SA vocal soli, [SA
choir], 2 violins, viola,
basso continuo
SKU:
CA.3530205
Arrangement of the
Stabat Mater by Giovanni
Battista Pergolesi.
Composed by Giovanni
Battista Pergolesi.
Edited by Diethard
Hellmann, Diethard
Hellmann. Arranged by
Johann Sebastian Bach.
Tilge, Hochster (Arr.
Bach). Sacred vocal
music, Psalms, German.
Choral Score. BWV 1083.
12 pages. Duration 44
minutes. Carus Verlag #CV
35.302/05. Published by
Carus Verlag
(CA.3530205).
ISBN
9790007052331. Language:
German.
After the
Stabat Mater by Giovanni
Battista Pergolesi
(1710-1736), BWV 1083.
Score available
separately - see item
CA.3530200.
Composed by
Giovanni Battista
Pergolesi. Arranged by
Martha Lynn Thompson.
General Worship, Sacred.
Handbell score. Hope
Publishing Company #1971.
Published by Hope
Publishing Company
(HP.1971).
UPC:
763628019716. By Giovanni
Pergolesi. 1 Timothy
1:17, Luke
2:14.
Hymn tune by
Giovanni
Pergolesi Giovanni
Pergolesi's original work
has been set here for 3-4
octaves of bells and
optional 3 octaves of
handchimes and keyboard.
The keyboard picks up the
sixteenth-note figures
while the bells ring the
melody backed up by
chordal texture. The
handchimes part is made
up of quarter and
half-note chords,
however, there are some
chords tied across the
bar line. Level two
pieces with this full
sound should be welcome
by directors of those
choirs.
Chorus (with soloists) and orchestra (solos: SA - choir: SA(ad lib) - org - str)...(+)
Chorus (with soloists)
and orchestra (solos: SA
- choir: SA(ad lib) - org
- str)
SKU:
BR.CHB-5171-02
Urtext. Composed
by Giovanni Battista
Pergolesi. Choir;
stapled. Chor-Bibliothek
(Choral Library). Baroque
period. Choral score. 16
pages. Duration 50'.
Breitkopf and Haertel
#ChB 5171-02. Published
by Breitkopf and Haertel
(BR.CHB-5171-02).
ISBN
9790004410950. 7.5 x 10.5
inches.
In Naples,
late in the year 1734,
Giovanni Battista
Pergolesi obtained a
commission from a
brotherhood of noblemen
to write a new setting of
the Stabat mater text in
order to replace the work
of Alessandro Scarlatti,
who had passed away in
1725. This work, too, was
to be limited to two
vocal parts, which
reflects the intimate
character of this
devotional work. Just a
few years after its
creation, Pergolesi's
Stabat mater setting
became known throughout
the entire musical world,
regardless of all
religious boundaries. No
other musical work was
printed and copied more
often in the 18th century
than the Stabat mater.
The present edition is
based on the autograph,
which contains
corrections and
deletions. It seems to
have been hastily
transcribed from sketches
intended for the
copyist's use. The
publisher thus faced a
particularly challenging
task here.Besten Dank fur
die Bereitstellung von
Notenmaterial auf dem
letzten Stand fur gerade
dieses hervorragende
Meisterwerk!(Singende
Kirche)Breitkopf stellt
zu seiner Ausgabe des
Stabat-Maters eine
Taschenpartitur zur
Verfugung - eine nach den
Quellen sorgfaltig
erstellte, vorbildliche
Ausgabe in
ubersichtlichem Druck und
ausfuhlichem
Vorwort.(Wurttembergische
Blatter fur
Kirchenmusik).
Choral (SAB Choir) SKU: HL.35015742 Composed by Giovanni Battista Pergole...(+)
Choral (SAB Choir)
SKU: HL.35015742
Composed by Giovanni
Battista Pergolesi.
Arranged by Patrick M.
Liebergen. Shawnee Press.
Classical, Concert,
Sacred. Octavo. 16 pages.
Shawnee Press #D0567.
Published by Shawnee
Press (HL.35015742).
UPC: 747510049876.
6.75x10.5
inches.
Based on
“Ritorni al nostro
cor la bella pace”
from Salustia by
Giovanni Battista
Pergolesi (1710-1736),
“O Sing This
Festive Day!” is a
majestic opening number
for school programs or
church services.
Incorporating optional
hand drum and trumpet
(parts are included in
the choral), it is also a
good supplement for music
history studies. “O
Sing This Festive
Day!” gives singers
an excellent taste of
Baroque music without
being difficult to
learn.
Organ SKU: KU.OCT-10173_ORG Composed by Giovanni Battista Pergolesi. Edit...(+)
Organ
SKU:
KU.OCT-10173_ORG
Composed by Giovanni
Battista Pergolesi.
Edited by Giovanni
Battista Pergolesi. Bach
format (230 x 302).
Staple Bound. Part. 28
pages. Edition Kunzelmann
#OCT-10173_ORG. Published
by Edition Kunzelmann
(KU.OCT-10173_ORG).
Viola SKU: KU.OCT-10173_VA Composed by Giovanni Battista Pergolesi. Edite...(+)
Viola
SKU:
KU.OCT-10173_VA
Composed by Giovanni
Battista Pergolesi.
Edited by Giovanni
Battista Pergolesi. Bach
format (230 x 302).
Staple Bound. Part. 10
pages. Edition Kunzelmann
#OCT-10173_VA. Published
by Edition Kunzelmann
(KU.OCT-10173_VA).
Nach dem "Stabat Mater" von Giovanni Battista Pergolesi. By Giovanni B...(+)
Nach dem "Stabat
Mater" von Giovanni
Battista Pergolesi. By
Giovanni Battista
Pergolesi. Edited by
Diethard Hellmann.
Arranged by Johann
Sebastian Bach / Paul
Horn. For Soli SA, 2
Violins, Viola, Basso
continuo. BWV 1083.
Piano/Vocal score.
Language: German/English.
44 pages. Duration 44
min. Published by Carus
Verlag (German import).
Cello, double bass SKU: KU.OCT-10173_VCKB Composed by Giovanni Battista P...(+)
Cello, double bass
SKU:
KU.OCT-10173_VCKB
Composed by Giovanni
Battista Pergolesi.
Edited by Giovanni
Battista Pergolesi. Bach
format (230 x 302).
Staple Bound. Part. 9
pages. Edition Kunzelmann
#OCT-10173_VCKB.
Published by Edition
Kunzelmann
(KU.OCT-10173_VCKB).
Trombone and Piano - advanced SKU: CY.CC2938 Composed by Giovanni Battist...(+)
Trombone and Piano -
advanced
SKU:
CY.CC2938
Composed by
Giovanni Battista
Pergolesi. Arranged by
Ralph Sauer. Italian
Baroque. Solo part and
Piano accompaniment. 24
pages. Cherry Classics
#2938. Published by
Cherry Classics
(CY.CC2938).
ISBN
9790530057575.
Orig
inally written for Cello,
Ralph Sauer's brilliant
arrangement of the
Pergolesi Sinfonia
(Sonata) for Trombone and
Piano (or Harpsichord)
has become a standard
work in the solo
repertoire. This new
edition which replaces
the previous one comes
with some notable
changes. Below is Mr.
Sauer's
description. This new
edition of the Pergolesi
Sinfonia in F is an
update of the original
version which was first
published 40 years ago
(!) and is now
permanently out of print.
Movements one, two, and
three are essentially the
same. I have corrected a
few errors in the
keyboard part and also
revised some of the
notationâ€â€
notably, grace notes are
now placed correctly.
(The original publisher
insisted that they should
be placed after barlines,
causing confusion as to
whether they were to be
played on the beat or
before the beat.) In
the last movement, there
are now two places where
the keyboard takes over
the solo line. In
addition to providing
much needed rest for the
trombonist, it gives a
change of color and a
chance for the keyboard
player to be the soloist
for a few
measures. The
original version of the
last movement is also
included as an appendix
for those who would
rather perform the
original. Ralph
Sauer
Los
Angeles, 2017