Par IRELAND JOHN. JOhn Ireland's Sea Fever Baritone Solo, TTBarB Choir and Piano Arranged by Mansel Thomas. JOhn Ireland's Sea Fever Baritone Solo, TTBarB Choir and Piano Arranged by Mansel Thomas./ Répertoire / Baryton Solo, TTBB et Piano

Medium Voice. Par IRELAND JOHN. The Complete works for Medium Voice and Piano, by John Ireland. This second volume contians eighteen terrific settings of some real masterpieces! Set for the Associated Board and Guildhall School examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Par IRELAND JOHN. John Ireland's Greater Love Hath No Man for SATB Choir with Organ accompaniment./ Répertoire / SATB et Orgue

Par KING ROBERT / RUTTER JOHN. Oxford Choral Classics: anglais Church Music rassemble en deux volumes d'environ 100 des plus beaux exemples de l'anglais la musique chorale sacrée des cinq derniers siècles. Le premier volume, consacré aux hymnes et motets, présente à la fois favoris et des Oeuvres moins connues, de la polyphonie de la Renaissance exceptionnelle Taverner, Tallis, Byrd et, à travers la restauration dirigée par Purcell, les Oeuvres glorieuses de la grande XIXe et XXe siècles compositeurs-siècle, y compris Wesley, Elgar, Stanford, Vaughan Williams, et Howells. Le volume contient un certain nombre d'Oeuvres plus importantes, y compris de Mendelssohn Ecoute ma prière, Stainer, je vis le Seigneur, et dicentis Naylor Vox: Clama, ainsi qu'une belle sélection de pièces plus courtes, de Gibbons O Seigneur, dans ta colère pour définir Walton moi comme un sceau sur ton cOeur. Avec le volume second compagnon de cantiques et de réponses, cette collection présente bipartite une enquête approfondie de la musique sacrée anglaise à son meilleur. / Recueil / Chant

Volume 4. Par IRELAND JOHN. CONTENTS Blow out your bugles (E – F) Earth’s call: A sylvan rhapsody (D – F) English May (B flat – E flat) I was not sorrowful (C – D) I will walk on the earth (C – E) Memory (B – D) Penumbra (A – F) Soldier (D – F) Spleen (C – C sharp) Spring sorrow (C – D) When daffodils begin to peer (C – E) Youth’s Spring tribute (B flat – G) / Niveau : Moyen / Répertoire / Chant et Piano

Volume 3. Par IRELAND JOHN. CONTENTS All in a garden green (D - E) Aside (B - E) Beckon to me (C - E) Dear think not that they will forget you (C - F) Great things (C - E) Her song (C - D) In Boyhood (C sharp - F) In my sage moments (C - E) It was what you bore with you, woman (D sharp - E) Report song (C - E) Summer schemes (C - F) Sweet season (D - E) Thanksgiving (C sharp - E) Tragedy of that moment (B flat - D) Weathers (C - D) We'll to the woods no more (E flat - F) Set for the Associated Board, Guildhall School, London College and Trinity College examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953, when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey, being preceded the evening before by the premiere of 'Silence and Music', fourth of ten partsongs of A Garland for the Queen, commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch. Long unavailable except as separate items from individual publishers, this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format, allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and, in 2013, the 60th anniversary of the Coronation itself. In addition to VW's contribution, A Garland for the Queen includes important settings by Bax, Berkeley, Bliss, Finzi, Howells, Ireland, Rawsthorne, Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax, Edmund Blunden, Paul Dehn, Christopher Fry, Christopher Hassall, James Kirkup, Louis MacNeice, Walter de la Mare, Henry Reed and Ursula Wood. Intended as a counterpart to The Triumphs of Oriana of 1601, the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley, A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration, from the airy five-part ensemble of Bax's 'What is it like to be young and fair?', and the soprano solo with SATB of Rawsthorne's Canzonet, to the lustrous contrasting of male and female timbres in Bliss's Aubade, and the rapturous eight-part setting of/ Recueil / Voix Mixtes

And Other Songs. Par IRELAND JOHN. Introduction by John Longmire CONTENTS Encounter (G - G) Epilogue (F - A flat) Goal and wicket (E - G) If we must part (D - E) Ladslove (F - A flat) Lent Lily (G - F sharp) Vain desire (E - A flat) What art thou thinking of (E - G flat) When lights go rolling (D - F sharp) Set for the Associated Board DipABRSM and LRSM examinations. Introduction by John Longmire CONTENTS Encounter (G - G) Epilogue (F - A flat) Goal and wicket (E - G) If we must part (D - E) Ladslove (F - A flat) Lent Lily (G - F sharp) Vain desire (E - A flat) What art thou thinking of (E - G flat) When lights go rolling (D - F sharp) Set for the Associated Board DipABRSM and LRSM examinations./ Répertoire / Chant et Piano