Cabaret Flûte traversière et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Flute, Piano - Grade 3 SKU: FL.FX070857 Composed by Alain Lopez. Classica...(+)
Flute, Piano - Grade 3
SKU: FL.FX070857
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX070857.
Published by FLEX
Editions (FL.FX070857).
In a Cotton
Club mood. The
chasse-croise of quarter
notes and eight notes
triplets together with
Piano incite to dance and
remind us of cabarets'
ambiance of the 1920s.
This piece, coupled with
a faster one is an ideal
combination to propose
for end of first cycle
exam.
Ligne De Mélodie, Paroles et Accords [Partition] - Facile Hal Leonard
Performed by The Beatles. For guitar and voice. Format: easy guitar/vocal songbo...(+)
Performed by The Beatles.
For guitar and voice.
Format: easy guitar/vocal
songbook (no tablature).
With vocal melody,
lyrics, guitar chord
diagrams and strum
patterns. Classic rock,
britpop and psychedelic
rock. 304 pages. 9x12
inches. Published by Hal
Leonard
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by The Beatles. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by The Beatles.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Classic
Rock, Pop Rock and
Psychedelic Rock. 512
pages. 9x12 inches.
Published by Hal Leonard.
Guitar; Piano Accompaniment; Violin (Complete Edition) SKU: HL.48025422 <...(+)
Guitar; Piano
Accompaniment; Violin
(Complete Edition)
SKU: HL.48025422
Complete Edition for
Violin (2) and Piano,
Guitar, Ad Lib.
Edited by Edward Huws
Jones. Boosey and Hawkes
Chamber Music. Folk,
Jazz, Scottish, World
Music. Softcover. Boosey
and Hawkes #M060139246.
Published by Boosey and
Hawkes (HL.48025422).
The Songs of Lennon, McCartney, Harrison and Starr. Performed by The Beatles. Ly...(+)
The Songs of Lennon,
McCartney, Harrison and
Starr. Performed by The
Beatles. Lyrics only.
Complete lyrics to every
song ever recorded by The
Beatles. Size 7x10
inches. 256 pages.
Published by Hal Leonard
Book with Audio Online Guitar Accompaniment; Piano Accompaniment; Violin (Violin...(+)
Book with Audio Online
Guitar Accompaniment;
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025405
For Violin (2), Piano,
Guitar Book with Audio
Online. Composed by
Edward Huws Jones. Boosey
& Hawkes Chamber Music.
Celtic, Irish, Scottish.
Softcover Audio Online.
Boosey & Hawkes
#M060139048. Published by
Boosey & Hawkes
(HL.48025405).
10 Original Songs in Various Styles. Arranged by Robert Van Beringen. De Haske P...(+)
10 Original Songs in
Various Styles. Arranged
by Robert Van Beringen.
De Haske Play-along Book.
Book and CD package. Size
9x12 inches. 27 pages.
Published by De Haske
Publications.
Chords/Lyrics. By Elton John. By Elton John. The Little Black Songbook. Pop and ...(+)
Chords/Lyrics. By Elton
John. By Elton John. The
Little Black Songbook.
Pop and Rock. Book Only.
192 pages. Wise
Publications
#MUSAM1003794. Published
by Wise Publications
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
By Jane Bastien. (Bastien Invitation to Music). Bastien Piano. Solo Collections....(+)
By Jane Bastien. (Bastien
Invitation to Music).
Bastien Piano. Solo
Collections. Level: Book
B,2. Music Book. Size
232. Published by Neil A.
Kjos Music Company.
(Revised Edition) Performed by Tower Of Power. For voice, piano and guitar chord...(+)
(Revised Edition)
Performed by Tower Of
Power. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams, introductory
text and black and white
photos. Funk rock and
classic soul. 103 pages.
9x12 inches. Published by
Cherry Lane Music.
Clarinet and Orchestra SKU: FG.706334-10-3 Composed by Juhani Nuorvala. S...(+)
Clarinet and Orchestra
SKU:
FG.706334-10-3
Composed by Juhani
Nuorvala. Score.
Published by Fennica
Gehrman (FG.706334-10-3).
ISBN
979-0-706334-10-3.
A work in five movements
which are played without
pause. Juhani Nuorvala
makes his music using
elements that fascinate
him most and that his
mind and body respond to.
These elements he finds
not only in old or new
classical music but in
various forms of urban
music, such as the
electronic music or
modern dance clubs.
Pavanne Piano seul [Conducteur] - Intermédiaire Alfred Publishing
Piano - Late Intermediate SKU: AP.27024 Composed by Morton Gould. This ed...(+)
Piano - Late Intermediate
SKU: AP.27024
Composed by Morton Gould.
This edition: 2 copies
included. Duet or Duo;
Piano Duo (2 Pianos, 4
Hands); Solo Small
Ensembles. Late
Intermediate level piece
for the Piano Duo event
with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. 20th
Century. Score. 20 pages.
Alfred Music #00-27024.
Published by Alfred Music
(AP.27024).
UPC:
029156677614.
English.
Morton
Gould composed
brilliantly for
orchestra, Broadway,
film, television, ballet
and piano. He became
nationally recognized
through his work in
radio, where he
introduced many of his
own compositions in a
light, distinctly
American style. This
arrangement of his
Pavanne, from Symphonette
No. 2, is for 2 pianos,
and it is unusually
bright and sprightly (and
almost jazzy) for what is
traditionally a slower
and statelier dance form.
It has distinctly
American and popular
styling and is
appropriate for two late
intermediate level
pianists. Two scores are
included. A Federation
Festivals 2016-2020
selection. A Federation
Festivals 2020-2024
selection.
Piano SKU: FG.55011-676-4 Composed by Juhani Nuorvala. Classical. Book. F...(+)
Piano
SKU:
FG.55011-676-4
Composed by Juhani
Nuorvala. Classical.
Book. Fennica Gehrman
#55011-676-4. Published
by Fennica Gehrman
(FG.55011-676-4).
Juhani Nuorvala
(b. 1961) wrote The Five
Chords That Shook My
World (2020) for pianist
Nicolas Horvath's Hommage
a Glass project and it is
dedicated to him. It's a
fantasy meditation on the
Train/Spaceship chords in
Einstein, that repeating
five-chord progression
(Fm - Db - A - B7 - E)
about which the composer
has said that there's
something strange,
because it never fails to
lift the audience to its
feet. The duration of the
piece is c. 6'30'', and
it was premiered by Emil
Holmstrom at RUSK
festival (Pietarsaari,
Finland) 20th November
2020. A notable variety
of influences -
microtonality, American
minimalism, New
Romanticism, popular
music, techno - has been
regarded as a special
feature of Nuorvala's
idiom. Despite this he is
not a collage artist;
instead he has blended
various ingredients to
create a mode of
expression entirely his
own. Nuorvala's works are
often marked with
frenzied rhythmic drive.
He makes music using
elements and materials
that both the mind and
the body respond to. He
finds these elements not
only in old or new
classical music but in
various forms of urban
popular music, such as
the electronic music of
modern dance clubs.