Organ (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - 0.3.0.0 - timp - str - bc) ...(+)
Organ (solos: ATB -
choir: SATB - 0.3(ob
d'am).0.0 - 0.3.0.0 -
timp - str - bc)
SKU:
BR.OB-4690-11
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Hellmann drew on
stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung work.
Cantata;
Baroque. Part. 20 pages.
Duration 20'. Breitkopf
and Haertel #OB 4690-11.
Published by Breitkopf
and Haertel
(BR.OB-4690-11).
ISBN
9790004332245. 9 x 12
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Hellmann drew on
stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung work.
Cantata;
Baroque. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 4690-15.
Published by Breitkopf
and Haertel
(BR.OB-4690-15).
ISBN
9790004332252. 9 x 12
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Hellmann drew on
stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung work.
Cantata;
Baroque. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 4690-26.
Published by Breitkopf
and Haertel
(BR.OB-4690-26).
ISBN
9790004332283. 9 x 12
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Hellmann drew on
stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung work.
Cantata;
Baroque. Set of parts. 42
pages. Duration 20'.
Breitkopf and Haertel #OB
4690-30. Published by
Breitkopf and Haertel
(BR.OB-4690-30).
ISBN
9790004332290. 9 x 12
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.3(ob d'am).0.0 - ...(+)
Chorus (with soloists)
and piano (solos: ATB -
choir: SATB - 0.3(ob
d'am).0.0 - 0.3.0.0 -
timp - str - bc)
SKU:
BR.EB-7190
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Arranged by
Ulrich Haverkampf. Choir;
stapled. Edition
Breitkopf.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
Cantata; Baroque.
Piano/Vocal Score. 32
pages. Duration 20'.
Breitkopf and Haertel #EB
7190. Published by
Breitkopf and Haertel
(BR.EB-7190).
ISBN
9790004173442. 7.5 x 10.5
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Hellmann drew on
stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung work.
Cantata;
Baroque. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 4690-19.
Published by Breitkopf
and Haertel
(BR.OB-4690-19).
ISBN
9790004332276. 9 x 12
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
New
Year's Day - Circumcision
of Christ. Composed
by Johann Sebastian Bach.
Edited by Diethard
Hellmann. Choir; stapled.
Partitur-Bibliothek
(Score Library).
Hellmann drew on
stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung work.
Cantata;
Baroque. Full score. 52
pages. Duration 20'.
Breitkopf and Haertel #PB
4690. Published by
Breitkopf and Haertel
(BR.PB-4690).
ISBN
9790004210024. 10 x 12.5
inches.
Since it
has come down to us in an
incomplete form, the
score had to be subjected
to a comprehensive
reconstruction in 1995.
Diethard Hellmann's
painstaking work was the
third reconstruction
following those of
Bernhard Todt and Walter
Reinhart. Hellmann drew
on stylistic comparisons
with other Bach scores
and found a compelling
and definitive editorial
solution to this often
sung
work.
Hellmann
drew on stylistic
comparisons with other
Bach scores and found a
compelling and definitive
editorial solution to
this often sung work.
by J. S. Bach arranged by Stanley Yates. For classic guitar. Stanley Yates Gtr. ...(+)
by J. S. Bach arranged by
Stanley Yates. For
classic guitar. Stanley
Yates Gtr. Classic,
Baroque. Level:
Intermediate. Book.
Solos. Size 8.75x11.75.
192 pages. Published by
Mel Bay Pub., Inc.
Viola
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-19
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: viola part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-19.
Published by Breitkopf
and Haertel
(BR.OB-5299-19).
ISBN
9790004339312. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violin 1
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-15
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: violin 1
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-15.
Published by Breitkopf
and Haertel
(BR.OB-5299-15).
ISBN
9790004339299. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violoncello
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-23
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: cello part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-23.
Published by Breitkopf
and Haertel
(BR.OB-5299-23).
ISBN
9790004339329. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violin 2
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-16
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: violin 2
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 8 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-16.
Published by Breitkopf
and Haertel
(BR.OB-5299-16).
ISBN
9790004339305. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Double bass
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-27
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: double bass
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Part. 4 pages.
Duration 16'. Breitkopf
and Haertel #OB 5299-27.
Published by Breitkopf
and Haertel
(BR.OB-5299-27).
ISBN
9790004339336. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Woodwinds
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.OB-5299-30
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
This edition: wind parts.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Jean-Francois Monnard's
new Urtext edition is the
first to be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Dances/marches; Early
modern. Set of parts. 134
pages. Duration 16'.
Breitkopf and Haertel #OB
5299-30. Published by
Breitkopf and Haertel
(BR.OB-5299-30).
ISBN
9790004339343. 10 x 12.5
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Violin SKU: PE.0615811802 History and Comparison. Composed by Luci...(+)
Violin
SKU:
PE.0615811802
History and
Comparison. Composed
by Lucien Capet, Kelley
M. Johnson. Reference
Textbooks; Technique
Musicianship; Textbook -
Instrumental. Book. 184
pages. Edition Peters
#98-0615811802. Published
by Edition Peters
(PE.0615811802).
ISBN
9780615811802. UPC:
038081509754.
English.
Lucien
Capet was born in Paris
in 1873 and became a
renowned violinist in the
Capet Quartet. He was a
student of Maurin and the
pure tradition of French
violin technique through
Baillot. He was invited
to teach chamber music at
the Paris Conservatory
and during his years
there, he published
Superior Bowing
Technique. This book
answers the subjects that
many have been wanting to
learn about, including:
the most complete
biography of Capet, a
comparison with Baillot's
pedagogy, and a
comparison with the
bowing techniques of
Galamian and Fischer.
Orchestra
(3(picc).3(ob.d'am.cor
angl.).3(Eb-clar.B-clar).
S-Sax,T-Sax(S-Sax).3(dble
bsn) - 4.4.3.1 -
timp.perc(4) - hp - cel -
str)
SKU:
BR.PB-5524
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Dances/marches; Early
modern. Study Score.
Duration 16'. Breitkopf
and Haertel #PB 5524.
Published by Breitkopf
and Haertel (BR.PB-5524).
ISBN 9790004212134.
6.5 x 9
inches.
Jean-Franco
is Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal
sources.Jean-Francois
Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources. In his
preface, Monnard examines
Ravel's sound aesthetics
against the background of
concert reception and
historical recordings.
Moreover, he also
provides insights into
Ravel's ideas concerning
the tempo: ,,I must say
that the Bolero is rarely
conducted the way I think
it should. Mengelberg
speeds up and slows down
excessively. Toscanini
takes it twice as fast as
it should be and broadens
the tempo at the close,
which is indicated
nowhere. No: the Bolero
should be played in one
single tempo from the
beginning to the end, in
the plaintive and
monotonous style of
Spanish-Arabian melodies.
The performance material
to Ravel's Bolero can now
also be purchased in its
entirety for the first
time.
Jean-Francoi
s Monnard's new Urtext
edition is the first to
be based on a
musicologically
well-founded source
comparison. Ravel's first
sketch of the score as
well as his final
handwritten score were
laid down as the
principal sources.
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.2(2ob
d'am) ob da cac.0.0 -
0.3.0.0 - timp - str -
bc)
SKU:
BR.PB-4519
At St
Michael and All Angels -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; Softcover.
Partitur-Bibliothek
(Score Library). After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Full
score. Duration 22'.
Breitkopf and Haertel #PB
4519. Published by
Breitkopf and Haertel
(BR.PB-4519).
ISBN
9790004204184. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
2nd Day of Christmas
[St. Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
After a thorough
revision and critical
comparison with the
autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Set of
parts. 24 pages. Duration
20'. Breitkopf and
Haertel #OB 4540-30.
Published by Breitkopf
and Haertel
(BR.OB-4540-30).
ISBN
9790004314258. 9 x 12
inches.
After a
thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Viola (solos: STB - choir: SATB - 0.2(2ob d'am) ob da cac.0.0 - 0.3.0.0 - timp -...(+)
Viola (solos: STB -
choir: SATB - 0.2(2ob
d'am) ob da cac.0.0 -
0.3.0.0 - timp - str -
bc)
SKU:
BR.OB-4519-19
At
St Michael and All Angels
- Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough revision
and comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
4519-19. Published by
Breitkopf and Haertel
(BR.OB-4519-19).
ISBN
9790004313060. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
2nd Day of Christmas
[St. Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough
revision and critical
comparison with the
autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel #OB
4540-19. Published by
Breitkopf and Haertel
(BR.OB-4540-19).
ISBN
9790004314234. 9 x 12
inches.
After a
thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
2nd Day of Christmas
[St. Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; Softcover.
Partitur-Bibliothek
(Score Library).
After
a thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Full
score. 56 pages. Duration
20'. Breitkopf and
Haertel #PB 4540.
Published by Breitkopf
and Haertel (BR.PB-4540).
ISBN 9790004204375. 9
x 12 inches.
After
a thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
2nd
Day of Christmas [St.
Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough
revision and critical
comparison with the
autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel #OB
4540-26. Published by
Breitkopf and Haertel
(BR.OB-4540-26).
ISBN
9790004314241. 9 x 12
inches.
After a
thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Organ SKU: BR.BHM-367 Verzeichnis cantus-firmus-gebundener Orgelmusik<...(+)
Organ
SKU:
BR.BHM-367
Verzeichnis
cantus-firmus-gebundener
Orgelmusik. Composed
by Martin Bieri. Solo
instruments. Breitkopf
New Media. The Sherlock
Holmes of the Organ Gets
a Makeover. Music
pedagogy. New Media.
Breitkopf and Haertel
#BHM 367. Published by
Breitkopf and Haertel
(BR.BHM-367).
ISBN
9783765103674. 9 x 12
inches.
Seek
(ricercare) and you will
find! The little angel on
the cover of the book
shows the organist the
way to the music he's
looking for! In an
incredibly time-consuming
endeavor, Martin Bieri
has compiled all
currently available
chorale-based organ
works, cataloguing about
15,600 works. The bulk of
the work is devoted to
(chorale) melodies that
can be found in the major
German-language hymnals.
The Ricercare Book offers
concise information along
with indexes of
arrangements, composers,
editions and publishers.
Nach acht Jahren Laufzeit
war es soweit: Ricercare
der Sherlock Holmes des
Organisten brauchte
dringend eine
Frischzellenkur d. h.
neue Informationen und
technische Updates. Das
Lifting hat der CD-ROM
gut getan. Ricercare
saust nunmehr mit neuer
Kraft (neuen
Informationen)
prestissimo durch die
weite Datenwelt von uber
20.000
cantus-firmus-gebundenen
Orgelwerken und gibt
umfassend Auskunft uber
Melodien Komponisten
Ausgaben Bearbeitungen
Verlage u. a. m.
After eight years on the
beat it was finally time
for Ricercare the
Sherlock Holmes of the
Organ to get a badly
needed makeover i.e. to
be supplied with new
information and technical
updates. The makeover did
a world of good to the
CD-ROM. Loaded with new
info Ricercare now zips
along prestissimo through
the vast data world of
more than 20 000
cantus-firmus-related
organ works and provides
comprehensive information
on melodies composers
editions arrangements
publishers and much
more.
The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first editions. Die
vorliegende Ausgabe folgt
dem Notentext der von
Clara Schumann in
Zusammenarbeit mit
Johannes Brahms u. a.
zwischen 1879 und 1893
herausgegebenen
Gesamtausgabe von Robert
Schumanns Werken. Diese
Edition ist von
willkurlichen
Veranderungen des Textes
weitgehend frei. Einige
offensichtliche Irrtumer
und nicht zu
rechtfertigende Eingriffe
in den Notentext wurden
nach Vergleich mit der
Erstausgabe und dem
Autograph beseitigt. The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first edition and the
autograph.
2nd Day of Christmas
[St. Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough
revision and critical
comparison with the
autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Part.
20 pages. Duration 20'.
Breitkopf and Haertel #OB
4540-11. Published by
Breitkopf and Haertel
(BR.OB-4540-11).
ISBN
9790004314203. 9 x 12
inches.
After a
thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
2nd Day of Christmas
[St. Stefanus Day] -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
After a thorough
revision and critical
comparison with the
autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.
Cantata; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel #OB
4540-15. Published by
Breitkopf and Haertel
(BR.OB-4540-15).
ISBN
9790004314210. 9 x 12
inches.
After a
thorough revision and
critical comparison with
the autographic sources,
Bach's well-known and
often performed Christmas
Cantata is now offered as
sales material.