Messa d'morti. Par DURANTE FRANCESCO. The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. - First publication - Urtext edition - Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) - Full score and orchestral material also available (EP73044) The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. - First publication - Urtext edition - Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) - Full score and orchestral material also available (EP73044)./ Répertoire / Solistes, Choeurs et Piano

Breathe. Par PATELLA FRED THOMAS. Les sept Fanfares Vocal est une oeuvre de cappella écrite spécialement pour choeur de la cathédrale des filles de renommée Christ Church à Dublin, en Irlande, adaptées à leur timbre plus inhabituels et les talents. La musique est également conçue pour satisfaire les attributs acoustiques du célèbre crypte de la cathédrale, la crypte cathédrale plus importante en Europe./ Feuillet / 5 Parties Voix Aigües

Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLESI GIOVANNI BATTISTA. Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples, Pergolesi limited his composition to the “Kyrie” and “Gloria”. The festive character of the work is emphasized by the rich scoring for vocal soloists, five-part choir and a full orchestra of strings and winds. This edition, made with strict philological criteria, is based as its main source on a set of parts preserved partly in Naples, partly in Montecassino. These parts were made for aperformance conducted by the composer, who added various autograph annotations. Among the secondary sources are two period Neapolitan scores, today in Bologna and Dresden. The book includes a historical introduction (which traces the history of the genre in Naples and the relationship between the two Masses by Pergolesi) and the critical notes. / Niveau : Intermédiaire / Messe / Répertoire / Voix et Piano Réduction

Par RIDGLEY SARA / MOLE GAVIN. This show creates a musical journey through the last ten centuries featuring tales of what really happend to characters of the Bayeux Tapestry at night; 11 century Britain with the 'Domesday Crew'; Thomas a Becket in Canterbury Cathedral; King John and the Magna Carta; The Black Death rocking Europe; the elusive Robin Hood in Sherwood Forest; Geoffrey Chaucer, researching his next book; Joan of Arc on trial for witchcraft; the six queens of Henry VIII; Guy Fawkes, the not-so-successful espionage agent; Captain Cook's around the world voyages; the Industrial Revolution and Victorian Age; the evacuees of World War II; and the technological developments of the 20thCentury. Suitable for Key Stages 2 and 3. Suitable for non-specialist teachers. Includes a compendium of ideas for staging (including costumes, props and casting), fundraising, advertising and general behind-the-scenes duties./ Recueil / Chant

Dixit et Magnificat comprises the earliest vesper sections of all the vesper services and vesper psalm settings that Mozart wrote. Like the later complete vesper services, it was one of the works of church art commissioned for prestige purposes as was the custom at all well-known courts in Europe / Choeur et ensemble vocal / Carus

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par SCHUMANN CLARA. Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected of a woman at that time, she created numerous outstanding piano works and songs that are at least the equal of those of her male contemporaries. However, society at that time did not allow women to be regarded as fully-fledged composers or for their works to be appreciated adequately. To help give this important composer the recognition she deserves, Edition Peters, in collaboration with the Schumann-Haus Leipzig, is now, on the occasion of her 200th birthday, publishing this Anniversary Songbook. The 14 songs, representing the pinnacle of Clara's art, were composed mainly in the period after her marriage in Leipzig to Robert Schumann - who was her greatest champion. This volume includes: - new practical editions of 14 of Clara Schumann's greatest songs - introductions to each song, written by Frances Falling, Schumann-Haus Leipzig - new English translations of the song lyrics - a CD containing recordings of the piano accompaniments/ Répertoire / Voix Haute et Piano

Passionnant répertoire contemporain nivelé spécifiquement pour des performances GCSE!Accompagné par des commentaires d'experts pour aider vos élèves à se préparer, cette série permettra aux artistes GCSE à réaliser leur potentiel avec le matériel qu'ils veulent vraiment jouer:Couvrant une gamme d'instruments populaires, la série a été compilé par des enseignants instrumentale et pour les instruments rock par les examinateurs de pas de l'Europe. 1 planche d'examen rock, Rockschool, et tous ont été approuvés par notre éditeur de la série, une personne âgée GCSE examinateur.Convient pour tous les conseils d'examen, chaque livre contient dix chansons et couvre une gamme de difficulté approprié pour le niveau du GCSE.Chaque livre est accompagné d'un CD de morceaux d'accompagnement professionnels, et les chansons ont été soigneusement choisis pour fournir aux étudiants la meilleure occasion de montrer leur instrument et de compétences, avec un large éventail d'artistes et de styles allant des charts actuels comme Take That , Coldplay, Cee-Lo Green et Adele aux grands classiques comme les Beatles, Bon Jovi, Oasis et Led Zeppelin. / Voix Et Piano

80 Arrangements For Weddings And Celebrations. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it's for an engagement or a wedding, for Valentine's Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music./ Répertoire / Chant et Piano

Ces arrangements art merveilleusement complexe, sophistiqué et élégant de la musique par le compositeur Richard Walters de chansons classiques par Richard Rodgers, Cole Porter et George Gershwin sont conçus pour flatter un pianiste et chanteur classique et ont été largement réalisées en Amérique du Nord et en Europe par des professionnels et des étudiants avancés. Comme un interprète, ' les arrangements sont tellement riches qu'ils deviennent des chansons de l'art sur leur propre. ' Initialement publié en 1992 comme des ensembles de livre/cassette (maintenant out of print), cette édition réimprimée rend ces arrangements distinctives à nouveau disponible./ Recueil / Chant et Piano

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

All 13 songs from the second studio album release by this Las Vegas-based rock band which reached number one in the UK Albums chart.Imagine Dragons are in tour in the UK and Europe throughout October and November 2015. / Piano/Vocal/Guitare (PVG)

Par FARCINKIEWICZ LUKASZ. This work, setting passages from the Song of Songs, was written in 2016 to a commission from the Choir of the National Forum of Music (to which it is dedicated). It has been recorded twice: on the disc Common Europe: Wroclaw and San Sebastián, and then for the album Ubi Caritas. Both discs were recorded under the baton of Agnieszka Franków-Zelazny at the NFM Concert Hall./ Répertoire / Chœur Mixte et Piano

Edition no.: BA 5692-90ISMN: 9790006535453Volume / Series: Female ChoirEditor: Bruno, MalcolmArranger: Bruno, MalcolmLanguage(s) of work: LatinLanguage(s) of text: English, GermanProduct format: Piano reductionPergolesi?s famous ?Stabat mater?, a work for two soloists, strings and continuo quickly became a success throughout Europe.However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists.In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices.The added parts are derived from the existing musical material. These lend this well-known work a completely new charm and provide a welcome addition to the repertoire for choral concerts.- Arrangement for female choir (SMA) based on the Bärenreiter Urtext edition of the original work- Clear, straightforward piano reductionThe arrangerMalcolm Bruno is the editor of the Urtext edition of the ?Stabat mater? (BA 7679) and a renowned expert in 18th century Italian music.