Graduale Exaudi,
Dominum und Offertorium
Lauda anima mea Dominum
fur die Messe in Es-Dur
op. 107. Composed by
Anton Diabelli. Graduale
+ Offertorium Zur Missa
In Es. Sacred vocal
music, Mass sections.
Single Part, Violin 2.
Op. 110. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 27.115/12.
Published by Carus Verlag
(CA.2711512).
ISBN
9790007200695. Language:
Latin.
To
commemorate the 150th
anniversary of the death
of Anton Diabelli we are
publishing the two
additional movements of
his first Country Mass,
the remainder of which is
already available. These
two movements, suitable
for use during any period
of the Church year, are
further cause to perform
at church services and in
concerts the Mass in E
flat major, which despite
its simplicity can be
impressive in effect. The
flexibility in the size
of the orchestra intended
by the composer makes
this work ideal for
churches whatever their
instrumental resources
are. Score and part
available separately -
see item CA.2711500.
Graduale Exaudi,
Dominum und Offertorium
Lauda anima mea Dominum
fur die Messe in Es-Dur
op. 107. Composed by
Anton Diabelli. 1x
27.115/21 flute, 2x
27.115/22 2 clarinets, 2x
27.115/31 2 horns, 2x
27.115/32 2 trumpets, 2x
27.115/32 2 trumpets, 2x
27.115/32 2 trumpets, 2x
27.115/32 2 trumpets, 1x
27.115/41 timpani.
Graduale + Offertorium
Zur Missa In Es. Sacred
vocal music, Mass
sections. Set of
Orchestra Parts. Op. 110.
16 pages. Duration 5
minutes. Carus Verlag #CV
27.115/09. Published by
Carus Verlag
(CA.2711509).
ISBN
9790007200671. Language:
Latin.
To
commemorate the 150th
anniversary of the death
of Anton Diabelli we are
publishing the two
additional movements of
his first Country Mass,
the remainder of which is
already available. These
two movements, suitable
for use during any period
of the Church year, are
further cause to perform
at church services and in
concerts the Mass in E
flat major, which despite
its simplicity can be
impressive in effect. The
flexibility in the size
of the orchestra intended
by the composer makes
this work ideal for
churches whatever their
instrumental resources
are. Score and parts
available separately -
see item CA.2711500.
Voice and piano (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) -...(+)
Voice and piano (solo: S
- 4(2picc).3(cor
ang).3(Eb-clar.Bb-clar).3
(dble bsn) - 4.3.0.0 -
hp.timp.perc(4) - str)
SKU: BR.EB-8951
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled. Edition
Breitkopf. Symphony;
Late-romantic.
Piano/Vocal Score. 20
pages. Duration 55'.
Breitkopf and Haertel #EB
8951. Published by
Breitkopf and Haertel
(BR.EB-8951).
ISBN
9790004186206. 9 x 12
inches. German.
Of
all his symphonies,
Mahler gave the Fourth,
his favorite and problem
child, his most
particular attention. The
Heavenly Life, a
humoresque composed in
1892 for soprano and
piano, which he already
wanted to use in the
final movement of the
Third Symphony under the
title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Part. 28 pages. Duration
55'. Breitkopf and
Haertel #OB 5634-15.
Published by Breitkopf
and Haertel
(BR.OB-5634-15).
ISBN
9790004345030. 10.5 x 14
inches.
Of all his
symphonies, Mahler gave
the Fourth, his favorite
and problem child, his
most particular
attention. The Heavenly
Life, a humoresque
composed in 1892 for
soprano and piano, which
he already wanted to use
in the final movement of
the Third Symphony under
the title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Yin Flûte traversière et Piano - Intermédiaire/avancé Schott
Flute; Piano Accompaniment (Performance Score) - intermediate to advanced SKU...(+)
Flute; Piano
Accompaniment
(Performance Score) -
intermediate to advanced
SKU: HL.49045523
For Flute and
Piano. Composed by
Peilei Shang. This
edition: Saddle
stitching. Sheet music.
Woodwind. Classical.
Softcover. 24 pages.
Duration 6'. Schott Music
#ED22748. Published by
Schott Music
(HL.49045523).
ISBN
9790001165341. UPC:
841886031791. 9.0x12.0
inches.
Includes
two performance scores.
With her composition Yin,
Peilei Shang won the
first prize at the Harald
Genzmer Composition
Competition 2016:
Reminiscent of
traditional Chinese
music, Yin creates an
individual and expressive
atmosphere by means of
sound effects embedded
unobtrusively in the
overall context. Special
techniques are used in
the flute and piano parts
to produce the sound of
the Chinese traditional
instruments Xiao (like a
bamboo flute) and Qin (a
plucked instrument). A
demanding and highly
fascinating work for
concerts and
competitions. Shang, who
earned her bachelor's
degree in Beijing in 2014
and now studies in the
composition class of
Professor Manfred Stahnke
at the Hamburg University
of Music and Theatre as
an exchange student, has
composed a large number
of small pieces for
various instruments and
music genres and has
already won several
international prizes for
her compositions.
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Part. 16 pages. Duration
55'. Breitkopf and
Haertel #OB 5634-19.
Published by Breitkopf
and Haertel
(BR.OB-5634-19).
ISBN
9790004345054. 10.5 x 14
inches.
Of all his
symphonies, Mahler gave
the Fourth, his favorite
and problem child, his
most particular
attention. The Heavenly
Life, a humoresque
composed in 1892 for
soprano and piano, which
he already wanted to use
in the final movement of
the Third Symphony under
the title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Female voices with/without accomp. SKU: BR.CHB-5362 Gott ist mein Hirt...(+)
Female voices
with/without accomp.
SKU: BR.CHB-5362
Gott ist mein
Hirt. Composed by
Franz Schubert. Choir;
stapled. Chor-Bibliothek
(Choral Library). Psalm;
Romantic. Sheet Music.
Duration 5'. Breitkopf
and Haertel #CHB 5362.
Published by Breitkopf
and Haertel
(BR.CHB-5362).
ISBN
9790004412923. 7.5 x 10.5
inches.
German.
Schubert's
setting of Psalm 23 Gott
ist mein Hirt (The Lord
Is My Shepherd) D 706 was
originally intended for a
quartet of female voices,
but already performed by
women's choirs regularly
in the 19th century. It
was composed by Schubert
in December 1820 for the
pupils of the singing
class of Anna Frohlich at
the Vienna Conservatory,
who performed it
regularly from 1821
onwards in the concerts
for conservatory exams.
The first public
performance took place in
1828 at the Vienna
Musikverein, again four
years later it was
published posthumously by
Diabelli. With this
piece, Schubert ended a
personally unsuccessful
year 1820 in which he was
plagued by a
compositional crisis and
even received a warning
for slandering the
authorities. The lyrical
and multi-layered piano
accompaniment of
Schubert's original is
interpreted in a colorful
way in the arrangement by
Hans Zender for an
orchestra with
instruments such as
marimba, glockenspiel,
mandolin and celesta,
thereby giving the piece
a special appeal. The
choral score with piano
part can also be used for
this arrangement.
Graduale Exaudi,
Dominum und Offertorium
Lauda anima mea Dominum
fur die Messe in Es-Dur
op. 107. Composed by
Anton Diabelli. Graduale
+ Offertorium Zur Missa
In Es. Sacred vocal
music, Mass sections.
Single Part, Viola. Op.
110. 4 pages. Duration 5
minutes. Carus Verlag #CV
27.115/13. Published by
Carus Verlag
(CA.2711513).
ISBN
9790007200701. Language:
Latin.
To
commemorate the 150th
anniversary of the death
of Anton Diabelli we are
publishing the two
additional movements of
his first Country Mass,
the remainder of which is
already available. These
two movements, suitable
for use during any period
of the Church year, are
further cause to perform
at church services and in
concerts the Mass in E
flat major, which despite
its simplicity can be
impressive in effect. The
flexibility in the size
of the orchestra intended
by the composer makes
this work ideal for
churches whatever their
instrumental resources
are. Score and part
available separately -
see item CA.2711500.
Graduale Exaudi,
Dominum und Offertorium
Lauda anima mea Dominum
fur die Messe in Es-Dur
op. 107. Composed by
Anton Diabelli. This
edition: Paperbound.
Sacred vocal music, Mass
sections. German title:
Graduale + Offertorium
Zur Missa In Es. Sacred
vocal music, Mass
sections. Full score. Op.
110. 28 pages. Duration 5
minutes. Carus Verlag #CV
27.115/00. Published by
Carus Verlag
(CA.2711500).
ISBN
9790007092726. Language:
Latin.
To
commemorate the 150th
anniversary of the death
of Anton Diabelli we are
publishing the two
additional movements of
his first Country Mass,
the remainder of which is
already available. These
two movements, suitable
for use during any period
of the Church year, are
further cause to perform
at church services and in
concerts the Mass in E
flat major, which despite
its simplicity can be
impressive in effect. The
flexibility in the size
of the orchestra intended
by the composer makes
this work ideal for
churches whatever their
instrumental resources
are.
Organ SKU: CA.1820400 Composed by Various. Edited by Richard Mailander. E...(+)
Organ
SKU:
CA.1820400
Composed
by Various. Edited by
Richard Mailander.
Editions for the new
German catholic songbook
Gotteslob; Hymns by
Martin Luther: Gott sei
gelobet und gebenedeiet.
Choralvorspiele Fur Orgel
Zum Gotteslob Band 3.
Organ music based on
hymns. Collection. 112
pages. Carus Verlag #CV
18.204/00. Published by
Carus Verlag
(CA.1820400).
ISBN
9790007166816.
Our
series of chorale
settings for organ
continues with a volume
of 35 compositions based
on hymns which are used
throughout the church
year. The main feasts and
themes represented in
this collection include
the celebration of Mass,
the Holy Spirit, Trinity,
Jesus Christ, Praise and
Thanks, as well as trust
and consolation.
Distinguished composers
from various European
countries have
contributed to the
volume. Some works which
are less well-known, from
the Baroque to the 20th
century, are also
included. The collection
contains several exciting
new discoveries which
will be useful in the
liturgy of the Mass, in
other services and in
concerts. This third
volume in the series
follows on from the
editions already
published devoted to
Christmas and Easter.
Graduale Exaudi,
Dominum und Offertorium
Lauda anima mea Dominum
fur die Messe in Es-Dur
op. 107. Composed by
Anton Diabelli. Graduale
+ Offertorium Zur Missa
In Es. Sacred vocal
music, Mass sections.
Single Part, Cello/Double
Bass. Op. 110. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 27.115/14.
Published by Carus Verlag
(CA.2711514).
ISBN
9790007200718. Language:
Latin.
To
commemorate the 150th
anniversary of the death
of Anton Diabelli we are
publishing the two
additional movements of
his first Country Mass,
the remainder of which is
already available. These
two movements, suitable
for use during any period
of the Church year, are
further cause to perform
at church services and in
concerts the Mass in E
flat major, which despite
its simplicity can be
impressive in effect. The
flexibility in the size
of the orchestra intended
by the composer makes
this work ideal for
churches whatever their
instrumental resources
are. Score and part
available separately -
see item CA.2711500.
Voice(s) and orchestra (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble...(+)
Voice(s) and orchestra
(solo: S - 4(2picc).3(cor
ang).3(Eb-clar.Bb-clar).3
(dble bsn) - 4.3.0.0 -
hp.timp.perc(4) - str)
SKU: BR.PB-5634
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Late-romantic.
Full score. 172 pages.
Duration 55'. Breitkopf
and Haertel #PB 5634.
Published by Breitkopf
and Haertel (BR.PB-5634).
ISBN 9790004215319.
10.5 x 14
inches.
Of all his
symphonies, Mahler gave
the Fourth, his favorite
and problem child, his
most particular
attention. The Heavenly
Life, a humoresque
composed in 1892 for
soprano and piano, which
he already wanted to use
in the final movement of
the Third Symphony under
the title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Part. 20 pages. Duration
55'. Breitkopf and
Haertel #OB 5634-23.
Published by Breitkopf
and Haertel
(BR.OB-5634-23).
ISBN
9790004345061. 10.5 x 14
inches.
Of all his
symphonies, Mahler gave
the Fourth, his favorite
and problem child, his
most particular
attention. The Heavenly
Life, a humoresque
composed in 1892 for
soprano and piano, which
he already wanted to use
in the final movement of
the Third Symphony under
the title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.