Flute SKU: BT.MUSAM1001176 By Lizzie Moore. By Glee Cast. TV-Film-Musical...(+)
Flute
SKU:
BT.MUSAM1001176
By
Lizzie Moore. By Glee
Cast.
TV-Film-Musical-Show.
Book with CD. Wise
Publications
#MUSAM1001176. Published
by Wise Publications
(BT.MUSAM1001176).
ISBN 9781849386265.
English.
Gl
ee is for
everybody, including you!
Show them what you can do
with 10 great songs from
the sensational TV hit
show.
You get top
line arrangements and
fingering guide - plus
the accompanying CDs
giveyoudemonstration
tracks and professional
backing tracks for each
song to make the most of
your talent.
Get
into the act at William
McKinley High with this
Glee playalong
collection!
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-16.
Published by Breitkopf
and Haertel
(BR.OB-5558-16).
ISBN
9790004344668. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-15.
Published by Breitkopf
and Haertel
(BR.OB-5558-15).
ISBN
9790004344651. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Toccata Smith WV 186 Quatuor de cuivres: 4 trompettes [Conducteur et Parties séparées] Music Distribution Services
4 trumpets SKU: M7.KECF-15 Composed by Peter Bernard Smith. This edition:...(+)
4 trumpets
SKU:
M7.KECF-15
Composed
by Peter Bernard Smith.
This edition: Saddle-wire
stitching. Sheet music.
Score and parts. 12
pages. MDS (Music
Distribution Services)
#KECF 15. Published by
MDS (Music Distribution
Services) (M7.KECF-15).
ISBN 9790502360153.
German English.
Die
Toccata als virtuose und
klangvolle Komposition
für Tasteninstrumente
entstand im 16.
Jahrhundert. Die
vorliegende
zeitgenössische
Toccata für 4
Trompeten ist ein ideales
Stück für ein
Klassenvorspiel und
demonstriert die ganze
klangliche Bandbreite
dieses Instruments.
Stimmen in B und C.
Viola SKU: BT.EMM120-004 Complete methode voor individueel en groepson...(+)
Viola
SKU:
BT.EMM120-004
Complete methode voor
individueel en
groepsonderwijs.
Method. Book with Online
Audio. Composed 2020. 84
pages. Educatieve Muziek
en Media #EMM120-004.
Published by Educatieve
Muziek en Media
(BT.EMM120-004).
Dutch.
Dit boek
is het vervolg op
Altvioolwereld 1.
De methode kan zowel
individueel als in de
groepsles worden
gebruikt. Naast het boek
bevat de methode een
website waar je onder
andere demo- en
begeleidingstracks kunt
downloaden. Verder vind
je
demonstratievideo’
s en pdf-bestanden met
begeleidingspartijen voor
altviool of piano op de
website.
Deel 2 van
deze methode bevat voor-
en naspeeloefeningen,
eenvoudige technische
opdrachten en liedjes die
je uit je hoofd kunt
spelen. Omdat de
leerlingen ook thuis goed
moeten weten wat ze
moeten doen, zijn de
opdrachten heel precies
omschreven aan de hand
van tekst, foto’s
en tabulatuur en zijn ze
vaak met
voorbeeldvideo’s
ondersteund. Vergeleken
met deel 1 bevat dit
tweede deel meer liedjes
en oefeningen die in
notenschrift zijn
genoteerd.
In feite
slaat
Altvioolwereld een
brug tussen het
traditionele leren via
notenschrift en het op
gehoor leren zoals
gebeurt in het
Suzuki-onderwijs en in de
pop-, jazz- en
volksmuziek.
Adagietto Ensemble d'Accordéons - Facile De Haske Publications
Accordion Orchestra - Grade 2 SKU: BT.DHP-1002062-060 Composed by Jacob D...(+)
Accordion Orchestra -
Grade 2
SKU:
BT.DHP-1002062-060
Composed by Jacob De
Haan. Arranged by Uta
Gerhardt. Accordion.
Festive and Solemn Music.
Set (Score and Parts).
Composed 2000. De Haske
Publications #DHP
1002062-060. Published by
De Haske Publications
(BT.DHP-1002062-060).
With Adagietto
Jacob de Haan
demonstrates his ability
to write in all kinds of
styles. A sense of pure
calm emanates from the
flowing main melody. The
tasteful orchestration
fully supports the
harmonic suspense as the
piece progresses towards
a fantastic climax at the
end.
Met het werk
Adagietto bewijst
Jacob de Haan eens te
meer dat hij kan
schrijven in allerlei
stijlen. De vloeiende
hoofdmelodie van
Adagietto straalt
niets anders dan rust
uit. De smaakvolle
instrumentatie
ondersteuntde harmonische
spanning op weg naar een
goed in het gehoor
liggend hoogtepunt aan
het slot.
Mit
seinem Werk
Adagietto
demonstriert Jacob de
Haan seine besondere
Fähigkeit, in den
unterschiedlichsten
Musikstilen zu
komponieren. Die
flieÃ?ende Hauptmelodie
des Adagietto
strahlt ein Gefühl der
absoluten Ruhe aus. Vor
allem die geschmackvolle
Orchestrierung
unterstützt die
spannungsgeladenen
Harmonien und führt
diese bis zum
genüsslichen
Höhepunkt am Ende des
Werkes.
Clarinet and Piano SKU: BT.CAMCM236 Composed by Malcolm Miles. Jazz. Book...(+)
Clarinet and Piano
SKU: BT.CAMCM236
Composed by Malcolm
Miles. Jazz. Book with
CD. 38 pages. Camden
Music #CAMCM236.
Published by Camden Music
(BT.CAMCM236).
Jazz
Routes is a
stimulating and practical
collection of progressive
jazz pieces for Clarinet,
by Malcolm Miles. The
nine terrific
compositions cover a wide
range of rhythmic and
harmonic styles. Includes
a CD
containingdemonstration
tracks as well as
recorded piano
accompaniments.
Viola (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.OB-5558-19
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-19.
Published by Breitkopf
and Haertel
(BR.OB-5558-19).
ISBN
9790004344675. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
The Legend Of Spirit Island Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.AMP-449-010
For
Euphonium and Band.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2017.
Anglo Music Press #AMP
449-010. Published by
Anglo Music Press
(BT.AMP-449-010).
English-German-French-
Dutch.
The
Legend of Spirit
Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap of the St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter of
Ojibwe Chief Buckado. He
was handsome and she was
beautiful; it
wasn’t long before
they fell in love. This
is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical
sections.
The
Legend of Spirit
Island werd
geschreven in opdracht
van de het Twin Ports
Wind Orchestra uit
Duluth, Minnesota
(dirigent Mark Whitlock)
als eerbetoon aan
euphoniumspeler Dick
Carlson. De titel van het
werk is afkomstig van een
lokale legende over
Spirit Island, dat dicht
bij Duluth in een
verbreding van de St.
Louis River Spirit Lake
¬ligt. Deze legende
gaat over Chaska, de zoon
van een
Dakota-opperhoofd, en
Wetona, de dochter van
Ojibwe-opperhoofd
Buckado. Hij was knap en
zij was mooi; het duurde
niet lang of de twee
waren verliefd op elkaar.
De uitdagende
euphoniumsolo biedt de
solist de mogelijkheid om
expressieve melodieën
te verkennen en zijn of
haarspeelvaardigheid te
demonstreren.
The Legend of
Spirit Island wurde
vom Twin Ports Wind
Orchestra aus Duluth,
Minnesota (Dirigent: Mark
Whitlock), in Auftrag
gegeben, um den
Euphoniumspieler Dick
Carlson zu ehren. Der
Titel des Stückes
leitet sich von einer
Legende über die Insel
Spirit Island ab, die in
einem Bereich des St.
Louis River liegt, der
Spirit Lake genannt wird.
Die Legende handelt von
Chaska, dem Sohn eines
Dakota-Häuptlings, und
Wetona, der Tochter des
Ojibwe-Häuptlings
Buckado. Er war gut
aussehend und sie war
schön, und so dauerte
es nicht lange, bis sie
sich ineinander
verliebten. In diesem
anspruchsvollen Stück
kann der Euphonium-Solist
sehr ausdrucksvolle
melodische Sequenzen,
aber auchenergiegeladene,
technische Abschnitte
erkunden.
The Legend of
Spirit Island è
stata commissionata dalla
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
direttore), per onorare
il suonatore di eufonio
Dick Carlson. Il titolo
si ispira da una leggenda
locale sullo spirito
dell’isola, che si
troverebbe in un punto
del fiume St.Louis
chiamato Spirit Lake. La
leggenda racconta la
storia di Chaska, il
figlio di Dakota Chief, e
Wetona,la figlia di
Ojibwe Chief Buckado. Lui
era bello e lei era
bellissima; non passò
molto tempo prima che si
innamorassero. Un brano
per eufonio solista molto
impegnativo nel quale un
solista con versatilit
può esplorare sequenze
melodiche molto
espressive, oltre a
sezioni
tecnicheenergiche.
Adagietto Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2 SKU: BT.DHP-0981382-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-0981382-120
Composed by Jacob De
Haan. Performance Series.
Festive and Solemn Music.
Score Only. Composed
1998. De Haske
Publications #DHP
0981382-120. Published by
De Haske Publications
(BT.DHP-0981382-120).
With Adagietto
Jacob de Haan
demonstrates his ability
to write in all kinds of
styles. A sense of pure
calm emanates from the
flowing main melody. The
tasteful orchestration
fully supports the
harmonic suspense as the
piece progresses towards
a fantastic climax at the
end.
Mit
Adagietto
demonstriert Jacob de
Haan einmal mehr seine
besondere Fähigkeit,
in den
unterschiedlichsten
Musikstilen zu
komponieren. Die
fließende Hauptmelodie
strahlt ein Gefühl der
absoluten Ruhe aus. Vor
allem die geschmackvolle
Orchestration
unterstützt die
spannungsgeladenen
Harmonien und führt
diese bis zum
genüsslichen
Höhepunkt am Ende des
Werkes.
Adagietto Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-0981382-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-0981382-140
Composed by Jacob De
Haan. Performance Series.
Festive and Solemn Music.
Score Only. Composed
1998. De Haske
Publications #DHP
0981382-140. Published by
De Haske Publications
(BT.DHP-0981382-140).
With Adagietto
Jacob de Haan
demonstrates his ability
to write in all kinds of
styles. A sense of pure
calm emanates from the
flowing main melody. The
tasteful orchestration
fully supports the
harmonic suspense as the
piece progresses towards
a fantastic climax at the
end.
Mit
Adagietto
demonstriert Jacob de
Haan einmal mehr seine
besondere Fähigkeit,
in den
unterschiedlichsten
Musikstilen zu
komponieren. Die
fließende Hauptmelodie
strahlt ein Gefühl der
absoluten Ruhe aus. Vor
allem die geschmackvolle
Orchestration
unterstützt die
spannungsgeladenen
Harmonien und führt
diese bis zum
genüsslichen
Höhepunkt am Ende des
Werkes.
Violoncello (3(picc)2.2.2
- 4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.OB-5558-23
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Part. 24 pages. Duration
44'. Breitkopf and
Haertel #OB 5558-23.
Published by Breitkopf
and Haertel
(BR.OB-5558-23).
ISBN
9790004344682. 10 x 12.5
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Accompaniment/Performance CD Choral (Performance/Accompanimen t CD) SKU: HL.3...(+)
Accompaniment/Performance
CD Choral
(Performance/Accompanimen
t CD)
SKU:
HL.35023790
Composed
by Fanny J. Crosby and
William H. Doane.
Arranged by Joseph M.
Martin. Shawnee Sacred.
Choral. CD. Shawnee Press
#MD5231. Published by
Shawnee Press
(HL.35023790).
UPC:
884088421199.
5.0x5.0x0.178
inches.
Here is a
festive traditional
treatment of the
celebrated hymn by Fanny
Crosby and William Doane.
The opening choral
fanfare gives way to the
familiar hymn of praise
with gentle polyphony and
rich, powerful harmonies.
Written for Christ the
King, Reformation,
homecoming, or any time
there is a call for a
demonstrative worship
declaration, this hymn
classic will speak.
Choose the brass and
percussion options with
organ for a dramatic and
sonorous experience.