger Music Publishers

By Jacques Martin Hotteterre. For 2 Alto-Recorders, Basso Continuo. This edition: paperback. 60 pages. Published by Breitkopf and Haertel (German import).

Edited by Dietze. Sheet music. Published by Friedrich Hofmeister Musikverlag (HF.V-1630).

Brass Band - Grade 4

SKU: BT.AMP-335-130

Composed by Philip Sparke. Ceremonial Series. March. Score Only. Composed 2012. 44 pages. Anglo Music Press #AMP 335-130. Published by Anglo Music Press (BT.AMP-335-130).

9x12 inches. English-German-French-Dut ch.

Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer’s series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds the triosection, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.

Marcho Brioso is geschreven in opdracht van The Brioso Brass, een brassband in Britse stijl uit Hokkaido in Japan. De première vond plaats in januari 2012.De componist kreeg het verzoek een vrolijke, luchtige mars te schrijven die de band als herkenningstune zou kunnen gebruiken. Marcho Brioso past daarom uitstekend in Philip Sparke’s serie van marsen in Broadwaystijl - waarin ook Slipstream, The Bandwagon en Jubiloso thuishoren.

Mar cho Brioso wurde von The Brioso Brass, einer britisch geprägten Brass Band aus Hokkaido in Japan, in Auftrag gegeben. Das Stück wurde von der Band im Januar 2012 uraufgeführt.Gewüns cht war ein heiterer, flotter Marsch, welcher sich als Erkennungsmelodie der Brass Band eignen sollte. So fällt Marcho Brioso in die Reihe der Märsche des Komponisten im Broadway-Stil, zu denen auch Slipstream, The Bandwagon und Jubiloso zählen.Nach einer kurzen Einleitung spielt ein Solo-Cornet das Hauptthema, begleitet von einer Gegenmelodie im Euphonium. Die Nebenphrase in den Hörnern und Baritonen führen zu einer Tutti-Version des Hauptthemas, die vomtraditionellen Bass“-Solo abgelöst wird. Ein Tonartwechsel kündigt den Trio-Teil an, der eine cantabile gespielte Melodie auf dem Euphonium enthält; diese wiederum wird nach einer kurzen Überleitung und einem weiteren Tonartwechsel von der gesamten Band aufgegriffen.Der letzte Wechsel führt zurück zur ursprünglichen Tonart, in welcher dann eine Staccato-Version des Hauptthemas eine Rekapitulation hervorbringt sowie eine Coda, die den Marsch zu seinem Ende führt.

Marcho Brioso est une œuvre de commande pour le Brioso Brass, un Brass Band de style britannique basé Hokkaido, au Japon. La création mondiale de cette pièce eut lieu en janvier 2012.L’orchestre souhaitant une marche enjouée qui pourrait lui servir d’indicatif musical, Marcho Brioso s’inscrit dans la lignée des marches du compositeur : Jubiloso, Slipstream et The Bandwagon. Un style « broadwayien », des motifs fortement syncopés et quelques surprenantes et capricieuses mesures viennent troubler le rythme régulièrement cadencé de ces marches.Après une courte introduction, le cornet solo joue le thème principal, accompagné d’un contre-chant l’euphonium. Un second motif de huit mesures exécuté par les cors et les barytons mène une version tutti du thème principal. Puis une brève section intermédiaire est déléguée aux basses. Le changement de tonalité qui s’ensuit annonce le trio qui contient une mélodie cantabile confiée l’euphonium ; ce trio est ensuite repris par l’orchestre entier après un bref passage de transition et un autre changement de tonalité.Nous revenons ensuite la tonalité de départ pour un rappel du thème principal en une paisible version staccato et une courte coda, pour conclure cette marche brillante et sémillante.

By Joseph Bodin De Boismortier. For Flute, Bassoon(Cello), Basso Continuo. This edition: paperback. 24 pages. Published by Breitkopf and Haertel (German import).

Orgelwerke, Band 8. Composed by Johann Sebastian Bach (1685-1750). Edited by Karl Heller. This edition: complete edition, urtext edition. Linen. Orgelmusik, Barock (Organ Music, Baroque). Performance score, anthology. Baerenreiter Verlag #BA05051-01. Published by Baerenreiter Verlag (BA.BA05051-01).