Composed in 1748, Handel's oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre.He attached special importance to the choir: rarely does Handel's music have such extended choral numbers, ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts.This vocal score is based on the 'Halle Handel Edition? volume BA 10709.- Urtext edition based on the 'Halle Handel Edition?- Bilingual foreword (Ger/Eng)- Clear idiomatic piano reduction / Voix

Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover.

Classic Choral Works. Par HAYDN FRANZ JOSEF. for soloists, SATB chorus, and orchestra or piano A scholarly performing edition of one of Haydn's most popular works, with a faithful piano reduction that is both clear and playable. The text is in Latin. Orchestral material and vocal scores are available on hire. / Niveau : Facile à Moyennement Difficile / Répertoire / Chant

Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Franz Schubert. It was originally scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis. / Urtext / Répertoire / Travaux Pour Choeurs

Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

Come, Thou the Saviour of man (2nd Version)
Edition : study score
Instrumentation : 3 solo parts, choir and orchestra
Catalogue of works : BWV 62
Duration : 24'
Date of Publications : 12/08/1981
Number of Pages : 44
Language : German - English
Arranger : Grischkat, Hans
Series : Eulenburg Miniature Scores
Contenu
- Vorwort
- Preface
- I. Nun komm, der Heiden Heiland (Choral)
- II. Bewundert, o Menschen, dies große Geheimnis (Tenor)
- III. So geht aus Gottes Herrlichkeit und Thron (Bass)
- IV. Streite, siege, starker Held! (Bass)
- V. Wir ehren diese Herrlichkeit (Sopran/Alt)
- VI. Lob sei Gott, dem Vater (Choral)

May Peace be unto you
Edition : study score
Instrumentation : solo-bass, choir and chamber orchestra
Catalogue of works : BWV 158
Duration : 13'
Date of Publications : 12/08/1981
Number of Pages : 20
Language : German - English
Arranger : Grischkat, Hans
Series : Eulenburg Miniature Scores
Contenu
- Vorwort
- Preface
- I. Der Friede sei mit Dir (Bass)
- II. Welt, ade, ich bin dein müde (Bass)
- III. Nun Herr, regiere meinen Sinn (Bass)
- IV. Hier ist das rechte Osterlamm (Choral)

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Violon II

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Choeur Mixte (SATB)

Nelson Mass. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / SATB, Choeur Mixte à 4 Voix et Orchestre

Klavierauszug nach dem Urtext der Haydn-Gesamtausgabe

Edition : Piano Reduction/Vocal Score
Editor : Thomas, Günter
Binding : paperbound
Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Flute, 2 Oboe, 2 Clarinet (b flat), Bassoon, 2 Horn, 3 Trumpet, Kettledrum, Strings, Basso continuo

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon II