Guitars solo

SKU: BR.KM-2491

Composed by Nicolaus A. Huber. Solo instruments; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Stuttgart (Festival eclat), February 3, 2002

Music post-1945; New music (post-2000). Performance score. Composed 2001. 36 pages. Duration 14'. Breitkopf and Haertel #KM 2491. Published by Breitkopf and Haertel (BR.KM-2491).

ISBN 9790004502945. 11.5 x 16.5 inches.

For many years, I have been repeatedly asked by solo guitarists and guitar duos to write pieces for them. The Aleph Guitar Quartet and I have finally brought it off! The piece is called Der entkommene Orpheus (The Escaped Orpheus).In the old equal rights movement everything was treated as equally as possible, right from the beginning. The tones felt democratically happy. Only discontent found cause to complain. It ultimately hated this complex explicitness. The meaning, also in cases of definite tendencies in the piece, should never be able to lead a definite life. This piece, naturally, is just a tiny contribution!In the myth, Orpheus even enchanted stones and trees, turned around too soon to look at his beloved Eurydice (just think of the punctuality fanatic Schonberg - at least according to Richard Buhlig), refused the service of Dionysus - and he, who had plucked the strings of the lyre his whole life long, was now himself torn up by the Thracian Maenads as a punishment. But his head and his lyre floated over the sea and landed on Lesbos. A string is a string is a side!!!Like a coded word, this text is placed at the service of the varied role of the organiser of New Music. Like an equation. Shouldn't an organiser ever actually turn around towards a lover, so that the Furies of present-day responsibility do not drive him into a state of inner conflict?Nicolaus A. HuberTranslation: David Babcock (CD NEOS, 2017)

World premiere: Stuttgart (Festival eclat), February 3, 2002.

Flute - very easy, easy

SKU: BT.DHP-0991756-401

By Jaap Kastelein and Michiel Oldenkamp. By Traditional. Hören, Lesen und Spielen. Educational Tool. Book Only. Composed 1999. 24 pages. De Haske Publications #DHP 0991756-401. Published by De Haske Publications (BT.DHP-0991756-401).

ISBN 9789043105927. German.

Hören , lesen & spielen ist die individuelle Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Die bewährte Methode ist nach den gegenwärtigen Regeln und Ansprüchen der Musikerziehung zusammengestellt. Sie enthält viele Spiele, Puzzles, Hörübungen, Lieder und Originalkompositionen. Mit der Begleit-CD macht das Üben natürlich doppelt Spaß! Sololiteratur Zu jedem Band von Hören, lesen & spielen gibt es Spielliteratur, die den Unterricht perfekt ergänzt. Diese Spielbücher mit Soli, Duos und Trios können auch unabhängig von der Schule eingesetzt werden. Über 60 bekannte und neue Liederversammeln sich in diesem Spielbuch. Die Lieder sind in ansteigendem Schwierigkeitsgrad geordnet und können ab Lektion 5 von Hören, lesen & spielen Band 1 gespielt werden. Spielliteratur für den Unterricht oder einfach nur für den Spielspaß zu Hause!

By Jacques Jules Bouffil. 2 solo clarinets. For Clarinet. Facsimiles. Collection FacsiMusic. Grade 0. 32 pages

By Michel Yost. Edited by Himie Voxman. For 2 Clarinets. Paperback. Musica Rara. 32 pages. Published by Breitkopf and Haertel

Composed by Hyacinthe E. Klose. Leduc. Classical. Softcover. 140 pages. Alphonse Leduc #AL24924. Published by Alphonse Leduc

Cello Duet

SKU: BT.SCHBB2242

By Jean-Christophe Keck. By Jacques Offenbach. Score with CD. Composed 2013. Bote & Bock #SCHBB2242. Published by Bote & Bock (BT.SCHBB2242).

By Francois Devienne (1759-1803). Edited by Bernhard Pauler. For Flute and Viola. Various Agencies. Set of parts. Published by Amadeus Verlag

(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481620. Published by Boosey and Hawkes

Horn Duet

SKU: BT.SCHEE3207

Composed by Franz Schubert. Classical. Book Only. Simrock #SCHEE3207. Published by Simrock (BT.SCHEE3207).

2 Horns. Schubert, F.

14 Bearbeitungen fur Singstimme und Klavier nach dem Urtext der Neuen Mozart-Ausgabe. Begleitheft deutsch. By Wolfgang Amadeus Mozart. For Alto (Choir voice), Piano. Singing Score; Playing Score (paperbound). Published by Baerenreiter-Ausgaben (German import).

(2 Clarinets). By Jacques Fereol Mazas (1782-1849). Arranged by P. Cluwen. For Clarinet Duet and Piano. Solo Pieces. Grade 4

Horn Duet

SKU: BT.SCHEE3088

Composed by Gioachino Rossini. Book Only. Simrock #SCHEE3088. Published by Simrock (BT.SCHEE3088).

2 Horns. Rossini, G.

String Quartet

SKU: HL.49047454

Score and Parts. Composed by Julian Anderson. String Ensemble. Chamber, Classical. Softcover. 148 pages. Duration 1380 seconds. Schott Music #ED13989. Published by Schott Music (HL.49047454).

UPC: 842819101086. 9.0x12.0x0.358 inches.

My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacing and timing. Unlike many of my works this quartet had no extra-musical inspiration, and in principle should have no subtitle. Certain features already present in my music became more prominent in this new work: modes (limited collections of pitches) have always helped me to focus musical character, but here a sense of key note for each mode became much more pronounced, as did the difference between modes for each section of the work. A sort of hybrid key-system emerged (even with equivalents of major and minor) which is not normal tonality, nor does it aim to imitate it. Unlike tonality this key-system includes noises, extended performance techniques and intervals outside Western tuning as available resources. What I hope it does is to focus the listening experience onto different musical areas, to encourage a sense of both modulation from one area to another and to give the music a sense of goal. No conscious knowledge of this is needed when listening: the music should communicate directly on its own. Here, then, is this collection of six musical colours, related and unrelated, different yet belonging together, variable yet in a set order. Hence the subtitle, chosen both for both its sound and its sense: 'hana no hanataba' meaning, in Japanese, 'bouquet of flowers'. A brief description: 1) Moderately fast. Short droplets of sounds gather increasing momentum. 2) Very fast. Canons and bells at different speeds. 3) Very slow - fast - very slow - very fast - very slow. The main slow movement and its main scherzo. An emphasis on non-tempered tunings and on inhaling and exhaling waves of sound. The slow sections feature florid melodic writing. In the exuberant scherzo competing duos and trios create imaginary folk music. 4) Extremely fast/extremely slow. Open strings and harmonics fuse into a single string instrument - like a sort of large resonating Medieval tromba marina. 5) Very fast. A variation on movement 2). Variation, Schoenberg told Cage, is just a sort of repetition 'with some things changed and others not.' 6) Slow - Very Fast - Fast - Slow. The opening calm harmonies and florid melodies evoke movement 3) in different music. The fast part features one overt theme: a fanfare-like call to attention which is subject to extensive development. There is much use of non-Western tuning. At its climax the music freezes into a frieze - a wall of sound standing in front of the audience with increasing obstinacy and certainty as the work grinds towards its cadence.

(Volume 1 - Easy to Medium). For 2 flutes duet (Flute). This edition: RUBL177. Method. Studies and Baroque. Flute duet book (two copies needed for performance). Full score notation. 72 pages. Published by Rubank Publications