The Original First and Second Books including Dowland's Original Lute Tablature. Par DOWLAND JOHN. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled. Considered the greatest lute virtuoso and composer of the English school in the early 17th Century, John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield, who referred to Dowland as one '. . . whose heav'nly touch upon the lute doth ravish human sense. ' As a composer, Dowland displayed a versatility of mood, with works ranging from the lighthearted to the deeply serious, exquisitely melancholic vein in which he excelled./ Répertoire / Voix et Guitare

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away, come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains/ Répertoire / SATB

Par DOWLAND JOHN. Dowland's first book of ayres accompanied by lute, with tablature. Also with a keyboard realisation/ Répertoire / Chant et Piano

Thierry Escaich : Night's birds - sur des textes de John Dowland Ch'urs à 4 voix mixtes et/ou piano/orgue et ensemble - Ch'urs mixtes Auteur : John Dowland Night's Birds, pour choeur et violoncelle, prend son inspiration dans deux chansons de John Dowland : Flow my tears et Can she excuse my wrongs, mais c'est avant tout l'atmosphère sombre et désespérée du premier poème qui guide l'évolution formelle de l''uvre. A plusieurs reprises, la rythmique plus légère, ternaire et syncopée de la seconde chanson (évoquant ce monde des passions et des luttes encore possibles) tente de s'imposer comme une sorte de souvenir à peine déformé de la version initiale de Dowland, mais à chaque fois c'est pour mieux retomber dans l'univers glaçant et sans espoir de Flow my tears, son lyrisme noir obsessionnel et ses enchevêtrements de lignes descendantes souvent chromatiques. Seule la fin laisse apparaître une sorte de sérénité mêlée d'abandon comme un chant venu d'au-delà des enfers. Le style polyphonique rappelle alors celui de la Renaissance anglaise et une musique plus diatonique conclut la pièce, à peine teintée de bribes éparses du climat précédent. Le violoncelle, après avoir été souvent intégré au discours vocal, ou avoir rivalisé avec les voix dans l'aspect déclamatoire (tel un double choeur) ou encore après avoir servi de base rythmique à l'ensemble, clôt la pièce par un chant éthéré et lent, comme une lueur dans ce nocturne tourmenté. Commande de Vocello. Création du 17 août 2016, durant le Festival du Périgord Noir à Saint-Léon-sur-Vézère, par Henri DEMARQUETTE (violoncelle) et l'Ensemble Sequenza 9.3 sous la direction de Catherine SIMONPIETRI.

Par DOWLAND JOHN. Songs 26-50 / Répertoire d'Examen / Répertoire / Chant et Piano

Barker Noelle (Compiler). Par BARKER NOELLE. Compiled by Noelle Barker CONTENTS BUSH, Geoffrey: The end of love (C - F) DOWLAND, John: Come away, come sweet love (F sharp - F) HATTON, John Liptrot: The Hag (A - F) HOLST, Gustav: Betelgeuse (B - F) IRELAND, John: My true love hath my heart (D - F sharp) PARRY, Hubert: Dirge in the woods (B - E) PINTO, George Frederick: Invocation to nature (D - F) PURCELL, Henry: Dear pretty youth (D - E); Sweeter than roses (B - E) SULLIVAN, Arthur: The Willow Song (B - E) THIMAN, Eric: I wandered lonely as a cloud (C - F) WEBB, William: As life what is so sweet (C - E) WELDON, John: The wakeful nightingale (D - F)/ Recueil / Chant et Piano

Book 4. Par FELLOWES E.H.. Edited by Edmund Fellowes CONTENTS ATTEY, John: On a time the amorous Silvy (A - D) CAMPION, Thomas: Fair, if you expect admiring (B - C); Follow thy fair sun (C sharp - C sharp) CAVENDISH, Michael: Finetta, fair and feat (D - D) DOWLAND, John: Fine knacks for ladies (C - D); I saw my lady weep (D - D) FORD, Thomas: Come, Phyllis, come into these bow'rs (D sharp - D); Not full twelve years twice old (A - E) JONES, Robert: Love's god is a boy (C - C) PILKINGTON, Francis: Now peep, Bo peep (B - D)/ Recueil / Chant et Piano

34 polyphonies de la Renaissance à nos jours, en complément du volume 1.80 pages. Format : 16 x 24 cm / Choeur Mixte / 80 pages / Partition

Description Soprano. This series of 5 book/online audio packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert and Sullivan. Après Un Rêve (Fauré) Blow, Blow Thou Winter Wind (Arne) Breit' Über Mein Haupt (R. Strauss) Chanson D'amour (Fauré) Come Again, Sweet Love [Dowland, John] Come L'allodoletta (Donaudy) Das Veilchen (Mozart) Deh Vieni, Non Tardar (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Del Cabello Más Sutil (Obradors) Du Bist Die Ruh [Schubert, Franz] El Majo Discreto [Granados, Enrique] Flow My Tears [Dowland, John] Gretchen Am Spinnrade (Schubert) I Attempt From Love's Sickness (Purcell) If Music Be The Food Of Love (First Version) (Purcell) Intorno All'idol Mio (Cesti) It Was A Lover And His Lass (Quilter) L'abbandono (Bellini) Love's Philosophy [Quilter, Roger] O Mio Babbino Caro (Gianni Schicchi) [Puccini, Giacomo] Pie Jesu (Requiem) [Faure, Gabriel] Plaisir D'Amour [Martini, Giovanni Paolo] Ridente La Calma (Mozart) Si Mes Vers Avaient Des Ailes (Hahn) The Silver Swan [Gibbons, Orlando] The Sun, Whose Rays Are All Ablaze From The Mikado (Sullivan) Vergebliches Standchen [Brahms, Johannes] Weep You No More [Quilter, Roger] Where The Bee Sucks (Arne) Wie Melodien Zieht Es Mir (Brahms)